{"id":57,"date":"2020-06-14T23:11:39","date_gmt":"2020-06-14T23:11:39","guid":{"rendered":"http:\/\/www.mdw.ac.at\/ar_center\/?page_id=57"},"modified":"2020-07-28T09:47:54","modified_gmt":"2020-07-28T09:47:54","slug":"artistic-research","status":"publish","type":"page","link":"https:\/\/www.mdw.ac.at\/ar_center\/artistic-research\/","title":{"rendered":"Artistic Research"},"content":{"rendered":"<p>[vc_section css=&#8221;.vc_custom_1592596618839{margin-top: 100px !important;}&#8221;][vc_row][vc_column][vc_column_text]<\/p>\n<h2>Projects and Publications \u2013 artistic research at mdw<\/h2>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;]<div  class=\"wpb_content_element   clearfix\"><style type=\"text\/css\">#ut_am_69d387c56f54f { opacity: 1; }#ut_am_wrap_69d387c56f550 .ut-image-gallery-item-caption-title h3 { letter-spacing: 0em; }#ut_am_wrap_69d387c56f550 .ut-gallery-slider-caption { font-weight: bold; }#ut_am_wrap_69d387c56f550 { text-align: left; }@media (min-width: 768px) and (max-width: 1024px) { #ut_am_wrap_69d387c56f550 { text-align: left !important; } }@media (max-width: 767px) { #ut_am_wrap_69d387c56f550 { text-align: center !important; } }<\/style><div id=\"ut_am_wrap_69d387c56f550\" class=\"ut-image-gallery-image \"><div id=\"ut_reveal_69d387c56f551\"  data-appear-top-offset=\"auto\" class=\"ut-animated-image-item ut-image-gallery-item ut-animation-done \"><a class=\"ut-deactivated-link\" href=\"#\"><div class=\"ut-animated-image-zoom\"><img class=\"ut-lazy skip-lazy ut-animated-image\"  id=\"ut_am_69d387c56f54f\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 1915 1053'%2F%3E\" data-src=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/07\/Bildschirmfoto-2020-07-28-um-09.48.43.jpg\" width=\"1915\" height=\"1053\" alt=\"SAR Conference\"\/><\/div><\/a><\/div><\/div><\/div>[\/vc_column][vc_column width=&#8221;3\/4&#8243;]<div class=\"wpb_content_element \"><style type=\"text\/css\">#ut_accordion_69d387c56f5b6 .ut-accordion-module-item.open .ut-accordion-module-heading { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c56f5b6 .ut-accordion-module-heading:hover { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c56f5b6 .ut-accordion-module-heading:active { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c56f5b6 .ut-accordion-module-heading:focus { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c56f5b6 .ut-accordion-module-item { border-top-style:solid; }#ut_accordion_69d387c56f5b6 .ut-accordion-module-item:last-child { border-top-style:solid; border-bottom-style:solid; }<\/style><div id=\"ut_accordion_69d387c56f5b6\" data-accordion-group class=\"ut-accordion-module ut-accordion-module-single  ut-accordion-module-with-border\"><div data-accordion data-accordion data-single data-transition=\"400\" data-easing=\"ease\" class=\"ut-accordion-module-item \"><h3 data-control class=\"ut-accordion-module-heading\" data-counter=\"1\">12th SAR International Conference on Artistic Research hosted by mdw<\/h3><div data-content class=\"ut-accordion-module-content\"><div class=\"ut-accordion-module-inner entry-content clearfix\"><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>Hosted by mdw \u2013 University of Music and Performing Arts Vienna in cooperation with the Academy of Fine Arts Vienna and the University of Applied Arts Vienna<\/b><\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Conference will be hosted as a live online event: from <b>7th to 9th April 2021<\/b>.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p3\"><span class=\"s1\">Deadline for submissions via the Research Catalogue (RC): <b>30th Sept 2020<\/b>.<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Deadline for registering as full users at the RC: Ten days earlier \u2013 <b>20th Sept 2020<\/b>.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p3\"><span class=\"s1\">The 12th SAR International Conference on Artistic Research invites submissions that relates to the three attractors <b>dare<\/b>, <b>care<\/b>, and <b>share<\/b>.<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">It will be the first SAR conference organized as a live online event. We are calling for artistic researchers to present their work, processes, methods, discoveries, knowledge interventions, new insights, understandings, and to engage in exchange \u2013 in actions and words, in complex and simple, conventional and unconventional, robust and fragile ways.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p3\"><span class=\"s1\">We encourage original contributions that take on the challenge of bringing liveness to this mediated online event. Each contribution shall receive ample discussion time (in real time via video conference).<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">We will support the following presentation formats:<\/span><\/p>\n<ul class=\"ul1\">\n<li class=\"li3\"><span class=\"s1\">Presentation using preproduced material, which will be \u201cpresented\u201d and integrated in an interactive online conference;<\/span><\/li>\n<li class=\"li3\"><span class=\"s1\">Streamed live-performances\/demonstrations.