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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | ▼ Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 469 | CD | CD 6645 iPOP | C-239-06 | We Can`t Dance | Genesis | Banks/Collins/Rutherford | Banks/Collins/Rutherford | Genesis & Nick Davis | Virgin | GENCD3 | 1991 | 239 | Pop/Rock | Video Pop, Mainstream | fine booklet | 2006-03-03 12:18:23 | ||||||
| 1117 | Textbeitrag | T-840-01 | Video in the machine: the incorporation of music video into the recording industry. | Banks, Jack | Popular Music | 16/3 | 1997 | Pop/Rock | Video-Pop | Video, Kulturindustrie | S. 293-310 | 2009-04-30 12:40:39 | ||||||||||
| 1280 | Bak-Arbeit | BA-245-02 | Jim O'Rourke. Eine Untersuchung über das Werk eines musikalischen Grenzgängers | Bancsich, Manon | iPOP Wien | 2007 | Pop/Rock | Alternative Rock | 2010-08-26 12:28:32 | |||||||||||||
| 1989 | Buch | I-137105 | B-212-01 | Refractions of Bob Dylan - Cultural appropriations of an American icon | Banauch, Eugen | 2015 | 2015 | 212 | Folk | Folk | Folk, Analyse | 2018-06-15 10:16:04 | ||||||||||
| 1525 | Textbeitrag | T-870-18 | Re-thinking "whiteness"? Identity, change and "white" popular music in post-apartheid South Africa | Ballatine, Christopher | Popular Music | 23/2 | 2004 | Politik, Afrika, Ethnologie, Soziologie | 2011-04-14 11:54:59 | |||||||||||||
| 1137 | Textbeitrag | T-510-01 | Looking to the USA: the politics of male close-harmony song style in South Africa during the 1940s and 1950s | Ballantine, Christopher | Popular Music | 18/1 | 1999 | 510 | Worldmusic | Worldmusic Afrika | Worldmusic Afrika, Singen, 1940er, 1950er, Stil | S. 1-18 | 2009-06-25 13:39:37 | |||||||||
| 382 | CD | CD 4729 +1Beil. IMP | C-218-07 | The Best Of | Jefferson Airplane | Balin. Slick, Kantner u.a. | Balin, Slick, Kantner u.a. | BMG/RCA | ND 89186 | 1991 | 1978 | 218 | Pop/Rock | Rock | USA, 1960er | 2006-01-20 12:46:41 | ||||||
| 2152 | Buch | B-800-49 | I-145967 | Curating Pop, Exhibiting Popular Music in the Museum | Baker, Sarah; Istvandity, Lauren; Nowak, Rapaël | Bloomsburry Academy | New York | 2019 | 2021-10-11 09:53:20 | |||||||||||||
| 2326 | Buch | I-146559 | B-800-71 | Rhythmus. Tanz in Körper und Gehirn. | Baier, Gerold | Rowohlt | Hamburg | 2001 | 2022-04-13 10:11:30 | |||||||||||||
| 579 | Buch | AI 72800 | B-230-02 | Worte wie Feuer. Dance Hall, Reggae und Raggamufin | Bader, Stasa | Buchverlag Michael Schwinn | 3-925077-11-1 | Neustadt | 1992 | 1988 | Reggae, Geschichte, Entwicklung, Analyse | 2005-09-30 14:30:13 | ||||||||||
| 1963 | Noten | II 72825 | N-300-02 | Rap, Hiphop & Dance Grooves | Babak, Eric | 300 | Dance | Rap, HipHop, Dance, Groove | 2018-03-09 10:33:18 | |||||||||||||
| 674 | Buch | AI 83063 iPOP | B-820-06 | Confessions of a Record Producer. How to Survive the Scams and Shams of the Music Business | Avalon, Moses | Backbeat | 0-87930-660-2 | San Francisco | 2002 | 2000er, Beruf, international, Kulturindustrie, Musikmarkt, Produktion, Tonträger, Wirtschaft | 2005-11-18 15:43:49 | |||||||||||
| 2340 | Buch | I-146558 | B-820-24 | Confessions of a Record Producer. How to survive the scams and shams of the music business. | Avalon, Moses | Miller Freeman Books | San Francisco | 1998 | 2022-04-13 11:22:37 | |||||||||||||
| 1639 | Bakk-Arbeit | BA-840-15 | Synthesizer | Auzinger, Christian | ipop Wien | 2012 | 200 | Pop/Rock, Jazz | Instrument | 2012-09-13 13:16:29 | ||||||||||||
| 1622 | Bakk-Arbeit | BA-720-04 | Hot Pants Road Club. Entstehung einer "funky groove-machine" | Auzinger, Anna Magdalena | ipop Wien | 2012 | Pop/Rock | Funk, Groove | Oesterreich, Musiker, Funk, Entwicklung | 2012-05-24 13:44:34 | ||||||||||||
| 1514 | Textbeitrag | T-224-01 | I Wanna Be Your Man. Suzi Quatro's musical androgyny | Auslander, Philip | Popular Music | 23/1 | 2004 | Musiker, Frau, Großbritannien, 1970er, Glam Rock, Biographie, Soziologie | 2011-03-17 13:57:26 | |||||||||||||
| 1645 | Bak-Arbeit | BA-200-05 | Arthur Russell: This Is How We Walk On The Moon | Aufreiter, Peter Paul | ipop Wien | 2012 | 200 | Pop/Rock | Avantgarde | Musiker, Werk, Analyse | 2012-12-20 11:47:11 | |||||||||||
| 1878 | Bak-Arbeit | BA-400-26 | Jazzwerkstatt Wien | Aufmesser, Gregor | ipop Wien | 2016 | 400 | Jazz, Österreich | 2016-09-09 11:34:33 | |||||||||||||
| 2404 | Bachelorarbeit | Afrofuturismus in der Popkultur am Beispiel von Sun Ra und Janelle Monáe | Aufmesser, Gregor | ipop Wien | 2021 | Betreuer:in: Dr.phil. Magdalena Fürnkranz | 2024-03-04 11:29:12 | |||||||||||||||
| 2472 | Masterarbeit | Black resistance in popular music | Aufmesser, Gregor | ipop Wien | 2020 | Black Lives Matter, BLM, Childish Gambino, Solange, Janelle Monáe, Kendrik Lamar | Betreuerin: Dr.phil. Magdalena Fürnkranz Volltext online verfügbar: https://repo.mdw.ac.at/theses/2020/79c6fae5-d9b1-4b26-99af-17a434079d4c.pdf | 2024-03-11 12:03:30 |