{"id":1191,"date":"2021-12-21T10:12:30","date_gmt":"2021-12-21T10:12:30","guid":{"rendered":"https:\/\/www.mdw.ac.at\/ar_center\/?page_id=1191"},"modified":"2024-08-26T07:39:04","modified_gmt":"2024-08-26T07:39:04","slug":"team-lin","status":"publish","type":"page","link":"https:\/\/www.mdw.ac.at\/ar_center\/team-lin\/","title":{"rendered":"Wei-Ya Lin"},"content":{"rendered":"<p>[vc_section css=&#8221;.vc_custom_1592596618839{margin-top: 100px !important;}&#8221;][vc_row][vc_column width=&#8221;1\/4&#8243;]<div  class=\"wpb_content_element   clearfix\"><style type=\"text\/css\">#ut_am_69d4c5a6bf632 { opacity: 1; }#ut_am_wrap_69d4c5a6bf633 .ut-image-gallery-item-caption-title h3 { letter-spacing: 0em; }#ut_am_wrap_69d4c5a6bf633 .ut-gallery-slider-caption { font-weight: bold; }#ut_am_wrap_69d4c5a6bf633 { text-align: left; }@media (min-width: 768px) and (max-width: 1024px) { #ut_am_wrap_69d4c5a6bf633 { text-align: left !important; } }@media (max-width: 767px) { #ut_am_wrap_69d4c5a6bf633 { text-align: center !important; } }<\/style><div id=\"ut_am_wrap_69d4c5a6bf633\" class=\"ut-image-gallery-image \"><div id=\"ut_reveal_69d4c5a6bf634\"  data-appear-top-offset=\"auto\" class=\"ut-animated-image-item ut-image-gallery-item ut-animation-done \"><a class=\"ut-deactivated-link\" href=\"#\"><div class=\"ut-animated-image-zoom\"><img class=\"ut-lazy skip-lazy ut-animated-image\"  id=\"ut_am_69d4c5a6bf632\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 325 217'%2F%3E\" data-src=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/11\/Wei-Ya-Lin-325x217.jpg\" width=\"325\" height=\"217\" alt=\"\"\/><\/div><div data-image-caption class=\"ut-image-gallery-image-caption\"><div class=\"ut-image-gallery-item-caption-title\"><h3>credits: Sabine Hauswirth<\/h3><\/div><\/div><\/a><\/div><\/div><\/div>[\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text]<\/p>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>email: <a href=\"mailto:lin@mdw.ac.at\">lin@mdw.ac.at<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Education<\/strong><\/p>\n<p>2015 PhD Degree on October 7, 2015 from the Department of Folk Music Research and Ethnomusicology, University of Music and Performing Arts Vienna, with distinction.<\/p>\n<p>Dissertation: <em>Die Musik im Leben der Tao (taiwanesische indigene Volksgruppe): Tradition and <\/em>Innovation\/ <em>Music in the Life of the Tao (Taiwanese indigenous ethnic Group): Tradition and Innovation<\/em>. Supervisors: a.o. Univ.-Prof. Dr. Ursula Hemetek and Prof. Dr. Svanibor Pettan.<\/p>\n<p>11\/2014 Training course at the University of Music and Performing Arts Vienna \u2013 <em>Transculturality in Music Education.<\/em><\/p>\n<p>2005-2007 Postgraduate studies in Chamber Music with Prof. Johannes Meissl, University of Music and Performing Arts Vienna.<\/p>\n<p>2004-2007 Composition studies with Prof. Axel Seidlmann and Prof. Herbert Lauermann, University of Music and Performing Arts Vienna.<\/p>\n<p>1998-2006 Viola Performance studies with Prof. Wolfgang Klos, University of Music and Performing Arts Vienna. Magister Artium in Viola Performance with distinction on 30 March 2006 at University of Music and Performing Arts Vienna.<\/p>\n<p>&nbsp;<\/p>\n<h1><\/h1>\n<p><strong>Scholarly Employments<\/strong><\/p>\n<p>Since 10\/2021\u00a0 <strong>Senior Artistic Researcher<\/strong> at the Artistic Research Center at the University of Music and Performing Arts Vienna<\/p>\n<p>10\/2020 \u2013 09\/ <strong>Lecturer and Supervisor<\/strong> in the Doctoral Programme in Artistic Research at the Artistic Research Center at the University of Music and Performing Arts Vienna<\/p>\n<p>09\/2018 \u2013 09\/2021 <strong>Co-Project-Leader<\/strong> (together with Univ.