{"id":1162,"date":"2021-12-21T10:10:57","date_gmt":"2021-12-21T10:10:57","guid":{"rendered":"https:\/\/www.mdw.ac.at\/ar_center\/?page_id=1162"},"modified":"2025-03-13T09:52:40","modified_gmt":"2025-03-13T09:52:40","slug":"team-zembylas","status":"publish","type":"page","link":"https:\/\/www.mdw.ac.at\/ar_center\/team-zembylas\/","title":{"rendered":"Tasos Zembylas (sabbatical)"},"content":{"rendered":"<p>[vc_section css=&#8221;.vc_custom_1592596618839{margin-top: 100px !important;}&#8221;][vc_row][vc_column width=&#8221;1\/4&#8243;]<div  class=\"wpb_content_element   clearfix\"><style type=\"text\/css\">#ut_am_69d069f9ba030 { opacity: 1; }#ut_am_wrap_69d069f9ba031 .ut-image-gallery-item-caption-title h3 { letter-spacing: 0em; }#ut_am_wrap_69d069f9ba031 .ut-gallery-slider-caption { font-weight: bold; }#ut_am_wrap_69d069f9ba031 { text-align: left; }@media (min-width: 768px) and (max-width: 1024px) { #ut_am_wrap_69d069f9ba031 { text-align: left !important; } }@media (max-width: 767px) { #ut_am_wrap_69d069f9ba031 { text-align: center !important; } }<\/style><div id=\"ut_am_wrap_69d069f9ba031\" class=\"ut-image-gallery-image \"><div id=\"ut_reveal_69d069f9ba032\"  data-appear-top-offset=\"auto\" class=\"ut-animated-image-item ut-image-gallery-item ut-animation-done \"><a class=\"ut-deactivated-link\" href=\"#\"><div class=\"ut-animated-image-zoom\"><img class=\"ut-lazy skip-lazy ut-animated-image\"  id=\"ut_am_69d069f9ba030\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 325 217'%2F%3E\" data-src=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2023\/12\/FOTO-1-325x217.jpg\" width=\"325\" height=\"217\" alt=\"\"\/><\/div><div data-image-caption class=\"ut-image-gallery-image-caption\"><div class=\"ut-image-gallery-item-caption-title\"><h3>credits: private<\/h3><\/div><\/div><\/a><\/div><\/div><\/div>[\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text]<\/p>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>T: +43 1 71155-4380<\/p>\n<p>Ungargasse 22\/1\/16, 1030 Wien<\/p>\n<p>email: <a href=\"mailto:zembylas@mdw.ac.at\">zembylas@mdw.ac.at<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Professional Education<\/strong><\/p>\n<p>2003 Post Doctoral Thesis \/ Habilitation<\/p>\n<p>1997 PhD in Philosophy<\/p>\n<p>1995 Master in Philosophy<\/p>\n<p>1991-1997 University of Vienna. Studies in Philosophy, Sociology, and History of Art<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Academic Career<\/strong><\/p>\n<p>2010-2021 Member of the Institute for Music Sociology at the University of Music and Performing Arts Vienna<\/p>\n<p>2009 Visiting Professor for Culture Institutions Studies at the Zeppelin University, Friedrichshafen, Germany<\/p>\n<p>since 2003 Associate Professor for Culture Institutions Studies at the University of Music and Performing Arts Vienna<\/p>\n<p>1999-2003 Assistant Professor at the Institute for Culture Management and Culture Studies (IKM), University of Music, and Performing Arts, Vienna.<\/p>\n<p>1997-1999 Lecturer for aesthetics and sociology of arts at the University of Vienna, and at the University of Applied Arts in Vienna.<\/p>\n<p>1997-1999 Free-lance researcher. Research projects on artistic education, working conditions and unemployment of cultural workers.<br \/>\nProjects in cooperation with several institutions such as \u201cIndustriewissenschaftliches Institut\u201d at the University of Economics, \u201c\u00d6sterreichisches Institut f\u00fcr Berufsbildungsforschung\u201d (\u00d6IBF), \u201cArbeitsmarkt-Service\u201d (AMS)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Academic Networks<\/strong><\/p>\n<p>2012-2020 Board Member of Mediacult \u2013 International Research Institute for Media, Communication and Cultural Development<\/p>\n<p>since 2008 Member of Research Network Implicit Knowledge (FORIM)<\/p>\n<p>2008-2013 Board Member of the Association of Culture Management Germany<\/p>\n<p>2004-2016 Board Member and from 2011 to 2013 chair of the Research Network Sociology of Art \u2013 European Sociology Association<\/p>\n<p>2000-2007 Board Member of the Austrian Society for Cultural Economics and Policy Studies<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][\/vc_section][vc_section css=&#8221;.vc_custom_1592596618839{margin-top: 