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p class=\"p3\"><span class=\"s1\">The conference website (including the detailed call and the link to the submission form at the RC) is now online: <a href=\"https:\/\/sar2021vienna.ac.at\/\"><span class=\"s2\">sar2021vienna.ac.at<\/span><\/a><\/span><\/p>\n<p class=\"p5\"><span class=\"s3\">Contact: <a href=\"mailto:sar2021vienna@mdw.ac.at\"><span class=\"s4\">sar2021vienna@mdw.ac.at<\/span><\/a><\/span><\/p>\n<p><\/div><\/div><\/div><\/div><\/div>[\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column width=&#8221;1\/4&#8243;]<div  class=\"wpb_content_element   clearfix\"><style type=\"text\/css\">#ut_am_69d387c56f98b { opacity: 1; }#ut_am_wrap_69d387c56f98c .ut-image-gallery-item-caption-title h3 { letter-spacing: 0em; }#ut_am_wrap_69d387c56f98c .ut-gallery-slider-caption { font-weight: bold; }#ut_am_wrap_69d387c56f98c { text-align: left; }@media (min-width: 768px) and (max-width: 1024px) { #ut_am_wrap_69d387c56f98c { text-align: left !important; } }@media (max-width: 767px) { #ut_am_wrap_69d387c56f98c { text-align: center !important; } }<\/style><div id=\"ut_am_wrap_69d387c56f98c\" class=\"ut-image-gallery-image \"><div id=\"ut_reveal_69d387c56f98d\"  data-appear-top-offset=\"auto\" class=\"ut-animated-image-item ut-image-gallery-item ut-animation-done \"><a class=\"ut-deactivated-link\" href=\"#\"><div class=\"ut-animated-image-zoom\"><img class=\"ut-lazy skip-lazy ut-animated-image\"  id=\"ut_am_69d387c56f98b\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 650 433'%2F%3E\" data-src=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/post-1_image0-5-1240x540-2-650x433.jpg\" width=\"650\" height=\"433\" alt=\"creative (mis)understandings\"\/><\/div><\/a><\/div><\/div><\/div>[\/vc_column][vc_column width=&#8221;3\/4&#8243;]<div class=\"wpb_content_element \"><style type=\"text\/css\">#ut_accordion_69d387c56f9d2 .ut-accordion-module-item.open .ut-accordion-module-heading { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c56f9d2 .ut-accordion-module-heading:hover { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c56f9d2 .ut-accordion-module-heading:active { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c56f9d2 .ut-accordion-module-heading:focus { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c56f9d2 .ut-accordion-module-item { border-top-style:solid; }#ut_accordion_69d387c56f9d2 .ut-accordion-module-item:last-child { border-top-style:solid; border-bottom-style:solid; }<\/style><div id=\"ut_accordion_69d387c56f9d2\" data-accordion-group class=\"ut-accordion-module ut-accordion-module-single  ut-accordion-module-with-border\"><div data-accordion data-accordion data-single data-transition=\"400\" data-easing=\"ease\" class=\"ut-accordion-module-item \"><h3 data-control class=\"ut-accordion-module-heading\" data-counter=\"1\">Creative (Mis)Understandings (PEEK project)<\/h3><div data-content class=\"ut-accordion-module-content\"><div class=\"ut-accordion-module-inner entry-content clearfix\"><\/p>\n<div class=\"tool tool-simpletext scrollbar-auto\" data-id=\"776616\" data-source=\"776616\" data-locked=\"0\" data-editable=\"0\" data-tool=\"simpletext\" data-title=\"\" data-date=\"\" data-options=\"&#091;&#093;\" data-rotate=\"0\" data-popover=\"\" data-popover-options=\"&#091;&#093;\">\n<div class=\"tool-content\">This project is a project of artistic research funded by the PEEK (Programme for Arts-based Research) funding program, managed by the Austrian Science Fund (FWF, AR 463-G24). It aims to develop transcultural approaches of <em>inspiration<\/em>\u00a0(which we regard as\u00a0<em>mutually appreciated intentional and reciprocal artistic influence based on solidarity)<\/em>\u00a0by combining approaches from contemporary music composition and improvisation with ethnomusicological and sociological research. We encourage\u00a0<em>creative (mis)understandings<\/em>\u00a0emerging from the interaction between research and artistic practice, and between European art music, folk and non-western styles, in particular from indigenous minorities in Taiwan. Both comprehension and incomprehension yield serendipity and inspiration for new research questions, innovative artistic creation, and applied follow-ups among non-western communities.<\/div>\n<\/div>\n<div class=\"tool tool-simpletext scrollbar-never\" data-id=\"771461\" data-source=\"\" data-locked=\"0\" data-editable=\"0\" data-tool=\"simpletext\" data-title=\"\" data-date=\"\" data-options=\"&#091;&#093;\" data-rotate=\"0\" data-popover=\"\" data-popover-options=\"&#091;&#093;\">\n<div class=\"tool-content\">\n<p>The project departs from two premises: first, that contemporary western art music as a practice often tends to resort to certain degrees of elitism; and second, that non-western musical knowledge is often either ignored or merely exploited when it comes to compositional inspiration. We do not regard inspiration as unidirectional, an \u201cinput\u201d like recording or downloading material for artistic use. Instead, we foster artistic interaction by promoting dialogical and distributed knowledge production in musical encounters. Developing inter\u00addisciplinary and transcultural methodologies of musical creation will contribute on the one hand towards opening up the\u2014rightly or wrongly supposed\u2014\u201civory tower of contemporary composition\u201d, and on the other hand will contribute towards the recognition of the artistic value of non-western musical practices. By highlighting the reciprocal nature of inspiration,\u00a0<em>creative (mis)understandings<\/em>\u00a0will result in socially relevant and innovative methodologies for creating and disseminating music with meaning.