-Prof. Johannes Kretz) of the PEEK-Project <em>Creative (Mis)Understandings<\/em>, funded by the Austrian Science Fund (fwf), at the Department of Composition, Electro-Acoustics and Tonmeister Education at the University of Music and Performing Arts Vienna<\/p>\n<p>03\/2018 \u2013 09\/2021 <strong>Research Fellow (post-doc, 20%)<\/strong> in Artistic Research at the Department of Composition, Electro-Acoustics and Tonmeister Education at the University of Music and Performing Arts Vienna<\/p>\n<p>Since 03\/2018 <strong>Adjunct Lecturer <\/strong>at the Department of Musicology, University of Vienna<\/p>\n<p>10\/2017 \u2013 02\/2018 <strong>Adjunct Lecturer<\/strong><strong> for <em>Indigenous Environmental Knowledge in South-East Asian<\/em><\/strong>at the Department of Cultural and Social Anthropology, Philipps University Marburg, Germany<\/p>\n<p>08\/2017 \u2013 07\/2018 <strong>Co-Project-Leader <\/strong>(together with Univ.-Prof. Dr. Cheng-Hsien Yang) of the Project <em>Traditional Knowledge and Practice: The First Phase of Information Collection<\/em> (\u50b3\u7d71\u77e5\u8b58\u8207\u5be6\u8e10\u8cc7\u6599\u5fb5\u96c6\u59d4\u8a17\u7b2c\u4e00\u671f\u8a08\u756b), funded by the Section of Intangible Cultural Heritage, Ministry of Culture, Taiwan (\u53f0\u7063\u6587\u5316\u90e8\u6587\u5316\u8cc7\u7522\u5c40)<\/p>\n<p>04\/2016 \u2013 09\/2017 <strong>Research Fellow (post-doc)<\/strong> in the research project <em>Bi-\/Multimusicality<\/em> at the Department of Folk Music Research and Ethnomusicology at the University of Music and Performing Arts Vienna (half-time contract; <a href=\"https:\/\/www.mdw.ac.at\/ive\/bi-multimusikalitaet\">details see<\/a>)<\/p>\n<p>08\/2015 \u2013 06\/2017 <strong>Research Fellow (pre-doc) <\/strong>in the research project <em>Sparkling Science \u2013 Musik ohne Grenzen (Music without Borders)<\/em> (third party project funded by the Austrian Federal Ministry of Science, Research and Economy) at the Franz Schubert Department and Department of Folk Music Research and Ethnomusicology at the University of Music and Performing Arts Vienna (half-time contract; <a href=\"http:\/\/www.mdw.ac.at\/ifs\/?%20PageId=4155\">details see<\/a>)<\/p>\n<p>2014 \u2013 2016 <strong>Music Director\/Scholarly Consultant (in Ethnomusicology) and <\/strong>of an artistic project <em>Maataw \u2013 the Floating Island<\/em>, directed by the <em>Formosa Indigenous Dance Foundation of Culture and Arts<\/em> in Taiwan\uff08<a href=\"http:\/\/www.fidfca.com.tw\/\">Details<\/a>). This project was nominated for the Taiwanese <em>TaiHsin Art Award<\/em> for socially relevant interdisciplinary art projects in March 2016<\/p>\n<p>Since 10\/2013 <strong>Adjunct Lecturer for <em>Composition Workshop: Ethnomusicology<\/em><\/strong> at the Department of Composition, Electro-Acoustics and Tonmeister Education at the University of Music and Performing Arts Vienna<\/p>\n<p>&nbsp;<\/p>\n<h1><\/h1>\n<p>&nbsp;<\/p>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><strong>Scholarly, Artistic and Educational Initiatives (Selected)<\/strong><\/p>\n<p>Since 10\/2014 <strong>Initiator and Organizer<\/strong> of the international interdisciplinary project <em>Confusing Inspiration<\/em> with students and lecturers from the University of Music and Performing Arts Vienna (partner institutions: \u0130stanbul Teknik \u00dcniversitesi in Turkey, Hochschule Luzern in Switzerland, J\u0101zeps V\u012btols Latvian Academy of Music in Riga, Latvia, and Liszt Academy of Music in Budapest, Hungary)<\/p>\n<p>Since 2014 <strong>Initiator, Lecturer and Organizer <\/strong>of the intercultural and interdisciplinary Summer School for children and youth <a href=\"http:\/\/www.ikultlab.com\/\"><em>iKultLab<\/em><\/a><\/p>\n<p>2014 \u2013 2016 <strong>Music Director and<\/strong> <strong>Violist <\/strong>at the dance theatre production <em>Maataw<\/em>, together with Formosa Indigenous Dance Foundation of Culture and Arts in Taiwan, Premiere on 24, 25 and 26 January 2016 (Details see the <a href=\"http:\/\/www.fidfca.com.tw\/\">website<\/a>). This project was nominated for the Taiwanese <em>TaiHsin Art Award<\/em> for socially relevant interdisciplinary art projects in March 2016.