Paper and Copyists in Viennese Opera Scores  

Watermarks

Paper      P17A      
Watermark3 crescents / REAL
Selenometrie in mmxy: 13, xz: 75
CountermarkCS / C
Date1785
SourceA Wn Mus.Hs._KT157_1_fol55v54r53v52r
Paper millCarlo Samueli e compagni, Canetto, Toscolano
watermark countermark

Sheet P17A


Twinmark

PaperP17B
Watermark3 crescents / REAL
Selenometrie in mmxy: 12, xz: 71
CountermarkCS / C
SourceA Wn Mus.Hs._KT157_2_fol25v24r28v27r
twin watermark twin countermark

Sheet P17B


Copyists and works

Copyists using paper P17WK71B, WK71D, WK71H, WK72G, WK72H, WK72K, WK72L, WK72M, WK72N, WK72P, WK72Q, WK72U, WK72V, WK72W
Scores written on paper P17Salieri_157, Salieri_17838

 

Copyright

Univ.-Prof. Dr. Martin Eybl

mdw - Universität für Musik und darstellende Kunst Wien.
Seilerstätte 26
A-1010 Vienna, Austria
Tel. +43 (1) 71155 - 3525
eybl[@]mdw.ac.at

Source

Projekt Transferprozesse in der Musikkultur Wiens,
1755 - 1780: Musikalienmarkt, Bearbeitungspraxis, neues Publikum
(Projektleitung: Univ.-Prof. Dr. Martin Eybl)

mdw - Universität für Musik und darstellende Kunst Wien, Institut für Analyse, Theorie und Geschichte der Musik A-1010 Wien, Seilerstätte 26

Colophon

Web interface and database programming: Emanuel Wenger (Vienna, Austrian Academy of Sciences) — Design: Vlad Atanasiu (Université de Fribourg, Switzerland)

A dataset of the Bernstein Project on watermarks and paper expertise

Supported by