<\/p>\n<p>The methods applied in the proposed project will start out from ethnographic evidence that people living in non-western or traditional societies often use methods of knowledge production within the sonic domain which are commonly unaddressed or even unknown among western contemporary music composers (aside from exotist or orientalistic appropriations of \u201cthe other\u201d).<\/p>\n<p>The project is designed in four stages:\u00a0<em>field research and interaction<\/em>\u00a0with indigenous communities in Taiwan with a focus on the Tao people on Lanyu Island,\u00a0<em>collaborative workshops<\/em>\u00a0in Vienna, an\u00a0<em>artistic research and training<\/em>\u00a0phase with invited indigenous Taiwanese coaches in Vienna, and\u00a0<em>feeding back to the field<\/em>\u00a0in Taiwan. During all these stages, exchange and coordination between composers, music makers, scholars and source community experts will be essential in order to reflect not only on the creative process, but also to analyse and support strong interaction between creation and society. Re-interaction with source communities as well as\u00a0<em>audience participation<\/em>\u00a0in the widest sense will help to increase the social relevance of the artistic results.<\/p>\n<p>The University of Music and Performing Arts Vienna (MDW) will host the project. The contributors are Johannes Kretz (project leader) and Wei-Ya Lin (project co-leader, senior researcher) with their team of seven composers, ten artistic research partners from Taiwan and six artistic and academic consultants with extensive experience in the relevant fields.<\/p>\n<p><a href=\"https:\/\/www.mdw.ac.at\/creativemisunderstandings\/\">www.mdw.ac.at\/creativemisunderstandings<\/a><\/p>\n<\/div>\n<\/div>\n<p><\/div><\/div><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;]<div  class=\"wpb_content_element   clearfix\"><style type=\"text\/css\">#ut_am_69d387c56fd4a { opacity: 1; }#ut_am_wrap_69d387c56fd4b .ut-image-gallery-item-caption-title h3 { letter-spacing: 0em; }#ut_am_wrap_69d387c56fd4b .ut-gallery-slider-caption { font-weight: bold; }#ut_am_wrap_69d387c56fd4b { text-align: left; }@media (min-width: 768px) and (max-width: 1024px) { #ut_am_wrap_69d387c56fd4b { text-align: left !important; } }@media (max-width: 767px) { #ut_am_wrap_69d387c56fd4b { text-align: center !important; } }<\/style><div id=\"ut_am_wrap_69d387c56fd4b\" class=\"ut-image-gallery-image \"><div id=\"ut_reveal_69d387c56fd4c\"  data-appear-top-offset=\"auto\" class=\"ut-animated-image-item ut-image-gallery-item ut-animation-done \"><a class=\"ut-deactivated-link\" href=\"#\"><div class=\"ut-animated-image-zoom\"><img class=\"ut-lazy skip-lazy ut-animated-image\"  id=\"ut_am_69d387c56fd4a\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 325 217'%2F%3E\" data-src=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/auditorium-tobias-1024x768-1-325x217.jpg\" width=\"325\" height=\"217\" alt=\"\"\/><\/div><\/a><\/div><\/div><\/div>[\/vc_column][vc_column width=&#8221;3\/4&#8243;]<div class=\"wpb_content_element \"><style type=\"text\/css\">#ut_accordion_69d387c56fd85 .ut-accordion-module-item.open .ut-accordion-module-heading { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c56fd85 .ut-accordion-module-heading:hover { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c56fd85 .ut-accordion-module-heading:active { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c56fd85 .ut-accordion-module-heading:focus { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c56fd85 .ut-accordion-module-item { border-top-style:solid; }#ut_accordion_69d387c56fd85 .ut-accordion-module-item:last-child { border-top-style:solid; border-bottom-style:solid; }<\/style><div id=\"ut_accordion_69d387c56fd85\" data-accordion-group class=\"ut-accordion-module ut-accordion-module-single  ut-accordion-module-with-border\"><div data-accordion data-accordion data-single data-transition=\"400\" data-easing=\"ease\" class=\"ut-accordion-module-item \"><h3 data-control class=\"ut-accordion-module-heading\" data-counter=\"1\">Rotting Sounds (PEEK project)<\/h3><div data-content class=\"ut-accordion-module-content\"><div class=\"ut-accordion-module-inner entry-content clearfix\"><\/p>\n<p class=\"p1\"><span class=\"s1\">Most of today\u2019s media output, be it audio or video, is produced and stored in the digital domain. Although digital data are adorned by the myth of lossless transmission and migration, everyday experience does prove the existence of degradation and, ultimately, data loss in various forms. This pertains to the physical nature of storage media and playback devices as well as to media formats and software in the context of their technological infrastructure. The project strives to elaborate on the causes, mechanisms and effects of such deterioration, specifically in the context of digital audio.