<\/p>\n<p>2014 <strong>Initiator and Coordinator<\/strong> of the concert project based on applied ethnomusicology: <em>Soundscape\u2013Island of Human Beings<\/em>, premiere on 30 September 2014 at Taiwan National Theatre in Taipei (<a href=\"http:\/\/npac-ntch.org\/program\/show\/2c90813e46705b%20770146b7e121cd0f8e?lang=en\">Program<\/a>). This project was nominated for the Taiwanese <em>TaiHsin Art Award<\/em> for socially relevant interdisciplinary art projects in November 2014.<\/p>\n<p>2012 \u2013 2015 <strong>Artistic Director<\/strong> of the association <em>Ponte della Musica<\/em> in Hong Kong<\/p>\n<p>2011 \u2013 2014 Member of the British free-improvisation group <a href=\"https:\/\/www.forwind.net\/artists\/sonnamble\"><em>Sonnamble<\/em><\/a> and <em><a href=\"https:\/\/2pmintheforest.bandcamp.com\/\">2PM in the Forest<\/a><\/em><\/p>\n<p>Since 2010 <strong>Initiator and Co-Curator <\/strong>of the <em><a href=\"http:\/\/www.anotherfestival.org\">aNOther Festival<\/a>\u2013<\/em>an intercultural and interdisciplinary festival for visual and performing arts<\/p>\n<p>2009 \u2013 2019 <strong>Violist<\/strong> and <strong>Bass-synthesizer player<\/strong> of the Viennese rock band <a href=\"http:\/\/www.neuschneemusik.org\"><em>Neuschnee\u00a0<\/em><\/a><\/p>\n<p>2006 \u00ad\u2013 2012 <strong>Violist<\/strong> of <a href=\"https:\/\/myspace.com\/hibikiquartett\">Hibiki Quartett<\/a><\/p>\n<p>04\/2006 Ethnomusicological editor, organizer, curator and performer for Prof. Tran Quang Hai\u2019s (CNRS and Mus\u00e9e de l&#8217;Homme, Paris); organizing his lectures at Vienna Private University; curating for his concert <em>EigenSpace<\/em> in Vienna (18-22 April 2006).<\/p>\n<p>2001 \u2013 2004 <strong>Violist<\/strong> of Cordes Quartett Wien<\/p>\n<p>2005 \u2013 2010 <strong>Initiator and Manager <\/strong>for the orchestra <em>Schloss Kammerphilharmonie<\/em> <em>Wien <\/em>for the annual tour in China<\/p>\n<p>1992 \u2013 2009 Diverse concerts and performances as soloist, chamber music and orchestra player in USA, Europe and Asia.<\/p>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p><strong>Scholarly Networks<br \/>\n<\/strong><\/p>\n<p>Since 02\/2020\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Board Member at the <em>European Platform for Artistic Research in Music<\/em><\/p>\n<p>Since 05\/2017 \u2013 11\/2021\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Board member of the <em>ICTM<\/em> (International Council for Traditional Music) <em>Austrian National Committee<\/em><\/p>\n<p>Since 05\/2017\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Secretary of the <em>ICTM Study Group on Applied Ethnomusicology.<\/em><\/p>\n<p>12\/2016 \u2013 06\/2020 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Member of the Work Group for <em>Future Studies<\/em> at the University of Music and Performing Arts Vienna.<\/p>\n<p>07\/2016 \u2013 06\/2017\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Vice-President of <em>EMuK<\/em> (Ethnomusicological Culture Association).