100px !important;}&#8221;][vc_row][vc_column width=&#8221;3\/4&#8243;]<div class=\"wpb_content_element \"><style type=\"text\/css\">#ut_accordion_69d069f9ba0a3 .ut-accordion-module-item.open .ut-accordion-module-heading { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d069f9ba0a3 .ut-accordion-module-heading:hover { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d069f9ba0a3 .ut-accordion-module-heading:active { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d069f9ba0a3 .ut-accordion-module-heading:focus { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d069f9ba0a3 .ut-accordion-module-item { border-top-style:solid; }#ut_accordion_69d069f9ba0a3 .ut-accordion-module-item:last-child { border-top-style:solid; border-bottom-style:solid; }<\/style><div id=\"ut_accordion_69d069f9ba0a3\" data-accordion-group class=\"ut-accordion-module ut-accordion-module-single  ut-accordion-module-with-border\"><div data-accordion data-accordion data-single data-transition=\"400\" data-easing=\"ease\" class=\"ut-accordion-module-item \"><h3 data-control class=\"ut-accordion-module-heading\" data-counter=\"1\">Research Specialisations<\/h3><div data-content class=\"ut-accordion-module-content\"><div class=\"ut-accordion-module-inner entry-content clearfix\"><\/p>\n<div style=\"text-align: left;\">\n<div>\n<div id=\"e18330\" class=\"element element-text g12_12 element-1\">\n<ul>\n<li>Epistemology of artistic practice<\/li>\n<li>Sociological Theories of cultural sector<\/li>\n<li>Public funding of the arts<\/li>\n<li>Public art conflicts<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<p><\/div><\/div><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;3\/4&#8243;]<div class=\"wpb_content_element \"><style type=\"text\/css\">#ut_accordion_69d069f9ba125 .ut-accordion-module-item.open .ut-accordion-module-heading { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d069f9ba125 .ut-accordion-module-heading:hover { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d069f9ba125 .ut-accordion-module-heading:active { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d069f9ba125 .ut-accordion-module-heading:focus { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d069f9ba125 .ut-accordion-module-item { border-top-style:solid; }#ut_accordion_69d069f9ba125 .ut-accordion-module-item:last-child { border-top-style:solid; border-bottom-style:solid; }<\/style><div id=\"ut_accordion_69d069f9ba125\" data-accordion-group class=\"ut-accordion-module ut-accordion-module-single  ut-accordion-module-with-border\"><div data-accordion data-accordion data-single data-transition=\"400\" data-easing=\"ease\" class=\"ut-accordion-module-item \"><h3 data-control class=\"ut-accordion-module-heading\" data-counter=\"1\">Research Projects<\/h3><div data-content class=\"ut-accordion-module-content\"><div class=\"ut-accordion-module-inner entry-content clearfix\">2013-2015 Project: Tacit Knowing in Musical Composition Process. The project examines the musical composition working process with regard to the role played by practical artistic knowledge, specifically in art music. The goal is to identify and analyse the cognitive as well as bodily anchored knowledge components with which composers cope with various artistic, technical, organisational and emotional challenges. The research approach is qualitatively empirical; the questions are generated based on the theory of tacit knowing. The data collection concentrates on documenting composing practices in actu aiming at a comprehensive analysis, i.e. from the first idea to the last revision.<\/p>\n<p>&nbsp;<\/p>\n<p>2011 Project: Evaluation of the public arts funding policy of the city of Graz (together with Juliane Alton, commissioned by the City Council). The evaluation investigates the actual effects of the public subsidies for the arts (ca. 46 Mio. Euro per year), identifies and analyses problematic developments in the cultural sector and elaborates concrete proposals to support cultural diversity and artistic innovation in a sustainable way. The evaluation report has been accepted by the majority of the members of the municipal council and is published in internet.