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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | ▲ Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1099 | Textbeitrag | T-530-01 | Tom Jobim and the Bossa Nova | Reiley, Suzel Ana | Popular Music | 15 | 1996 | 530 | Worldmusic | Bossa Nova | Musiker, Lateinamerika, Stil | S. 1-16 | 2009-04-23 13:15:06 | |||||||||
| 1137 | Textbeitrag | T-510-01 | Looking to the USA: the politics of male close-harmony song style in South Africa during the 1940s and 1950s | Ballantine, Christopher | Popular Music | 18/1 | 1999 | 510 | Worldmusic | Worldmusic Afrika | Worldmusic Afrika, Singen, 1940er, 1950er, Stil | S. 1-18 | 2009-06-25 13:39:37 | |||||||||
| 1118 | Textbeitrag | T-870-06 | Music, blackness and national identity: three moments in Colombian history. | Wade, Peter | Popular Music | 17/1 | 1998 | World music | Lateinamerika, Politik, Ethnologie | S. 1-20 | 2009-05-07 11:42:46 | |||||||||||
| 1072 | Textbeitrag | T-800-16 | The jazz essays of Theodor Adorno: some thoughts on jazz reception in Weimar Germany | Robinson, J. Bradford | Popular Music | 13 | 1994 | 400 | Jazz | Jazz, Rezeption, Theorie, Soziologie, Deutschland, 1930er | S. 1-25 | 2009-07-02 12:17:01 | ||||||||||
| 1104 | Textbeitrag | T-530-03 | Guns and Roses: bossa nova and Brazil's music of popular protest, 1958-68 | Treece, David | Popular Music | 16/1 | 1997 | Worldmusic | Bossa Nova | Musik, Stil, Politik, 1950er, 1960er | S. 1-30 | 2009-04-30 12:41:07 | ||||||||||
| 1185 | Textbeitrag | T-560-03 | From Manchuria to the tradition village: on the construction of place via pelimanni music | Järviluoma, Helmi | Popular Music | 19/1 | 2000 | 560 | World Music | Pelimanni-Musik, Volksmusik, Worldmusic | Volksmusik, Europa, Ethnologie | S. 101-124 | 2009-08-27 11:50:15 | |||||||||
| 1097 | Textbeitrag | T-800-08 | The future of rock:discourses that struggle to define a genre. | Fornäs, Johan | Popular Music | 14 | 1995 | Theorie, Wissenschaft, Stil, Entwicklung | S. 111-126 | 2009-03-26 13:25:34 | ||||||||||||
| 1123 | Textbeitrag | T-850-02 | Power relations in the Israeli popular music system | Perelson, Inbal | Popular Music | 17/1 | 1998 | Pop/Rock | Politik, Kulturindustrie | S. 113-128 | 2009-05-07 11:57:41 | |||||||||||
| 1142 | Textbeitrag | T-531-01 | The embodiment of salsa: musicians, instruments and the performance of a Latin style and identity | Román-Velázquez, Patria | Popular Music | 18/1 | 1999 | Worldmusic | Salsa | Salsa, Stil, Entwicklung, Spieltechnik, Instrument, Analyse | S. 115-132 | 2009-06-25 13:52:55 | ||||||||||
| 1186 | Textbeitrag | T-540-03 | Religion,gossip, narrative conventions and the construction of meaning in Hindi film songs | Booth, Gregory | Popular Music | 19/2 | 2000 | 540 | World Music | Hindi-Filmmusik | Worldmusic, Asien, Film, Text, Wirkung, Soziologie | S. 125-246 | 2009-08-27 12:03:17 | |||||||||
| 1078 | Textbeitrag | T-800-01 | Music, culture and interdisciplinarity: reflections on relationships | Shepherd, John | Popular Music | 13 | 1994 | Forschung, Theorie | S. 127-142 | 2009-03-26 11:26:53 | ||||||||||||
| 1173 | Textbeitrag | T-242-02 | Roots?: the relationship between the global and the local within the Extreme Metal scene | Harris, Keith | Popular Music | 19/1 | 2000 | 242 | Pop/Rock | Heavy Metal | Heavy Metal, 2000er, Soziologie | S. 13-30 | 2009-07-02 13:48:56 | |||||||||
| 1093 | Textbeitrag | T-820-07 | Re-examining the concept of the "independent" record company: the case of Wax Trax! records | Lee, Stephen | Popular Music | 14 | 1995 | Wirtschaft, Tonträger, Kulturindustrie | S. 13-32 | 2009-07-02 12:17:18 | ||||||||||||
| 1109 | Textbeitrag | T-800-13 | Home Sweet Home? The "culture of exile" in mid-Victorian popular song | Eva, Phil | Popular Music | 16/2 | 1997 | Unterhaltungsmu | Pub Rock | Großbritannien, Geschichte, Analyse | S. 131-150 | 2009-04-30 11:33:22 | ||||||||||
| 1143 | Textbeitrag | T-800-15 | An analysis of Neil Young's "Powderfinger" based on Mark Johnson's image schemata | Echard, William | Popular Music | 18/1 | 1999 | Pop/Rock | Country-Rock | Musiker, Stil, Spieltechnik, Analyse, Rock | S. 133-144 | 2009-06-25 13:40:36 | ||||||||||
| 1098 | Textbeitrag | T-820-04 | "... into another kind of life in which anything might happen ..." Popular music and late modernity, 1910-1930 | Baxendale, John | Popular Music | 14 | 1995 | Kulturindustrie, Geschichte, Entwicklung, England | S. 137-154 | 2009-03-26 13:36:04 | ||||||||||||
| 1124 | Textbeitrag | T-840-05 | Visualising 1950s hits on Your Hit Parade | Burns, Gary | Popular Music | 17/1 | 1998 | Pop/Rock | Video, Kulturindustrie, 1950er | S. 139-152 | 2009-05-07 12:18:29 | |||||||||||
| 1079 | Textbeitrag | T-140-01 | Genre, performance and ideology in the early songs of Irving Berlin | Hamm, Charles | Popular Music | 13 | 1994 | 140 | Unterhaltungsmu | Musical | Musiker, Werk, Analyse | S. 143-150 | 2009-03-26 11:30:09 | |||||||||
| 1187 | Textbeitrag | T-120-02 | A song goes "round the world": the German Schlager as an organ of experience | Currid, Brian | Popular Music | 19/2 | 2000 | 120 | Unterhaltungsmu | Dt. Schlager | Schlager, Analyse, Text, 1930er, Soziologie, Politik | S. 147-180 | 2009-08-27 12:10:17 | |||||||||
| 1080 | Textbeitrag | T-800-02 | Caliban reheard: new voices on jazz and American consciousness | Peretti, Burton W. | Popular Music | 13 | 1994 | 400 | Jazz | Jazz, Forschung, Soziologie | S. 151-164 | 2009-03-26 11:34:06 |