<\/p>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section css=&#8221;.vc_custom_1592596618839{margin-top: 100px !important;}&#8221;][vc_row][vc_column width=&#8221;3\/4&#8243;]<div class=\"wpb_content_element \"><style type=\"text\/css\">#ut_accordion_69d4c5a6bf6a3 .ut-accordion-module-item.open .ut-accordion-module-heading { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d4c5a6bf6a3 .ut-accordion-module-heading:hover { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d4c5a6bf6a3 .ut-accordion-module-heading:active { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d4c5a6bf6a3 .ut-accordion-module-heading:focus { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d4c5a6bf6a3 .ut-accordion-module-item { border-top-style:solid; }#ut_accordion_69d4c5a6bf6a3 .ut-accordion-module-item:last-child { border-top-style:solid; border-bottom-style:solid; }<\/style><div id=\"ut_accordion_69d4c5a6bf6a3\" data-accordion-group class=\"ut-accordion-module ut-accordion-module-single  ut-accordion-module-with-border\"><div data-accordion data-accordion data-single data-transition=\"400\" data-easing=\"ease\" class=\"ut-accordion-module-item \"><h3 data-control class=\"ut-accordion-module-heading\" data-counter=\"1\">Research Specialisations<\/h3><div data-content class=\"ut-accordion-module-content\"><div class=\"ut-accordion-module-inner entry-content clearfix\"><\/p>\n<ul>\n<li>Artistic Research<\/li>\n<li>Applied Ethnomusicology<\/li>\n<li>Postcolonial Studies and Strategies toward Decolonization<\/li>\n<li>Auditive Ontologies<\/li>\n<li>Musics of Indigenous Peoples<\/li>\n<li>Music and Minorities<\/li>\n<li>Bi-Musicality<\/li>\n<\/ul>\n<p><\/div><\/div><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;3\/4&#8243;]<div class=\"wpb_content_element \"><style type=\"text\/css\">#ut_accordion_69d4c5a6bf724 .ut-accordion-module-item.open .ut-accordion-module-heading { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d4c5a6bf724 .ut-accordion-module-heading:hover { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d4c5a6bf724 .ut-accordion-module-heading:active { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d4c5a6bf724 .ut-accordion-module-heading:focus { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d4c5a6bf724 .ut-accordion-module-item { border-top-style:solid; }#ut_accordion_69d4c5a6bf724 .ut-accordion-module-item:last-child { border-top-style:solid; border-bottom-style:solid; }<\/style><div id=\"ut_accordion_69d4c5a6bf724\" data-accordion-group class=\"ut-accordion-module ut-accordion-module-single  ut-accordion-module-with-border\"><div data-accordion data-accordion data-single data-transition=\"400\" data-easing=\"ease\" class=\"ut-accordion-module-item \"><h3 data-control class=\"ut-accordion-module-heading\" data-counter=\"1\">Research Projects and Initiatives<\/h3><div data-content class=\"ut-accordion-module-content\"><div class=\"ut-accordion-module-inner entry-content clearfix\"><em>Creative (Mis)Understandings<\/em> (2018 \u2013 2022)<\/p>\n<p>Co-Project-Leader (together with a.o.Univ.-Prof. Johannes Kretz) at the Department of Composition, Electro-Acoustics and Tonmeister Education of mdw, funded by the Austrian Science Fund (fwf \u00ad\u2013 PEEK Programme) <a href=\"http:\/\/creative-mis-understandings.org\/\">WEB<\/a><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>Traditional Knowledge and Practice: The First Phase of Information Collection<\/em> \u50b3\u7d71\u77e5\u8b58\u8207\u5be6\u8e10\u8cc7\u6599\u5fb5\u96c6\u59d4\u8a17\u7b2c\u4e00\u671f\u8a08\u756b (2017 \u2013 2018)<\/p>\n<p>Co-Project-Leader (together with Univ.-Prof. Dr. Cheng-Hsien Yang), funded by the Section of Intangible Cultural Heritage, Ministry of Culture, Taiwan (\u53f0\u7063\u6587\u5316\u90e8\u6587\u5316\u8cc7\u7522\u5c40)<\/p>\n<p>&nbsp;<\/p>\n<p><em>Bi-Musicality<\/em> (2016 \u2013 2017)\u00a0 in the frame of\u00a0<em>Changing mdw<\/em><\/p>\n<p>Research Fellow, led by a.o.Univ.