{"id":2578,"date":"2024-06-03T10:43:02","date_gmt":"2024-06-03T10:43:02","guid":{"rendered":"https:\/\/www.mdw.ac.at\/ar_center\/?p=2578"},"modified":"2024-06-13T08:08:15","modified_gmt":"2024-06-13T08:08:15","slug":"ivar-roban-krizic-guest-lecture-2","status":"publish","type":"post","link":"https:\/\/www.mdw.ac.at\/ar_center\/de\/2024\/06\/03\/ivar-roban-krizic-guest-lecture-2\/","title":{"rendered":"Ivar Roban Kri\u017ei\u0107 \u2013 guest lecture"},"content":{"rendered":"<p>[vc_section][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]Critical Improvisation Studies &#8211; Literature Review<br \/>\nThe field of critical improvisation studies seeks to examine<br \/>\nimprovisation&#8217;s effects, interrogate its discourses, interpret<br \/>\nnarratives and histories related to it, discover implications of<br \/>\nthose narratives and histories, and uncover its ideologies. In<br \/>\nthis lecture, we will take a look at the development of this field<br \/>\nthrough its literary output\u2013from edited volumes and handbooks,<br \/>\nthrough philosophical, cognitive, computer music and gender<br \/>\nstudies perspectives, all the way to historical curiosities.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;]<div  class=\"wpb_content_element   clearfix\"><style type=\"text\/css\">#ut_am_69ea96abdf71c { opacity: 1; }#ut_am_wrap_69ea96abdf71d .ut-image-gallery-item-caption-title h3 { letter-spacing: 0em; }#ut_am_wrap_69ea96abdf71d .ut-gallery-slider-caption { font-weight: bold; }#ut_am_wrap_69ea96abdf71d { text-align: left; }@media (min-width: 768px) and (max-width: 1024px) { #ut_am_wrap_69ea96abdf71d { text-align: left !important; } }@media (max-width: 767px) { #ut_am_wrap_69ea96abdf71d { text-align: center !important; } }<\/style><div id=\"ut_am_wrap_69ea96abdf71d\" class=\"ut-image-gallery-image \"><div id=\"ut_reveal_69ea96abdf71f\"  data-appear-top-offset=\"auto\" class=\"ut-animated-image-item ut-image-gallery-item ut-animation-done \"><a class=\"ut-deactivated-link\" href=\"#\"><div class=\"ut-animated-image-zoom\"><img class=\"ut-lazy skip-lazy ut-animated-image\"  id=\"ut_am_69ea96abdf71c\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 325 217'%2F%3E\" data-src=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2024\/06\/file____C__Users_DLOUHY1_AppData_Local_Temp_XPgrpwise_665EF6F3DO-MDWBPO-MDW210017138701A8161_-Ivar-Roban-Krizic-Guest-Lecture_1-1-325x217.jpg\" width=\"325\" height=\"217\" alt=\"\"\/><\/div><div data-image-caption class=\"ut-image-gallery-image-caption\"><div class=\"ut-image-gallery-item-caption-title\"><h3>\u00a9 Luka Radek<\/h3><\/div><\/div><\/a><\/div><\/div><\/div>[\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column][vc_column_text]Ivar Roban Kri\u017ei\u0107 (*1990, Zagreb, Croatia) studied Double Bass at the Jazz Department in Graz and is currently pursuing an Artistic Research Doctorate at the University of Music and Performing Arts Vienna, focusing on the epistemology of free improvisation. His artistic practice encompasses a wide variety of international projects, spanning contemporary jazz, experimental music, and free improvisation. His research is focused on musical cognition, AI, and technical and technological extensions of the double bass.[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_section][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]Critical Improvisation Studies &#8211; Literature Review The field of critical improvisation studies seeks to examine improvisation&#8217;s effects, interrogate its discourses, interpret narratives and histories related to it, discover implications of those narratives and histories, and uncover its ideologies. In this lecture, we will take a look at the development of this field through its [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[10],"tags":[],"_links":{"self":[{"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/posts\/2578"}],"collection":[{"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/comments?post=2578"}],"version-history":[{"count":1,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/posts\/2578\/revisions"}],"predecessor-version":[{"id":2580,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/posts\/2578\/revisions\/2580"}],"wp:attachment":[{"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/media?parent=2578"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/categories?post=2578"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/tags?post=2578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}