isaScience 2020 digital
Beethoven and the Dangers of Hero Discourses
Mina Yang, USA
Wednesday 19 August 2020 @18:00 – 19:30, CET
Thank you all for your participation!
In the wake of the Harvey Weinstein scandal and the #MeToo movement, classical musicians came forward to accuse conservatory teachers and conductors, who too often modeled themselves on autocratic despots, of sexual harassment and statutory rape. The heroes of yesteryear – James Levine, Charles Dutoit, and Placido Domingo – to name just the most famous ones, became symbols of what was rotten in the heart of classical music.
As we celebrate the 250th anniversary of Beethoven’s birth, it is imperative to question the legacy of heroism that has grown around the composer. The irascible creator of the Eroica Symphony, the hearing impaired author of soul-stirring music, a champion of individuality – Beethoven exemplified what heroism meant to the Romantics. Following the evolution of hero discourses in classical music and political life from Beethoven’s time to now, I question the viability of hero worship in this musical culture moving forward. During this pause in our concert life, I invite the audience to envision a different future for classical music, one that is inclusive rather than exclusive, that embraces equality rather than hierarchy, and that props up the community rather than the solitary hero.
Mina Yang is the author of California Polyphony: Ethnic Voices, Musical Crossroads (University of
Illinois Press, 2008) and Planet Beethoven: Classical Music at the Turn of the Millennium (Wesleyan University Press, 2014). She has taught in music schools and universities throughout California, including the San Francisco Conservatory, University of California San Diego, and University of Southern California. As Professor of Arts & Humanities at Minerva Schools at the Keck Graduate Institute, Dr. Yang teaches music, visual arts, literature, and social history courses to students around the world on Minerva's state of the art e-learning platform. Her research focuses on the convergence of commercialism, racial and sexual politics, and technology in global musical cultures.
Mina Yang's website