-Prof. Ursula Hemetek at the Department of Folk Music Research and Ethnomusicology of mdw\u00a0 <a href=\"https:\/\/www.mdw.ac.at\/ive\/bi-multimusikalitaet\/\">WEB<\/a><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>Sparkling Science \u2013 Music without Borders <\/em>(2015 \u2013 2017)<\/p>\n<p>Research Fellow, led by Univ.-Prof. Walter Wretschitsch at the Franz Schubert Department and Department of Folk Music Research and Ethnomusicology of mdw, funded by BMWFW\u00a0 <a href=\"https:\/\/www.mdw.ac.at\/fsi\/musik-ohne-grenzen\/\">WEB<\/a><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>Confusing Inspiration<\/em> (since 2014)<\/p>\n<p>Initiator and Organizer of the international project in artistic research with students and lecturers from the mdw (partner institutions: \u0130stanbul Teknik \u00dcniversitesi in Turkey, Hochschule Luzern in Switzerland, J\u0101zeps V\u012btols Latvian Academy of Music in Riga, Latvia, and Liszt Academy of Music in Budapest, Hungary)<\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>iKultLab<\/em> (since 2014)<\/p>\n<p>Initiator, Lecturer and Organizer, an intercultural and interdisciplinary Summer School for children and youth. <a href=\"http:\/\/www.ikultlab.com\/\">WEB<\/a><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>aNOther Festival <\/em>(since 2010)<\/p>\n<p>Initiator and Co-Curator, an intercultural and interdisciplinary festival for visual and performing arts. <a href=\"http:\/\/www.anotherfestival.org\/\">WEB<\/a><\/div><\/div><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;3\/4&#8243;]<div class=\"wpb_content_element \"><style type=\"text\/css\">#ut_accordion_69d4c5a6bf7a5 .ut-accordion-module-item.open .ut-accordion-module-heading { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d4c5a6bf7a5 .ut-accordion-module-heading:hover { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d4c5a6bf7a5 .ut-accordion-module-heading:active { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d4c5a6bf7a5 .ut-accordion-module-heading:focus { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d4c5a6bf7a5 .ut-accordion-module-item { border-top-style:solid; }#ut_accordion_69d4c5a6bf7a5 .ut-accordion-module-item:last-child { border-top-style:solid; border-bottom-style:solid; }<\/style><div id=\"ut_accordion_69d4c5a6bf7a5\" data-accordion-group class=\"ut-accordion-module ut-accordion-module-single  ut-accordion-module-with-border\"><div data-accordion data-accordion data-single data-transition=\"400\" data-easing=\"ease\" class=\"ut-accordion-module-item \"><h3 data-control class=\"ut-accordion-module-heading\" data-counter=\"1\">Publications<\/h3><div data-content class=\"ut-accordion-module-content\"><div class=\"ut-accordion-module-inner entry-content clearfix\"><\/p>\n<h3>Monograph<\/h3>\n<p>&nbsp;<\/p>\n<p>2021\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Lieder, Geister und Tabus: zum soziokulturellen Wandel der Musiktradition bei den Tao in Taiwan <\/em>[Songs, Spirits and Taboos: On the Socio-Cultural Change in the Musical Tradition of the Tao in Taiwan]. Bielefeld: <a href=\"https:\/\/www.transcript-verlag.de\/978-3-8376-4855-3\/lieder-geister-und-tabus\/\">transcript Verlag<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>2015 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Die Musik im Leben der Tao (taiwanesische indigene Volksgruppe): Tradition und Innovation [Music in the Life of the Tao Taiwanese Indigenous Ethnic Group): Tradition and Innovation]. Dissertation at the Department of Folk Music Research and Ethnomusicology, University of Music and Performing Arts Vienna.