<\/p>\n<p>&nbsp;<\/p>\n<p>2008 Project: Being Good, Getting Better: Arts funding as a normative and administrative challenge (together with Meena Lang)<br \/>\nThis project comprised a comparative analysis of the legal framework of public arts funding at provincial level \u2013 Austria is a federal state consisting of nine federal provinces \u2013 and included reports by representatives of the lobby association, the &#8220;Interest group of independent and alternative culture&#8221;, about actual steps taken by cultural administration bodies in each province. The final report covered 16 thematic issues followed by recommendations, and was not published immediately but presented at various closed meetings with high-level representatives of provincial authorities. A few weeks ago, that is to say, almost nine months after the end of this research project, the report was published on the internet too.<\/p>\n<p>&nbsp;<\/p>\n<p>2006-2008 Project: Literary writing as a discrete process (together with Claudia D\u00fcrr)<br \/>\nThe research project focused on the process of literary writing. This includes various experiences and cognitive aspects that, in the long term, lead to the development of literary competence. These experiences and cognitive aspects are sometimes discrete and implicit, that is to say, not fully conscious or articulated, and they occur simultaneously with distinct conceptualisations of text production. Our main research interest was on the discrete aspects of the writing process, i.e. those components that are not manifest, obvious or directly observable. Here we recognised a practical &#8220;knowing how&#8221; that cannot be described as application of formulas or explicit rules.<br \/>\nThe research project generated several insights on the epistemic complexity of the creative process and on the difficulties involved in transferring literary competence.<\/p>\n<p>&nbsp;<\/p>\n<p>2005 Project: &#8220;Good Governance&#8221; in Public Arts Administration. An empirical investigation<br \/>\nDuring the last years there is an ongoing public discussion in Austria on the formal quality of the funding process. &#8220;Quality&#8221; in public administration processes indicates a normative concept which is partly explicitly formulated through legal stipulations and jurisdiction. Theoretical considerations on the concept of procedural standards is complemented by an empirical survey (96 standardised interviews) on arts subsidisation processes by Austrian federal government bodies. The empirical results of the survey lead to practical insights regarding problem areas in current funding practice in Austria.<\/p>\n<p>&nbsp;<\/p>\n<p>2005 Project: Employment of young cultural managers<br \/>\nCultural management is a profession that has not yet been institutionalised. There are no unions, professional associations, and not even legal regulations referring explicitly to cultural managers. The aim of this empirical project, which is being carried out in our institute (IKM \u2013 see http:\/\/www.mdw.ac.at\/ikm) and offers since 1975 profe\u00adssional education in cultural management, is to investigate the fields of activities, the steps of professional career, the soft qualifications, and the income level of the graduates of our institute since 1989.<\/p>\n<p>&nbsp;<\/p>\n<p>2003 Project: Culture Institution Studies<br \/>\nThe new scientific focus called \u201cCulture Institutions Studies\u201d (a translation of the German term \u201cKulturbetriebslehre\u201d) aims at synthesizing a cultural studies and an economic approach to cultural goods and services. It investigates therefore the social organization of the production, distribution, reception and conservation of cultural goods. The focus is on the epistemological significance of cultural practices that often remain tacit and invisible.<\/p>\n<p>&nbsp;<\/p>\n<p>2001 Project: Public Art Conflicts and Social Analysis<br \/>\nThe study investigates two types of public art conflicts: (1) conflicts that, at first glance, revolve around the interpretation and the aesthetic appreciation of an artwork; and (2) conflicts that explicitly call into question the legal legitimacy of publication of an artwork. This investigation aims to reveal the variety of contents and conditions which pre-structure public conflicts. Further, it opens a normative discussion of the current forms of dealing with such conflicts in the mass media and in the jurisdiction. Such a critical discussion is necessary, since the political quality of a society can be assessed on how it relates to its own conflicting nature.