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Since degradation cannot be avoided on principle, it is our general aim to unearth latent degrees of freedom pertaining to the artistic practice in the omnipresence of decay.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">How can degradation effects be understood, actuated, reproduced, directed and harnessed within sound art? Which are the mechanisms and implications of obsolescence concerning hard- and software? How can we model the process of decay in the digital domain, and what are its products and residues? What is the impact of the environment and human interaction? To which extent are artworks products of their material sources or their symptoms of decay?<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"http:\/\/rottingsounds.org\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/rottingsounds.org<\/a><\/div><\/div><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;]<div  class=\"wpb_content_element   clearfix\"><style type=\"text\/css\">#ut_am_69d387c5700b1 { opacity: 1; }#ut_am_wrap_69d387c5700b2 .ut-image-gallery-item-caption-title h3 { letter-spacing: 0em; }#ut_am_wrap_69d387c5700b2 .ut-gallery-slider-caption { font-weight: bold; }#ut_am_wrap_69d387c5700b2 { text-align: left; }@media (min-width: 768px) and (max-width: 1024px) { #ut_am_wrap_69d387c5700b2 { text-align: left !important; } }@media (max-width: 767px) { #ut_am_wrap_69d387c5700b2 { text-align: center !important; } }<\/style><div id=\"ut_am_wrap_69d387c5700b2\" class=\"ut-image-gallery-image \"><div id=\"ut_reveal_69d387c5700b3\"  data-appear-top-offset=\"auto\" class=\"ut-animated-image-item ut-image-gallery-item ut-animation-done \"><a class=\"ut-deactivated-link\" href=\"#\"><div class=\"ut-animated-image-zoom\"><img class=\"ut-lazy skip-lazy ut-animated-image\"  id=\"ut_am_69d387c5700b1\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 650 433'%2F%3E\" data-src=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/post-1_image2-2-1-650x433.jpg\" width=\"650\" height=\"433\" alt=\"\"\/><\/div><\/a><\/div><\/div><\/div>[\/vc_column][vc_column width=&#8221;3\/4&#8243;]<div class=\"wpb_content_element \"><style type=\"text\/css\">#ut_accordion_69d387c5700ed .ut-accordion-module-item.open .ut-accordion-module-heading { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c5700ed .ut-accordion-module-heading:hover { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c5700ed .ut-accordion-module-heading:active { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c5700ed .ut-accordion-module-heading:focus { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c5700ed .ut-accordion-module-item { border-top-style:solid; }#ut_accordion_69d387c5700ed .ut-accordion-module-item:last-child { border-top-style:solid; border-bottom-style:solid; }<\/style><div id=\"ut_accordion_69d387c5700ed\" data-accordion-group class=\"ut-accordion-module ut-accordion-module-single  ut-accordion-module-with-border\"><div data-accordion data-accordion data-single data-transition=\"400\" data-easing=\"ease\" class=\"ut-accordion-module-item \"><h3 data-control class=\"ut-accordion-module-heading\" data-counter=\"1\">AR Pilot Call \u2013 support for artistic research<\/h3><div data-content class=\"ut-accordion-module-content\"><div class=\"ut-accordion-module-inner entry-content clearfix\"><\/p>\n<p class=\"p1\"><span class=\"s1\">In 2018 the mdw began offering internal financial support for pilot projects in the field of artistic research.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">The objective of this call was to facilitate the further development of artistic research practices, methods, and discourses within the fields and disciplines represented at the mdw. Nine artistic research projects, most of which are transdisciplinary and collaborative in nature, have since been granted support, and several of their teams have already submitted third-party funding applications to the Programme for Arts-Based Research (PEEK) of the Austrian Science Fund (FWF). The nine internally funded projects were selected from over 20 submissions by virtue of their innovative research questions and commensurately portrayed methods, with the idea being that artistic practice should play a central role in the research process. A further objective of this pilot call, above and beyond facilitating eventual third-party funding applications, was to disseminate projects\u2019 findings via public performances, exhibitions, and publications. One avenue of publication is the website \u201cResearch Catalogue\u201d\u2014an online database that collects, archives, publishes, and exhibits artistic research\u2014run by the Society of Artistic Research (SAR), of which the mdw is a member. The University\u2019s present objective is to further intensify and refine its activities in the field of artistic research, a field that is now developing in so many respects, via the lecture series\u00a0<i>Knowing in Performing,<\/i>\u00a0the ongoing PEEK projects\u00a0<i>Rotting Sounds<\/i>\u00a0and\u00a0<i>Creative (Mis)understandings,<\/i>\u00a0and preparatory work for the future doctoral programme.