{"id":1815,"date":"2026-03-21T23:40:19","date_gmt":"2026-03-21T23:40:19","guid":{"rendered":"https:\/\/www.mdw.ac.at\/audio-ghosts\/?page_id=1815"},"modified":"2026-03-22T00:03:31","modified_gmt":"2026-03-22T00:03:31","slug":"ju%d0%b3%e2%b1%81na%ea%99%87t%d0%ba%d0%b8%d1%9a%d0%b0-p%d1%8a7x7","status":"publish","type":"page","link":"https:\/\/www.mdw.ac.at\/audio-ghosts\/ju%d0%b3%e2%b1%81na%ea%99%87t%d0%ba%d0%b8%d1%9a%d0%b0-p%d1%8a7x7\/","title":{"rendered":"Ju\u0433\u2c11na\ua647t\u043a\u0438\u045a\u0430: P\u042a7×7"},"content":{"rendered":"\t\t
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GUEST ARTIST #6<\/strong><\/p>

Ju\u0433\u2c11na\ua647t\u043a\u0438\u045a\u0430 [Belma Be\u0161li\u0107-G\u00e1l]: P\u042a7×7<\/em> (2026)<\/strong>
Quadrophonic Audiovisual Installation \/ Web Art<\/strong><\/p>

Monday, March 23, 2026, 18:00 (opening & artist talk)
@ SP\u2022CE [Billrothstra\u00dfe 6\/2, 1190 Vienna]
Further opening hours: March 24 to 27, 2026, 18:00-21:00<\/p>

Part of the AUDIO GHOSTS Guest Artists<\/a> Series.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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GUEST ARTIST #6<\/strong><\/p>

Ju\u0433\u2c11na\ua647t\u043a\u0438\u045a\u0430 [Belma Be\u0161li\u0107-G\u00e1l]: P\u042a7×7 <\/em>(2026)<\/strong><\/p>

Quadrophonic Audiovisual Installation \/ Web Art<\/strong><\/p>

Everything conditions everything else. Every frequency implies other frequencies. Every activation reshapes the field.<\/p>

P\u042a7×7 begins from an observation about the present: systems overlap, fragment, and remain radically interdependent. The work takes an agnostic stance toward determinism and randomness alike. What it makes audible is connection itself: the law of action and reaction operating across domains, the way each element in a system disposes the next without determining it.<\/p>

Two 7\u00d77 frequency matrices (Podhuk at 28 Hz, Korinton at 70 Hz) produce 98 tones derived from just intonation and the golden ratio. Between them arise ghost tones: psychoacoustic phenomena the brain generates from what the speakers do not emit. Beating, combination tones, missing fundamentals. The act of listening creates content beyond what the system produces.<\/p>

An I Ching oracle, seeded by the current state of the sound field, reads the acoustic situation every seven minutes and transforms it. Sound producing oracle producing sound. A barycentric conductor orchestrates noise, live radio (ex-Yugoslav and ambient streams), and matrix layers. Cross-synthesis dissolves the boundary between voice and static. The system ages: after 30 minutes the noise darkens, the space widens, the feedback deepens.<\/p>

49 cells per matrix. 49 yarrow stalks. 49 minutes per cycle. The 50th element, the one set aside, makes everything possible.<\/p>

[Belma Be\u0161li\u0107-G\u00e1l, March 2026]<\/p>

belma.ba\/works\/P\u042a7×7\/<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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\"\"<\/p>

Ju\u0433\u2c11na\ua647t\u043a\u0438\u045a\u0430 [Belma Be\u0161li\u0107-G\u00e1l]<\/strong><\/p>

Belma Be\u0161li\u0107-G\u00e1l (b. 1978 in Tuzla, Bosnia and Herzegovina, Socialist Federal Republic of Yugoslavia) is a composer, pianist, and curator based in Vienna. Her body of work spans a wide spectrum of contemporary composition and intermedia music theater, embracing orchestral, chamber, and solo pieces, as well as installation art, media art, and code.<\/p>

Raised in socialist Yugoslavia, based in Vienna for decades, with a war that destroyed the country in between. At the core of the artistic practice lies a conviction inherited from that context and tested against every other since: that nothing is built on neutral ground, that the conditions from which something emerges shape, whether visibly or not, everything that follows.<\/p>

https:\/\/www.belmabeslic-gal.eu\/<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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