ph\u00e6drus<\/a> [\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text]EPARM<\/a> meeting<\/p>\n The Mutual Permeation of Rap Music and Contemporary Art Music<\/a> [\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text]PHOTO FORUM [SYMPOSIUM]<\/a><\/p>\n Photography after Immateriality [\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text]International Network for Artistic Research in Jazz<\/a><\/p>\n Sonntag, 6. October, 2024 Flick, Birgitta (Universit\u00e4t f\u00fcr Musik und darstellende Kunst Wien) [\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text]<\/p>\n mdw \u2013 Universit\u00e4t f\u00fcr Musik und darstellende Kunst Wien [\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text]<\/p>\n 15-17 October 2024<\/p>\n Jagoda Szmytka “Sustainable Scores”<\/p>\n<\/div>\n [\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text]<\/p>\n Symposium 27-29 June 2024, Gustav Mahler Private University for Music (GMPU), Klagenfurt, Austria<\/p>\n Birgitta Flick “The Enchanted Forest: Exploring the development of relationships in artistic collaborations that combine individual and collective creative practices.”<\/p>\n<\/div>\n <\/p>\n<\/div>\n [\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text]<\/p>\n Symposium 27-29 June 2024, Gustav Mahler Private University for Music (GMPU), Klagenfurt, Austria<\/p>\n Jagoda Szmytka “Extended listening and its role in shaping compositional tools. A few remarks on the exploration of connections between auditory, visual, tactile and kinesthetic modes of perception”<\/p>\n<\/div>\n <\/p>\n<\/div>\n [\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text]<\/p>\n Concordia University, Montreal. May 3\u20135, 2024<\/p>\n Jagoda Szmytka “It is difficult to compose in difficult times. A few remarks on sources of compositional struggles from a personal perspective”<\/p>\n<\/div>\n [\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text]<\/p>\n Academy of Music, University of Ljubljana (Ljubljana, Slovenia) MARCH 22-24<\/p>\n March 22, 16:30 Trio Lorenz Hall Parallel Session IV<\/p>\n BIRGITTA FLICK \u2013 Circular composition experiments and the Great American Songbook: Artistically researching the relation between older repertoire and contemporary creative practices through notation.<\/a><\/p>\n<\/div>\n<\/div>\n [\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text]<\/p>\n Academy of Music, University of Ljubljana (Ljubljana, Slovenia) MARCH 22-24<\/p>\n March 22, 15:50, Not-the-L8Nite Performance<\/p>\n DUSTIN ZORN \u2013 From Stria to Metastasia \u2013 fantastic proliferations of a revived algorithm Destruction and creation of algorithms as a creative dichotomy and artistic research procedure to explore interpretative space within computer music repertoire<\/a><\/p>\n [\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text]Symposium: Musicians\u2019 Perspectives on Improvisation<\/a><\/p>\n exploratorium berlin \u2013 Saturday, February 3rd, 2024<\/p>\n 11:30-12:10 Birgitta Flick (featuring Maja von Kriegstein): Pulsations: Exploring the Interaction of Improvisation and Notation with the Means of [\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text]From April 19-21, 2023, the Norwegian University of Science and Technology (NTNU) hosts the 14th International Conference on Artistic Research in Trondheim. Organized in collaboration with the Society for Artistic Research, it is the largest conference on practice based research through the arts.<\/p>\n Tian Fu, artistic research doctoral candidate at the University of Music and Performing Arts (Vienna) [\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text]AEC European Platform for Artistic Research in Music (EPARM) 2023<\/a> Friday 31st March 9:00-9:30 “Not-the-L8Nite performances” I A [\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column width=”1\/4″][vc_column_text]<\/p>\n [\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text]13th SAR Conference 2022 Bauhaus-Universit\u00e4t Weimar<\/a><\/p>\n 03.07.2022, 10:00, GRAMA Lounge: Steubenstra\u00dfe 6, 99423 Weimar [vc_row][vc_column][vc_column_text] [\/vc_column_text][\/vc_column][\/vc_row][vc_section][\/vc_section][vc_section][vc_row][vc_column width=”1\/4″][vc_column_text] ETTORE BIAGI [\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text]EPARM meeting ph\u00e6drus ecological actions of resonance through uncharted music 05.04.2025, 10:30-11:30, blackbox @Estonian Academy of Music and Theatre, Tallinn (Estonia) Artistic research doctoral candidate at the University of Music and Performing Arts Vienna [\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column width=”1\/4″][vc_column_text] FU TIAN [\/vc_column_text][\/vc_column][vc_column width=”3\/4″][vc_column_text]EPARM meeting The Mutual Permeation of Rap Music […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/pages\/2266"}],"collection":[{"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/comments?post=2266"}],"version-history":[{"count":25,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/pages\/2266\/revisions"}],"predecessor-version":[{"id":3312,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/pages\/2266\/revisions\/3312"}],"wp:attachment":[{"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/media?parent=2266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\necological actions of resonance through uncharted music