<\/p>\n<p>&nbsp;<\/p>\n<p>2001 Project: Reconsiderations on the concept of art, and cultural work<br \/>\nThe constantly ongoing conceptual modification of the concept of art correlates to the diversification of professional activities of the artists, and their role within the contemporary society. This project that had been developed in cooperation with \u201cForschungsgesellschaft f\u00fcr kulturpolitische und kultur\u00f6konomische Studien\u201c (Austrian Society for Cultural Economics, and Policy Studies &#8211; FOKUS) aimed to investigate the theoretical frameworks of the leading concepts, and classification of cultural policy, and state subsidies of the arts. A part of this project was the organisation of an international conference \u201cde-fine arts\u201d in Vienna 28th of Feb. \u2013 2th of March 2002 (see <a href=\"http:\/\/www.t0.or.at\/~fokus\">http:\/\/www.t0.or.at\/~fokus<\/a>)<\/p>\n<p>&nbsp;<\/p>\n<p>1999 Expert\u2019s Report on a new academic course of study \u201eComparative Cultural Studies\u201c applied by the University of Klagenfurt. Survey on the curriculum\u2019s concept, and the labour market for the graduates. Commissioned by the Austrian Federal Ministry for Education, Science, and Culture.<\/p>\n<p>&nbsp;<\/p>\n<p>1998 Conception and preparation of a project on the evaluation of the new curricula of the Austrian Universities of Visual Arts. Collaboration with the \u00d6sterreichisches Institut f\u00fcr Berufsbildungsforschung.<\/p>\n<p>&nbsp;<\/p>\n<p>1998 Research collaboration on a survey about the employability of young academics. Commissioned by Austrian Employment Service (AMS) and Interdisziplin\u00e4res Forschungszentrum f\u00fcr Wirtschafts-, Arbeitsmarkt und Sozialpolitik (W.A.S.) Interdisciplinary Centre of Research for Economics, Job Market and Social Politics (?)<\/p>\n<p>&nbsp;<\/p>\n<p>1997 Director of a survey on professional fields and the professional situation of the graduates of the Austrian Universities of Music and Performing Arts. (Commissioned by Austrian Employment Service.)<\/p>\n<p>&nbsp;<\/p>\n<p>1997 Director of a survey on professional fields in visual arts and on the professional situation of the graduates of the Austrian Art-Universities. (Commissioned by Austian Employment Service.)<\/p>\n<p>&nbsp;<\/p>\n<p>1995 Academic research study on the forms of presentation, and conveying understanding of contemporary arts in exhibitional institutions<br \/>\n(supported by the International Centre for Cultural Studies, Vienna).<\/div><\/div><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;3\/4&#8243;]<div class=\"wpb_content_element \"><style type=\"text\/css\">#ut_accordion_69d069f9ba1bf .ut-accordion-module-item.open .ut-accordion-module-heading { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d069f9ba1bf .ut-accordion-module-heading:hover { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d069f9ba1bf .ut-accordion-module-heading:active { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d069f9ba1bf .ut-accordion-module-heading:focus { color: rgba(62, 136, 179, 1) !important }#ut_accordion_69d069f9ba1bf .ut-accordion-module-item { border-top-style:solid; }#ut_accordion_69d069f9ba1bf .ut-accordion-module-item:last-child { border-top-style:solid; border-bottom-style:solid; }<\/style><div id=\"ut_accordion_69d069f9ba1bf\" data-accordion-group class=\"ut-accordion-module ut-accordion-module-single  ut-accordion-module-with-border\"><div data-accordion data-accordion data-single data-transition=\"400\" data-easing=\"ease\" class=\"ut-accordion-module-item \"><h3 data-control class=\"ut-accordion-module-heading\" data-counter=\"1\">Published Books<\/h3><div data-content class=\"ut-accordion-module-content\"><div class=\"ut-accordion-module-inner entry-content clearfix\"><\/p>\n<div id=\"e18466\" class=\"element element-text g12_12 element-1\">\n<h3>Monographies<\/h3>\n<\/div>\n<div id=\"e18297\" class=\"element element-text g12_12 element-1\">\n<hr \/>\n<p><strong>The