<\/p>\n<p>&nbsp;<\/p>\n<h3>Editorship<\/h3>\n<p>&nbsp;<\/p>\n<p>2017\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Sieben Bl\u00e4tter und ein Stein: das M\u00e4rchen von M\u00e4rchen\u00a0 <\/em>[Seven Leaves and One Stone: the Tale of Fairy Tales] with 2CDs. Weitra: <a href=\"https:\/\/www.bibliothekderprovinz.at\/buch\/7219\/\">Verlag Bibliothek der Provinz<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Reviewed by Malmberg, Isolde (2017). <em>Review: Seven Leaves and one Stone<\/em>, <a href=\"https:\/\/www.mdw.ac.at\/magazin\/index.php\/2017\/09\/29\/%20rezension-sieben-blaetter-und-ein-stein\">MDW-(WEB)MAGAZINE <\/a>and by Kellermann, Kerstin in online magazine <a href=\"https:\/\/skug.at\/trompete-fuer-tuerkische-maedchen\/\"><em>SKUG<\/em><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>In Press\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Dialogues in Applied Ethnomusicology: Practices, Policies and Challenges<\/em> (HerausgeberInnen: Huib Schippers, Wei-Ya Lin und Boyu Zhang). Beijing: Central Conservatory of Music Press.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3>Report of Research Projects<\/h3>\n<p>&nbsp;<\/p>\n<p>2017\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Final Report of Sparkling Science Project Music without Borders<\/em>. University of Music and Performing Arts Vienna, Franz Schubert Department and Department of Folk Musik Research and Ethnomusicology. <a href=\"https:\/\/www.mdw.ac.at\/upload\/MDWeb\/ifs\/downloads\/EndberichtMusikohneGrenzen.pdf\">Quelle<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>2017\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Final Report of <\/em><em>Research Project Bi-\/Multimusicality. <\/em>University of Music and Performing Arts Vienna, Franz Schubert Department and Department of Folk Musik Research and Ethnomusicology. <a href=\"https:\/\/www.mdw.ac.at\/upload\/MDWeb\/ive\/downloads\/BIM-Endbericht_FINALE.pdf\">Quelle<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3>Peer-Reviewed Articles<\/h3>\n<p>&nbsp;<\/p>\n<p>2021\u00a0\u00a0\u00a0\u00a0 Practising Theories by Listening to Songs Related to the Tao (an indigenous ethnic group of Taiwan). In Terada Yoshitaka und Ursula Hemetek (editors): <em>Music and Minorities (tent. Title).<\/em> National Museum of Ethnology in Osaka, Japan.<\/p>\n<p>&nbsp;<\/p>\n<p>2021\u00a0\u00a0\u00a0\u00a0 Creative (Mis)understandings: A Methodology of Inspiration. In Therese Kaufmann, Doris Ingrisch, Tasos Zembylas, Annegret Huber, Johannes Kretz (editors): <em>Knowing in Performing. Artistic Research in Music and the Performing Arts<\/em>. Bielederfeld: transcript, 111\u2013129 (Co-Autor: Kretz, Johannes).<\/p>\n<p>&nbsp;<\/p>\n<p>2019\u00a0\u00a0\u00a0\u00a0 \u201eRaus aus dem Elfenbeinturm!\u201c \u2013 Projekte in angewandter Ethnomusikologie mit der indigenen Gruppe Tao (Taiwan). <em>Die Musikforschung 4\/2019<\/em>, 332\u2013344.<\/p>\n<p>&nbsp;<\/p>\n<p>2017\u00a0\u00a0\u00a0\u00a0 Representing Musical Identities of Children with Migrant Background \u2013 An Example from the Research Project Music without Borders. Journal <em>Musicologist Vol.1<\/em>, 32\u201351.<\/p>\n<p>&nbsp;<\/p>\n<p>2016\u00a0\u00a0\u00a0\u00a0 <em>Maataw<\/em> \u2013 the Floating Island: Performing Social and Ecological Change among Tao People. <em>Musicological Annual<\/em> L2\/II, Ljubljana University Press, 85-101.<\/p>\n<p>&nbsp;<\/p>\n<p>2016\u00a0\u00a0\u00a0\u00a0 \u9054\u609f\u65cf\u4e2d\u7684\u97f3\u6a02\u8207\u5176\u7981\u5fcc\u6587\u5316\u7684\u95dc\u806f\u6027 (The Relationship between Music und Taboos in the Society of the Tao). \u53f0\u7063\u539f\u4f4f\u6c11\u7814\u7a76\u8ad6\u53e2\u7b2c\u5341\u4e5d\u671f (<em>Taiwan Indigenous Studies Review<\/em>), 43\u201368.