\n05.04.2025, 10:30-11:30, blackbox
\n@Estonian Academy of Music and Theatre, Tallinn (Estonia)<\/p>\nArtistic research doctoral candidate at the University of Music and Performing Arts Vienna<\/h5>\n
FU TIAN<\/h4>\n
\n05.04.2025, 09:10-09:40, chamber hall
\n@Estonian Academy of Music and Theatre, Tallinn (Estonia)<\/p>\nArtistic research doctoral candidate at the University of Music and Performing Arts Vienna<\/h5>\n
CAROLINE GANSTERER-HEIDER<\/h4>\n
\n18.10 & 19.10.2024, 13:00-19:00 (Mainly German + English)
\n@Hochschule der K\u00fcnste Bern<\/p>\nArtistic research doctoral candidate at the University of Music and Performing Arts Vienna<\/h5>\n
BIRGITTA FLICK<\/h4>\n
\nSpielraum, Gasometer B, Guglgasse 8, 1110 Wien<\/p>\n
\nEntangled tools and practices: Reflections on the creative collaboration for PlanetWoman<\/p>\nArtistic research doctoral candidate at the University of Music and Performing Arts Vienna<\/h5>\n
IVAR ROBAN KRIZIC<\/h4>\n
guest lecture \u2013 Montag 10.06.2024, 10:00\u201312:00 \u2014 mdw Future Art Lab, Vortragssaal VZG48<\/h4>\n
\nLehrgang f\u00fcr elektroakustische und experimentelle Musik (ELAK)<\/p>\n“Critical Improvisation Studies – Literature Review”<\/h4>\n<\/div>\n
Artistic research doctoral candidate at the University of Music and Performing Arts Vienna<\/h5>\n<\/div>\n
JAGODA SZMYTKA<\/h4>\n
International Online Conference on Renewable Music<\/a><\/h4>\n
Artistic research doctoral candidate at the University of Music and Performing Arts Vienna<\/h5>\n
BIRGITTA FLICK<\/h4>\n
Forum Artistic Research: listen for beginnings <\/em><\/a><\/h4>\n
Artistic research doctoral candidate at the University of Music and Performing Arts Vienna<\/h5>\n
JAGODA SZMYTKA<\/h4>\n
Forum Artistic Research: listen for beginnings <\/em><\/a><\/h4>\n
Artistic research doctoral candidate at the University of Music and Performing Arts Vienna<\/h5>\n
JAGODA SZMYTKA<\/h4>\n
CFP: Music in Difficult Times: Global\u2014Plural Temporalities<\/a><\/h4>\n
Artistic research doctoral candidate at the University of Music and Performing Arts Vienna<\/h5>\n
BIRGITTA FLICK<\/h4>\n
European Platform for Artistic Research in Music (EPARM) 2024<\/a><\/h4>\n
<\/h5>\n
Artistic research doctoral candidate at the University of Music and Performing Arts Vienna<\/h5>\n<\/div>\n
DUSTIN ZORN<\/h4>\n
European Platform for Artistic Research in Music (EPARM) 2024<\/a><\/h4>\n
Artistic research doctoral candidate at the University of Music and Performing Arts Vienna<\/h5>\n
BIRGITTA FLICK<\/h4>\n
\nArtistic Research | LECTURE PERFORMANCE<\/p>\nArtistic research doctoral candidate at the University of Music and Performing Arts Vienna<\/h5>\n
TIAN FU<\/h4>\n
\nAn Integration of Rap Music and Neue Musik<\/a>
\nThursday, April 20, 2023 – 09:30
\n20 min Presentation + 20 min Discussion
\nModerator:
\nDanny Butt
\nDokkhuset<\/p>\nArtistic research doctoral candidate at the University of Music and Performing Arts Vienna<\/h5>\n
BIRGITTA FLICK<\/h4>\n
\n\u2018Upbeat: Futures of Artistic Research in Music\u2019
\nRoyal Danish Academy of Music, Copenhagen (Denmark) and online
\n30 March \u2013 1 April 2023<\/p>\n
\nBirgitta Flick artistic research doctorate candidate, mdw University of Music and Performing Arts Vienna (Austria)
\nCircular compositions for saxophone solo. Following a composition\u2019s transformations through improvisation and collaborative creating<\/a><\/p>\nArtistic research doctoral candidate at the University of Music and Performing Arts Vienna<\/h5>\n
KARL SALZMANN<\/h4>\n
\nA Quote to Be Proofed. Moholy-Nagy\u2019s \u2019Neue Gestaltung in der Musik\u2019<\/a>
\nKarl Salzmann<\/a> artistic research doctorate candidate, mdw University of Music and Performing Arts Vienna (Austria)[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section][vc_row][vc_column][vc_column_text]![\"\"](\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/07\/ARC-Design-Element-6-1.svg\")
[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section]<\/p>\n","protected":false},"excerpt":{"rendered":"