{"id":1129,"date":"2025-03-04T08:37:45","date_gmt":"2025-03-04T08:37:45","guid":{"rendered":"https:\/\/www.mdw.ac.at\/audio-ghosts\/?page_id=1129"},"modified":"2026-03-22T00:08:34","modified_gmt":"2026-03-22T00:08:34","slug":"guest-artists","status":"publish","type":"page","link":"https:\/\/www.mdw.ac.at\/audio-ghosts\/guest-artists\/","title":{"rendered":"AUDIO GHOSTS GUEST ARTIST SERIES"},"content":{"rendered":"\t\t
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By combining artistic, psychoacoustic, sociological, and technological expertise, the artistic interpretation of auditory illusions can contribute to both the artistic and scientific understanding of sound installation art. Within the framework of the AUDIO GHOSTS<\/strong> project, guest artists will be invited to engage in individual artistic research, building upon established psychoacoustic models to generate new, tacit knowledge about space-related phenomena in sound installations.\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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GUEST ARTIST #1<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Christine Sch\u00f6rkhuber:<\/strong> ththbrsh – <\/em>sound installation<\/p>

Acoustic illusions often occur randomly, ghostly, and unassignable in everyday life, consciously or unconsciously accompanying us throughout our days. Since the advent of electrification, electricity has been associated with supernatural phenomena, and acoustic illusions generated by electrical currents frequently serve as harbingers of delusion or metaphysical events in cinematic narratives. […]<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Christine Sch\u00f6rkhuber<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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GUEST ARTIST #2<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Silvina Zicolillo & Mat\u00edas Giuliani\u00a0<\/strong>
Performance Art Research & Creation Duo<\/p>

In 2011, Silvina Zicolillo (Bachelor of Music Composition and Master in Performing Arts) and Mat\u00edas Giuliani (Bachelor of Music Composition and Choral Conducting) began working together as co-directors of the Nuevo Ex Ensamble Wonderland\u2014a performance arts experimentation group\u2014while also forming an experimental duo. […]<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Silvina Zicolillo & Matias Giuliani<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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GUEST ARTIST #3<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Artists and Students of the University of Applied Arts Vienna\u00a0<\/strong>
Antenna in the Mud<\/strong>
Interactive Sonic Sculpture of Four Antennas to be Activated by the Visitors<\/strong><\/p>

A series of sound pieces will be running, being played in a loop but not heard until a visitor approaches the antennas. These are then activated by the proximity of the human body and as the four antennas are spread throughout the space. Only with four people it is possible to hear the whole of the four channel pieces..<\/p>

Produced by a selection of artists and students of the Angewandte:
Alice Bazzichelli, lutzz&bog, Flynn by Malpractice (Chiara Kristler & Marcin Ratajcyk) Martina R. Fr\u00f6schl, Mel E. Logan, Klemens Kohlweis, Digital Sound & Voice Team. […]<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Antenna in the Mud<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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GUEST ARTIST #4<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Kai Fagaschinski<\/strong>
The Evil of Banality (clarinet quartet)<\/em>
Sound Installation<\/p>

A string quartet turned inside out, an encircling swarm, a synchronized swimming choreography. Let these three analogies be offered as a prelude to general confusion. A focus in my musical practice is the between-the-tones, or rather the emerging third element between two sounds \u2013 not merely, or not only, as a poetic experience, but also as a very concrete and physical sonic phenomenon in space and ear. […]<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Kai Fagaschinski<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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GUEST ARTIST #5<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Christopher Haworth<\/strong>
Demonstrations<\/em>
Sound Installation<\/p>

In scientific contexts, a demonstration refers to a public presentation of a naturally occurring phenomena. A famous representation is Joseph Wright of Derby\u2019s 1768 painting An Experiment on a Bird in an Air Pump, in which the surrounded dignitaries bear witness to a bird being deprived of air. The authority of a demonstration lies in making public something self-evident and true. […]<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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GUEST ARTIST #6<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ju\u0433\u2c11na\ua647t\u043a\u0438\u045a\u0430 [Belma Be\u0161li\u0107-G\u00e1l]<\/strong>
P\u042a7×7<\/em>
Quadrophonic Audiovisual Installation \/ Web Art<\/p>

P\u042a7×7 begins from an observation about the present: systems overlap, fragment, and remain radically interdependent. The work takes an agnostic stance toward determinism and randomness alike. What it makes audible is connection itself: the law of action and reaction operating across domains, the way each element in a system disposes the next without determining it.. […]<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ju\u0433\u2c11na\ua647t\u043a\u0438\u045a\u0430 [Belma Be\u0161li\u0107-G\u00e1l]<\/figcaption>\n\t\t\t\t\t\t\t\t\t\t<\/figure>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

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