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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | ▲ Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1077 | Textbeitrag | T-212-01 | Into the mystic: the aural poetry ov Van Morrison | Mills, Peter | Popular Music | 13 | 1994 | Pop/Rock | Folk, Soul | Musiker, Text, Werk | S. 91-104 | 2009-03-26 11:12:29 | ||||||||||
| 1078 | Textbeitrag | T-800-01 | Music, culture and interdisciplinarity: reflections on relationships | Shepherd, John | Popular Music | 13 | 1994 | Forschung, Theorie | S. 127-142 | 2009-03-26 11:26:53 | ||||||||||||
| 1079 | Textbeitrag | T-140-01 | Genre, performance and ideology in the early songs of Irving Berlin | Hamm, Charles | Popular Music | 13 | 1994 | 140 | Unterhaltungsmu | Musical | Musiker, Werk, Analyse | S. 143-150 | 2009-03-26 11:30:09 | |||||||||
| 1080 | Textbeitrag | T-800-02 | Caliban reheard: new voices on jazz and American consciousness | Peretti, Burton W. | Popular Music | 13 | 1994 | 400 | Jazz | Jazz, Forschung, Soziologie | S. 151-164 | 2009-03-26 11:34:06 | ||||||||||
| 1081 | Textbeitrag | T-140-02 | From Catfish Row to Granby Street: contesting meaning in Porgy and Bess | Horn, David | Popular Music | 13 | 1994 | 140 | Unterhaltungsmu | Musical | Analyse, Musical, Werk | S. 165-174 | 2009-03-26 11:36:21 | |||||||||
| 1082 | Textbeitrag | T-800-03 | "Ethnic" music traditions in the USA (black music; country music; others; all) | Keil, Charles | Popular Music | 13 | 1994 | Analyse, Stil, USA, Geschichte | S. 175-178 | 2009-03-26 11:39:39 | ||||||||||||
| 1083 | Textbeitrag | T-800-04 | Scrutiny to subcultures: notes on literary criticism an popular music | Laing, Dave | Popular Music | 13 | 1994 | Kritik, Literatur, Wissenschaft | S. 179-190 | 2009-03-26 11:43:14 | ||||||||||||
| 1084 | Textbeitrag | T-800-05 | The singer, not the song: women singers as composer-poets | Potter, John | Popular Music | 13 | 1994 | Frau, Singen, Komponist | S. 191-200 | 2009-03-26 11:45:36 | ||||||||||||
| 1085 | Textbeitrag | T-550-01 | Yothu Yindi's "Treaty": ganma in music | Stubington, Jill / Dunbar-Hall, Peter | Popular Music | 13 | 1994 | 550 | Worldmusic | Worldmusic Australien | Musik, Stil, Australien | S. 243-260 | 2009-03-26 12:23:44 | |||||||||
| 1086 | Textbeitrag | T-870-04 | Kiwi rock: popular music and cultural identity in New Zealand | Shuker, Roy / Pickering, Michael | Popular Music | 13 | 1994 | 550 | Pop/Rock | Musik, Stil, Neu Seeland, Ethnologie | S. 261-278 | 2009-07-02 12:19:23 | ||||||||||
| 1087 | Textbeitrag | T-870-05 | "Jazzing" and Australia's First Jazz Band | Whiteoak, John | Popular Music | 13 | 1994 | 400 | Jazz | Jazz, Australien | S. 279-296 | 2009-07-02 12:19:55 | ||||||||||
| 1088 | Textbeitrag | T-206-01 | Australian country music and the hillbilly yodel | Smith, Graeme | Popular Music | 13 | 1994 | 206 | Pop/Rock | Country | Country, Stil, Australien | S. 297-312 | 2009-03-26 12:30:10 | |||||||||
| 1089 | Textbeitrag | T-840-03 | Music video and the construction of gendered subjectivity (or how being a music video junkie turned me into a feminist) | Hurley, Jennifer M. | Popular Music | 13 | 1994 | Musik, Video, Frau, Rezeption | S. 327-338 | 2009-03-26 12:34:32 | ||||||||||||
| 1090 | Textbeitrag | T-800-07 | From refrain to rave: the decline of figure and the rise of ground | Tagg, Philip | Popular Music | 13 | 1994 | Pop/Rock, Dance | Techno, Rock | Stil, Analyse, Forschung, Wissenschaft | S. 209-221 | 2009-03-26 12:39:06 | ||||||||||
| 920 | Buch | AI 70138/14 | B-800-12R | Grundlagen, Theorien, Perspektiven | Rösing, Helmut (Hg.) | Beiträge zur Popularmusikforschung | 14 | coda | 0943-9242 | Karben | 1994 | Pop/Rock | Theorie, Aesthetik, Analyse | steht bei den Reihen | 2008-06-13 12:26:48 | |||||||
| 1092 | Textbeitrag | T-227-01 | Motown crossover hits 1963-1966 and the creative process | Fitzgerald, Jon | Popular Music | 14 | 1995 | Pop/Rock, | Soul/Funk | Musik, Werk, Tonträger, USA, 1960er | S. 1-12 | 2009-03-26 13:02:33 | ||||||||||
| 1093 | Textbeitrag | T-820-07 | Re-examining the concept of the "independent" record company: the case of Wax Trax! records | Lee, Stephen | Popular Music | 14 | 1995 | Wirtschaft, Tonträger, Kulturindustrie | S. 13-32 | 2009-07-02 12:17:18 | ||||||||||||
| 1094 | Textbeitrag | T-820-02 | The record industry in Finnland, 1945-1960 | Gronow, Pekka | Popular Music | 14 | 1995 | Wirtschaft, Tonträger, Kulturindustrie, Finnland, Entwicklung, Geschichte | S. 33-54 | 2009-03-26 13:11:55 | ||||||||||||
| 1095 | Textbeitrag | T-820-03 | Cycles in symbol production? a new model to explain concentration, diversity and innovation in the music industry | Christianen, Michael | Popular Music | 14 | 1995 | Wirtschaft, Tonträger, Kulturindustrie | S. 55-94 | 2009-03-26 13:13:50 | ||||||||||||
| 1096 | Textbeitrag | T-870-03 | The "East ist red" goes pop: commodification, hybridity and nationalism in Chinese popular song and its televisual performance | Lee, Gregory | Popular Music | 14 | 1995 | Ethnologie, Asien | S. 95-110 | 2009-03-26 13:19:09 |