<\/span><\/p>\n<p>Further <a href=\"https:\/\/www.mdw.ac.at\/forschungsf%C3%B6rderung\/ar-pilot\/\" target=\"_blank\" rel=\"noopener noreferrer\">informations at the Webpage of Research Support at mdw<\/a><\/p>\n<p class=\"p2\"><span class=\"s2\"><a href=\"https:\/\/www.mdw.ac.at\/magazin\/index.php\/2019\/11\/25\/interdisziplinaere-projektvielfalt-neun-artistic-research-pilotprojekte-an-der-mdw\/?lang=en\" target=\"_blank\" rel=\"noopener noreferrer\">Pilot call at mdw magazin<\/a><\/span><\/p>\n<p><\/div><\/div><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;]<div  class=\"wpb_content_element   clearfix\"><style type=\"text\/css\">#ut_am_69d387c5703ff { opacity: 1; }#ut_am_wrap_69d387c570400 .ut-image-gallery-item-caption-title h3 { letter-spacing: 0em; }#ut_am_wrap_69d387c570400 .ut-gallery-slider-caption { font-weight: bold; }#ut_am_wrap_69d387c570400 { text-align: left; }@media (min-width: 768px) and (max-width: 1024px) { #ut_am_wrap_69d387c570400 { text-align: left !important; } }@media (max-width: 767px) { #ut_am_wrap_69d387c570400 { text-align: center !important; } }<\/style><div id=\"ut_am_wrap_69d387c570400\" class=\"ut-image-gallery-image \"><div id=\"ut_reveal_69d387c570401\"  data-appear-top-offset=\"auto\" class=\"ut-animated-image-item ut-image-gallery-item ut-animation-done \"><a class=\"ut-deactivated-link\" href=\"#\"><div class=\"ut-animated-image-zoom\"><img class=\"ut-lazy skip-lazy ut-animated-image\"  id=\"ut_am_69d387c5703ff\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 198 162'%2F%3E\" data-src=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/logo.jpg\" width=\"198\" height=\"162\" alt=\"logo\"\/><\/div><\/a><\/div><\/div><\/div>[\/vc_column][vc_column width=&#8221;3\/4&#8243;]<div class=\"wpb_content_element \"><style type=\"text\/css\">#ut_accordion_69d387c570439 .ut-accordion-module-item.open .ut-accordion-module-heading { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c570439 .ut-accordion-module-heading:hover { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c570439 .ut-accordion-module-heading:active { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c570439 .ut-accordion-module-heading:focus { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c570439 .ut-accordion-module-item { border-top-style:solid; }#ut_accordion_69d387c570439 .ut-accordion-module-item:last-child { border-top-style:solid; border-bottom-style:solid; }<\/style><div id=\"ut_accordion_69d387c570439\" data-accordion-group class=\"ut-accordion-module ut-accordion-module-single  ut-accordion-module-with-border\"><div data-accordion data-accordion data-single data-transition=\"400\" data-easing=\"ease\" class=\"ut-accordion-module-item \"><h3 data-control class=\"ut-accordion-module-heading\" data-counter=\"1\">Think Tank \u2013 about the foundations of artistic research<\/h3><div data-content class=\"ut-accordion-module-content\"><div class=\"ut-accordion-module-inner entry-content clearfix\"><\/p>\n<p class=\"p1\"><span class=\"s1\">In 2018 in three meetings at mdw with experts from mdw and from outside\u00a0 perspectives of artistic research were discussed, their foundation, contexts, possible or impossible definitions.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\"><span class=\"s1\">Think Tank Artistic Research <a href=\"https:\/\/www.mdw.ac.at\/upload\/MDWeb\/ike\/downloads\/Zusammenfassung-AR-JourFixes.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"><span class=\"s2\">(documentation, in german)<\/span><\/a><\/span><\/p>\n<p><\/div><\/div><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column]<div  class=\"wpb_content_element   clearfix\"><style type=\"text\/css\">#ut_am_69d387c570732 { opacity: 1; }#ut_am_wrap_69d387c570733 .ut-image-gallery-item-caption-title h3 { letter-spacing: 0em; }#ut_am_wrap_69d387c570733 .ut-gallery-slider-caption { font-weight: bold; }#ut_am_wrap_69d387c570733 { text-align: left; }@media (min-width: 768px) and (max-width: 1024px) { #ut_am_wrap_69d387c570733 { text-align: left !important; } }@media (max-width: 767px) { #ut_am_wrap_69d387c570733 { text-align: center !important; } }<\/style><div id=\"ut_am_wrap_69d387c570733\" class=\"ut-image-gallery-image \"><div id=\"ut_reveal_69d387c570734\"  data-appear-top-offset=\"auto\" class=\"ut-animated-image-item ut-image-gallery-item ut-animation-done \"><a class=\"ut-deactivated-link\" href=\"#\"><div class=\"ut-animated-image-zoom\"><img class=\"ut-lazy skip-lazy ut-animated-image\"  id=\"ut_am_69d387c570732\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 500 600'%2F%3E\" data-src=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/07\/ARC-Design-Element-6.svg\" width=\"500\" height=\"\" alt=\"\"\/><\/div><\/a><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<h2>Past projects<\/h2>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;]<div  class=\"wpb_content_element   clearfix\"><style type=\"text\/css\">#ut_am_69d387c570a02 { opacity: 1; }#ut_am_wrap_69d387c570a03 .ut-image-gallery-item-caption-title h3 { letter-spacing: 0em; }#ut_am_wrap_69d387c570a03 .ut-gallery-slider-caption { font-weight: bold; }#ut_am_wrap_69d387c570a03 { text-align: left; }@media (min-width: 768px) and (max-width: 1024px) { #ut_am_wrap_69d387c570a03 { text-align: left !important; } }@media (max-width: 767px) { #ut_am_wrap_69d387c570a03 { text-align: center !important; } }<\/style><div id=\"ut_am_wrap_69d387c570a03\" class=\"ut-image-gallery-image \"><div id=\"ut_reveal_69d387c570a04\"  data-appear-top-offset=\"auto\" class=\"ut-animated-image-item ut-image-gallery-item ut-animation-done \"><a class=\"ut-deactivated-link\" href=\"#\"><div class=\"ut-animated-image-zoom\"><img class=\"ut-lazy skip-lazy ut-animated-image\"  id=\"ut_am_69d387c570a02\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 325 217'%2F%3E\" data-src=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/luciana3_credit-daniel-henry_sb-1200x800px_orig-1-325x217.jpg\" width=\"325\" height=\"217\" alt=\"luciana. credits: daniel-henry\"\/><\/div><\/a><\/div><\/div><\/div>[\/vc_column][vc_column width=&#8221;3\/4&#8243;]<div class=\"wpb_content_element \"><style type=\"text\/css\">#ut_accordion_69d387c570a3f .ut-accordion-module-item.open .ut-accordion-module-heading { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c570a3f .ut-accordion-module-heading:hover { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c570a3f .ut-accordion-module-heading:active { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c570a3f .ut-accordion-module-heading:focus { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c570a3f .ut-accordion-module-item { border-top-style:solid; }#ut_accordion_69d387c570a3f .ut-accordion-module-item:last-child { border-top-style:solid; border-bottom-style:solid; }<\/style><div id=\"ut_accordion_69d387c570a3f\" data-accordion-group class=\"ut-accordion-module ut-accordion-module-single  ut-accordion-module-with-border\"><div data-accordion data-accordion data-single data-transition=\"400\" data-easing=\"ease\" class=\"ut-accordion-module-item \"><h3 data-control class=\"ut-accordion-module-heading\" data-counter=\"1\">Lecture Series ``Knowing in Performing``<\/h3><div data-content class=\"ut-accordion-module-content\"><div class=\"ut-accordion-module-inner entry-content clearfix\"><\/p>\n<p class=\"p1\"><span class=\"s1\">The lecture series\u00a0 &#8220;Knowing in Performing&#8221; at mdw presented in two years the transdisciplinary dynamics of\u00a0 artistic research with special focus on music and performing arts.<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">Homepage of the lecture series: <a href=\"https:\/\/www.mdw.ac.at\/knowinginperforming_rvo\/\"><span class=\"s3\">&#8220;knowing in performing&#8221; 2018-2020<\/span><\/a><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Recordings of presentations at <a href=\"https:\/\/mediathek.mdw.ac.at\/knowing-in-performing\"><span class=\"s3\">Mediathek.<\/span><\/a><\/span><\/p>\n<p class=\"p3\"><span class=\"s1\"><b>Team<\/b><\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Project team: Johannes Kretz, Therese Kaufmann, Susanne V. Granzer, Annegret Huber, Doris Ingrisch, Johannes Meissl, Gesine Schr\u00f6der, Tasos Zembylas<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Coordination: Karoline Feyertag<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Organisation: Slavom\u00edra Marti\u0161kov\u00e1<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\">Contact &amp; Information: <a href=\"mailto:knowinginperforming@mdw.ac.at\"><span class=\"s3\">knowinginperforming@mdw.ac.at<\/span><\/a><\/span><\/p>\n<p><\/div><\/div><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;]<div  class=\"wpb_content_element   clearfix\"><style type=\"text\/css\">#ut_am_69d387c570d41 { opacity: 1; }#ut_am_wrap_69d387c570d42 .ut-image-gallery-item-caption-title h3 { letter-spacing: 0em; }#ut_am_wrap_69d387c570d42 .ut-gallery-slider-caption { font-weight: bold; }#ut_am_wrap_69d387c570d42 { text-align: left; }@media (min-width: 768px) and (max-width: 1024px) { #ut_am_wrap_69d387c570d42 { text-align: left !important; } }@media (max-width: 767px) { #ut_am_wrap_69d387c570d42 { text-align: center !important; } }<\/style><div id=\"ut_am_wrap_69d387c570d42\" class=\"ut-image-gallery-image \"><div id=\"ut_reveal_69d387c570d43\"  data-appear-top-offset=\"auto\" class=\"ut-animated-image-item ut-image-gallery-item ut-animation-done \"><a class=\"ut-deactivated-link\" href=\"#\"><div class=\"ut-animated-image-zoom\"><img class=\"ut-lazy skip-lazy ut-animated-image\"  id=\"ut_am_69d387c570d41\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 325 217'%2F%3E\" data-src=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/Symposium-knowing_in_performing_orig-1-325x217.png\" width=\"325\" height=\"217\" alt=\"Symposium Knowing in Performing, credits Martin Kaltenbrunner\"\/><\/div><\/a><\/div><\/div><\/div>[\/vc_column][vc_column width=&#8221;3\/4&#8243;]<div class=\"wpb_content_element \"><style type=\"text\/css\">#ut_accordion_69d387c570d83 .ut-accordion-module-item.open .ut-accordion-module-heading { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c570d83 .ut-accordion-module-heading:hover { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c570d83 .ut-accordion-module-heading:active { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c570d83 .ut-accordion-module-heading:focus { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c570d83 .ut-accordion-module-item { border-top-style:solid; }#ut_accordion_69d387c570d83 .ut-accordion-module-item:last-child { border-top-style:solid; border-bottom-style:solid; }<\/style><div id=\"ut_accordion_69d387c570d83\" data-accordion-group class=\"ut-accordion-module ut-accordion-module-single  ut-accordion-module-with-border\"><div data-accordion data-accordion data-single data-transition=\"400\" data-easing=\"ease\" class=\"ut-accordion-module-item \"><h3 data-control class=\"ut-accordion-module-heading\" data-counter=\"1\">Symposium ``Knowing in Performing``<\/h3><div data-content class=\"ut-accordion-module-content\"><div class=\"ut-accordion-module-inner entry-content clearfix\"><\/p>\n<p class=\"p1\"><span class=\"s1\">Artistic research as it has emerged and evolved over the last three decades is related to an increasing\u00a0<b>interest in epistemological questions<\/b>\u00a0as well as an interrogation of\u00a0<b>how artistic practices constitutively support and instigate processes of knowledge creation<\/b>. Art is thus being looked at both as an object and a medium of research, becoming part of a general discourse on knowledge regimes and research models.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">The symposium investigated this dynamic, ever-renewing field of interrelations with a special focus on the performing arts. Highlighting the issue of various implementation models in curricula and study programmes in higher arts education, it critically analysed international institutional policies and facilitated an open debate on how to integrate current practices and discourses into future teaching and research structures.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">\u00a0<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><b>4 April 2018, 9.30 am \u2013 6.00 pm<\/b><br \/>\nFanny Hensel Hall<br \/>\nAnton-von-Webern-Platz 1<br \/>\n1030 Vienna<\/span><\/p>\n<p class=\"p2\"><span class=\"s2\"><a href=\"https:\/\/www.mdw.ac.at\/knowinginperforming\/\" target=\"_blank\" rel=\"noopener noreferrer\">Website of the Symposium<\/a><\/span><\/p>\n<p class=\"p2\"><span class=\"s2\"><a href=\"https:\/\/www.mdw.ac.at\/upload\/mdwUNI\/files\/knowing_in_performing_folder.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">Program<\/a><\/span><\/p>\n<div class=\"mceTemp\"><\/div>\n<div id=\"attachment_481\" style=\"width: 660px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-481\" decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-481\" src=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_094404-650x433.jpg\" alt=\"\" width=\"650\" height=\"433\" srcset=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_094404-650x433.jpg 650w, https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_094404-325x217.jpg 325w, https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_094404-768x512.jpg 768w, https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_094404-1080x720.jpg 1080w, https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_094404.jpg 1200w\" sizes=\"(max-width: 650px) 100vw, 650px\" \/><p id=\"caption-attachment-481\" class=\"wp-caption-text\">Therese Kaufmann at Knowing in Performing, a symposium for the artistic science, at the MDW. Credits: Gerard Spee<\/p><\/div>\n<div id=\"attachment_482\" style=\"width: 660px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-482\" decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-482\" src=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_093648-650x433.jpg\" alt=\"\" width=\"650\" height=\"433\" srcset=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_093648-650x433.jpg 650w, https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_093648-325x217.jpg 325w, https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_093648-768x512.jpg 768w, https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_093648-1080x720.jpg 1080w, https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_093648.jpg 1200w\" sizes=\"(max-width: 650px) 100vw, 650px\" \/><p id=\"caption-attachment-482\" class=\"wp-caption-text\">Rector Ulrike Sych at Knowing in Performing, a symposium for the artistic science, at the MDW. Credits: Gerard Spee<\/p><\/div>\n<div id=\"attachment_479\" style=\"width: 660px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-479\" decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-479\" src=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_155039-650x433.jpg\" alt=\"\" width=\"650\" height=\"433\" srcset=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_155039-650x433.jpg 650w, https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_155039-325x217.jpg 325w, https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_155039-768x512.jpg 768w, https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_155039-1080x720.jpg 1080w, https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_155039.jpg 1200w\" sizes=\"(max-width: 650px) 100vw, 650px\" \/><p id=\"caption-attachment-479\" class=\"wp-caption-text\">Johannes