<\/p>\n<p>&nbsp;<\/p>\n<p>2015 \u00a0\u00a0\u00a0 The Relationship between the Practices of Traditional Singing and Church Hymns in the Society of the Tao (an indigenous ethnic group of Taiwan). In Pal Richter und Lujza Tari (editors): <em>Multipart Music: Individuals and Educated People in Traditional Multipart Music Practices<\/em>. Budapest: Research Centre for the Humanities HAS, 416\u2013434.<\/p>\n<p>&nbsp;<\/p>\n<p>2013\u00a0\u00a0\u00a0\u00a0 The Relationship between Music and Taboos in the Society of the Tao (An Indigenous Ethnic Group of Taiwan). <em>Journal of Creative Communications <\/em>8(1), 45\u201364.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3>Coming Publications<u><\/u><\/h3>\n<p>&nbsp;<\/p>\n<p>Music without Borders: conducting music education through ethnomusicology in Austria. In Huib Schippers, Wei-Ya Lin und Boyu Zhang (editors): <em>Dialogues in Applied Ethnomusicology: Practices, Policies and Challenges<\/em>. Beijing: Central Conservatory of Music Press.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3>Academic Publications<\/h3>\n<p>&nbsp;<\/p>\n<p>2019\u00a0\u00a0\u00a0\u00a0 Performing Artistic Research \u2013 Decolonizing Academia. In Chinthaka Prageeth Meddegoda (ed.): <em>Symposium Proceedings Colombo<\/em>, 179\u2013190 (Co-Autor: Kretz, Johannes). <a href=\"https:\/\/static.s123-cdn-static.com\/uploads\/3167268\/normal_5e70f66af1bf2.pdf\">Quelle<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>2018\u00a0\u00a0\u00a0\u00a0 \u2019<em>Bei uns gibt es keine sogenannte Musik, wir mianoanood (singen)!\u2019<\/em> \u2013 Eine Studie zur Erforschung des auditiven Wissens der Tao. In Bernd Brabec de Mori und Martin Winter (ed.): <em>Auditive Wissenskulturen.<\/em> Wiesbaden: Springer SV Verlag f\u00fcr Sozialwissenschaften, 343\u2013360.<\/p>\n<p>&nbsp;<\/p>\n<p>2018\u00a0\u00a0\u00a0\u00a0 Bi-\/Multimusikalit\u00e4t: Potenziale der musikalischen Vielfalt an der Universit\u00e4t f\u00fcr Musik und darstellende Kunst Wien.\u00a0In: Cornelia Szabo-Knotik, Anita Mayer-Hirzberger (ed.): ANKLAENGE 2017. Be\/Spiegelungen. Die Universit\u00e4t f\u00fcr Musik und darstellende Kunst Wien als kulturvermittelnde bzw. -schaffende Institution im Kontext der Sozial- und Kulturgeschichte. (Anklaenge &#8211; Wiener Jahrbuch f\u00fcr Musikwissenschaft). Wien: Hollitzer 2018, 143\u2013159.<\/p>\n<p>&nbsp;<\/p>\n<p>2016 \u00a0\u00a0\u00a0 \u63a2\u8a0e\u5982\u4f55\u4fdd\u8b77\u539f\u4f4f\u6c11\u50b3\u7d71\u667a\u6167: \u4ee5\u52a0\u62ff\u5927\u8207\u6fb3\u5927\u5229\u4e9e\u7684\u7d93\u9a57\u70ba\u4f8b (Discussion about the Protection of Traditional Indigenous Knowledge: Examples from Canada and Australia). <em>Taiwan Journal of Indigenous Studies<\/em> Vol. 8, 21\u201347.<\/p>\n<p>&nbsp;<\/p>\n<p>2015 \u00a0\u00a0\u00a0 Sound Articulation \u2013 from Ethnomusicology about Taiwanese Aborigines to Contemporary Composition. In <em>Folclor Si Postfolclor In Contemporaneitate, Materiale Conferintei internationale 11-12 decembrie 2014<\/em>. Academia de Muzica, Teatru si Arte Plastice, Chisinau, 38\u201345 (Co-Autor: Kretz, Johannes).<\/p>\n<p>&nbsp;<\/p>\n<p>2013\u00a0\u00a0\u00a0\u00a0 Mikarayag \u2013 Clapping and Singing Gathering of the Tao: Individual Creativity within the Collective Act. In Ardian Ahmedaja (ed.): <em>Local and Global Understandings of Creativities. Multipart music making and the construction of ideas, contexts and contents.\u00a0CD and DVD with audiovisual examples included.<\/em> Newcastle u.T.: Cambridge Scholars Publishing, 232\u2013249.<\/p>\n<p>&nbsp;<\/p>\n<p>2012\u00a0\u00a0\u00a0\u00a0 Digital Archive of the Taiwan Music Institute (\u570b\u7acb\u50b3\u7d71\u85dd\u8853\u4e2d\u5fc3\u53f0\u7063\u97f3\u6a02\u9928), Website Review in <em>Yearbook for Traditional Music <\/em>44, 230\u2013231.