Kretz and Wei-Ya Lin at Knowing in Performing, a symposium for the artistic science, at the MDW. Credits: Gerard Spee<\/p><\/div>\n<div id=\"attachment_480\" style=\"width: 660px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-480\" decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-480\" src=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_160441-650x433.jpg\" alt=\"\" width=\"650\" height=\"433\" srcset=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_160441-650x433.jpg 650w, https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_160441-325x217.jpg 325w, https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_160441-768x512.jpg 768w, https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_160441-1080x720.jpg 1080w, https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/GJS81_20180404_160441.jpg 1200w\" sizes=\"(max-width: 650px) 100vw, 650px\" \/><p id=\"caption-attachment-480\" class=\"wp-caption-text\">Thomas Grill at Knowing in Performing, a symposium for the artistic science, at the MDW. Credits: Gerard Spee<\/p><\/div>\n<p><\/div><\/div><\/div><\/div><\/div>[\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column width=&#8221;1\/4&#8243;]<div  class=\"wpb_content_element   clearfix\"><style type=\"text\/css\">#ut_am_69d387c571140 { opacity: 1; }#ut_am_wrap_69d387c571141 .ut-image-gallery-item-caption-title h3 { letter-spacing: 0em; }#ut_am_wrap_69d387c571141 .ut-gallery-slider-caption { font-weight: bold; }#ut_am_wrap_69d387c571141 { text-align: left; }@media (min-width: 768px) and (max-width: 1024px) { #ut_am_wrap_69d387c571141 { text-align: left !important; } }@media (max-width: 767px) { #ut_am_wrap_69d387c571141 { text-align: center !important; } }<\/style><div id=\"ut_am_wrap_69d387c571141\" class=\"ut-image-gallery-image \"><div id=\"ut_reveal_69d387c571142\"  data-appear-top-offset=\"auto\" class=\"ut-animated-image-item ut-image-gallery-item ut-animation-done \"><a class=\"ut-deactivated-link\" href=\"#\"><div class=\"ut-animated-image-zoom\"><img class=\"ut-lazy skip-lazy ut-animated-image\"  id=\"ut_am_69d387c571140\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 283 217'%2F%3E\" data-src=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/06\/quovadis_logo-1-283x217.jpg\" width=\"283\" height=\"217\" alt=\"quovadis_logo\"\/><\/div><\/a><\/div><\/div><\/div>[\/vc_column][vc_column width=&#8221;3\/4&#8243;]<div class=\"wpb_content_element \"><style type=\"text\/css\">#ut_accordion_69d387c57117c .ut-accordion-module-item.open .ut-accordion-module-heading { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c57117c .ut-accordion-module-heading:hover { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c57117c .ut-accordion-module-heading:active { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c57117c .ut-accordion-module-heading:focus { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d387c57117c .ut-accordion-module-item { border-top-style:solid; }#ut_accordion_69d387c57117c .ut-accordion-module-item:last-child { border-top-style:solid; border-bottom-style:solid; }<\/style><div id=\"ut_accordion_69d387c57117c\" data-accordion-group class=\"ut-accordion-module ut-accordion-module-single  ut-accordion-module-with-border\"><div data-accordion data-accordion data-single data-transition=\"400\" data-easing=\"ease\" class=\"ut-accordion-module-item \"><h3 data-control class=\"ut-accordion-module-heading\" data-counter=\"1\">PEEK Project ``Quo Vadis Teufelsgeiger``<\/h3><div data-content class=\"ut-accordion-module-content\"><div class=\"ut-accordion-module-inner entry-content clearfix\">The arts-based-research project \u201eQuo vadis, Teufelsgeiger?\u201c (QvT) at mdw investigated over two years the effect of one&#8217;s own sound (improvisation) and own musical language\u00a0 (idiolectic) on the development of classical musicians.<\/p>\n<p>It was the first artistic research project at mdw, supported by FWF \/ <a class=\"type8\" href=\"http:\/\/www.fwf.ac.at\/de\/projects\/peek.html\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>PEEK<\/strong><\/a>.<\/p>\n<p><a href=\"http:\/\/www.quovadisteufelsgeiger.at\/\" target=\"_blank\" rel=\"noopener noreferrer\">Project Website<\/a><\/div><\/div><\/div><\/div><\/div>[\/vc_column][\/vc_row][\/vc_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_section css=&#8221;.vc_custom_1592596618839{margin-top: 100px !important;}&#8221;][vc_row][vc_column][vc_column_text] Projects and Publications \u2013 artistic research at mdw [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] Past projects [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][\/vc_column][\/vc_row][\/vc_section]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/pages\/57"}],"collection":[{"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/comments?post=57"}],"version-history":[{"count":85,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/pages\/57\/revisions"}],"predecessor-version":[{"id":661,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/pages\/57\/revisions\/661"}],"wp:attachment":[{"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/media?parent=57"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}