<\/p>\n<p>&nbsp;<\/p>\n<p>2011\u00a0\u00a0\u00a0\u00a0 \u5e8f\uff0d\u9ed8\u9ed8\u50b3\u627f\u9054\u609f\u50b3\u7d71\u793e\u6703\u6587\u5316\u7684\u862d\u5dbc\u6a39\u4eba (Preface). In Chou Tsung-Ching (ed.): \u96c5\u7f8e\u65cf\u6b4c\u8b20\uff1a\u60c5\u6b4c\u8207\u62cd\u624b\u6b4c\uff0f\u53e4\u8b20 (Yami Songs: Love Songs and Mikarayag\/ Old Songs), 2 Books., Hsin-Chu: Chiaotung University Press, 9\u201311.<\/p>\n<p>&nbsp;<\/p>\n<p>2011\u00a0\u00a0\u00a0\u00a0 Mehrspur-Aufnahmen in der Feldforschung &#8211; Obvious Engineering? <em>Jahrbuch des Phonogrammarchivs der \u00d6sterreichischen Akademie der Wissenschaften <\/em>2, 91\u2013127 (Co-Autor: Sch\u00f6pf, J\u00fcrgen)<\/p>\n<p>&nbsp;<\/p>\n<p>2011 \u00a0\u00a0\u00a0 Mikarayag \u2013 Mehrstimmiger Gesang der Tao. Feldforschungsbericht von der Orchideeninsel, Taiwan 2010. <em>Jahrbuch des Phonogrammarchivs der \u00d6sterreichischen Akademie der Wissenschaften <\/em>2, 272\u2013287.<\/p>\n<p>&nbsp;<\/p>\n<p>2008\u00a0\u00a0\u00a0\u00a0 Gedanken zu Kunst, Gesellschaft und Vermischung. Ein Beitrag f\u00fcr das Programmheft des Festivals <em>Wien Modern 2008<\/em>, 151.<\/p>\n<p>&nbsp;<\/p>\n<p>2006\u00a0\u00a0\u00a0\u00a0 <em>Die Musik und das Leben der taiwanesischen Ureinwohner-Volksgruppe Tao (Yami)<\/em>. Master Thesis at the University of Music and Performing Arts Vienna.<\/div><\/div><\/div><\/div><\/div>[\/vc_column][\/vc_row][\/vc_section][vc_section css=&#8221;.vc_custom_1592596618839{margin-top: 100px !important;}&#8221;][vc_row][vc_column]<div  class=\"wpb_content_element   clearfix\"><style type=\"text\/css\">#ut_am_69d4c5a6bfb5a { opacity: 1; }#ut_am_wrap_69d4c5a6bfb5b .ut-image-gallery-item-caption-title h3 { letter-spacing: 0em; }#ut_am_wrap_69d4c5a6bfb5b .ut-gallery-slider-caption { font-weight: bold; }#ut_am_wrap_69d4c5a6bfb5b { text-align: left; }@media (min-width: 768px) and (max-width: 1024px) { #ut_am_wrap_69d4c5a6bfb5b { text-align: left !important; } }@media (max-width: 767px) { #ut_am_wrap_69d4c5a6bfb5b { text-align: center !important; } }<\/style><div id=\"ut_am_wrap_69d4c5a6bfb5b\" class=\"ut-image-gallery-image \"><div id=\"ut_reveal_69d4c5a6bfb5c\"  data-appear-top-offset=\"auto\" class=\"ut-animated-image-item ut-image-gallery-item ut-animation-done \"><a class=\"ut-deactivated-link\" href=\"#\"><div class=\"ut-animated-image-zoom\"><img class=\"ut-lazy skip-lazy ut-animated-image\"  id=\"ut_am_69d4c5a6bfb5a\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 500 600'%2F%3E\" data-src=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/07\/ARC-Design-Element-6-1.svg\" width=\"500\" height=\"\" alt=\"\"\/><\/div><\/a><\/div><\/div><\/div>[\/vc_column][\/vc_row][\/vc_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_section css=&#8221;.vc_custom_1592596618839{margin-top: 100px !important;}&#8221;][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text] email: lin@mdw.ac.at &nbsp; Education 2015 PhD Degree on October 7, 2015 from the Department of Folk Music Research and Ethnomusicology, University of Music and Performing Arts Vienna, with distinction. Dissertation: Die Musik im Leben der Tao (taiwanesische indigene Volksgruppe): Tradition and Innovation\/ Music in the Life of the Tao [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/pages\/1191"}],"collection":[{"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/comments?post=1191"}],"version-history":[{"count":32,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/pages\/1191\/revisions"}],"predecessor-version":[{"id":2675,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/pages\/1191\/revisions\/2675"}],"wp:attachment":[{"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/media?parent=1191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}