Social Organization of Arts: A Theoretical Compendium<\/strong><br \/>\nVolker Kirchberg und Tasos Zembylas<br \/>\nWien\/Bielefeld: mdwpress\/transcript, 2025, (271 Seiten)<br \/>\nEbook open source<\/p>\n<p style=\"font-weight: 400;\"><a href=\"https:\/\/www.mdw.ac.at\/mdwpress\/books-social-organization-of-arts\/\">Publisher<\/a><\/p>\n<\/div>\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2025\/01\/The-Social-Organization-of-Arts.pdf\">Abstract<\/a><\/p>\n<div id=\"e18297\" class=\"element element-text g12_12 element-1\">\n<hr \/>\n<p><strong>Composing Processes and Artistic Agency: Tacit Knowledge in Composing<\/strong><br \/>\n(Zembylas, Tasos und Niederauer, Martin)<br \/>\nLondon: Routledge, 2018\u00a0(158 Seiten)<\/p>\n<p><a href=\"https:\/\/www.routledge.com\/Composing-Processes-and-Artistic-Agency-Tacit-Knowledge-in-Composing\/Zembylas-Niederauer\/p\/book\/9781138215498\" target=\"_blank\" rel=\"noopener\">Publisher<\/a><\/p>\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Composing-Processes-and-Artistic-Agency-Content-and-Abstracts.pdf\">Contents and Abstract.pdf<\/a><\/p>\n<\/div>\n<div id=\"e18343\" class=\"element element-text g12_12 element-1\">\n<hr \/>\n<\/div>\n<div id=\"e18344\" class=\"element element-datei g12_12 element-3\">\n<div id=\"e18343\" class=\"element element-text g12_12 element-1\">\n<p><strong>Praktiken des Komponierens: Soziologische, wissenstheoretische und musikwissenschaftliche Perspektiven<\/strong><br \/>\n(Zembylas, Tasos und Niederauer, Martin)<br \/>\nWiesbaden: Springer VS, 2016 (192 Seiten)<\/p>\n<p><a href=\"http:\/\/www.springer.com\/de\/book\/9783658135072\" target=\"_blank\" rel=\"noopener\">Publisher<\/a><\/p>\n<\/div>\n<div id=\"e18344\" class=\"element element-datei g12_12 element-3\">\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Praktiken-des-Komponierens-Inhaltsverzeichnis-und-Einleitung.pdf\">Abstract.pdf<\/a><\/p>\n<\/div>\n<div id=\"e18345\" class=\"element element-text g12_12 element-1\">\n<hr \/>\n<p><strong>Die M\u00f6nchsrepublik Athos. Eine spirituelle Gesellschaft mit beschr\u00e4nkter Haftung<\/strong><br \/>\nWien: Passagen Verlag, 2010 (112 Seiten)<\/p>\n<p><a href=\"https:\/\/www.passagen.at\/gesamtverzeichnis\/literatur\/die-moenchsrepublik-athos\/\">Publisher<\/a><\/p>\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Die-Monchsrepublik-Athos-Beschreibung.pdf\">Abstract<\/a><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Die-Monchsrepublik-Athos-Beschreibung.pdf\">.pdf<\/a><\/p>\n<\/div>\n<div id=\"e18347\" class=\"element element-text g12_12 element-1\">\n<hr \/>\n<p><strong>Wissen, K\u00f6nnen und literarisches Schreiben Eine Epistemologie der k\u00fcnstlerischen Praxis<\/strong><br \/>\n(Zembylas, Tasos und D\u00fcrr, Claudia)<br \/>\nPassagen Verlag, 2009 (165 Seiten)<\/p>\n<p><a href=\"https:\/\/www.passagen.at\/gesamtverzeichnis\/philosophie\/wissen-koennen-und-literarisches-schreiben\/\">Publisher<\/a><\/p>\n<\/div>\n<div id=\"e18351\" class=\"element element-datei g12_12 element-3\">\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Wissen-Konnen-und-literarisches-Schreiben-Inhaltsverzeichnis.pdf\">Contents.pdf <\/a><\/p>\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Wissen-Konnen-und-lit.-Schreiben-Einleitung.pdf\">Introduction.pdf<\/a><\/p>\n<\/div>\n<div id=\"e18349\" class=\"element element-text g12_12 element-1\">\n<hr \/>\n<p><strong>Kulturbetriebslehre. Grundlagen einer Inter-Disziplin<\/strong><br \/>\nWiesbaden: Verlag f\u00fcr Sozialwissenschaften, 2004 (373 Seiten)<\/p>\n<p><a href=\"http:\/\/www.springer.com\/de\/book\/9783531143149#aboutBook\" target=\"_blank\" rel=\"noopener\">Publisher<\/a><\/p>\n<\/div>\n<div id=\"e18350\" class=\"element element-datei g12_12 element-3\">\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Kulturbetriebslehre-Inhaltsverzeichnis.pdf\">Introduction.pdf<\/a><\/p>\n<\/div>\n<div id=\"e18352\" class=\"element element-text g12_12 element-1\">\n<hr \/>\n<p><strong>Das Subjekt in der Malerei. Anatomie eines sterbenden Mythos<\/strong><br \/>\nInnsbruck: StudienVerlag, 2000 (288 Seiten)<\/p>\n<p><a href=\"https:\/\/www.studienverlag.at\/buecher\/1367\/das-subjekt-in-der-malerei\/\" target=\"_blank\" rel=\"noopener\">Publisher<\/a><\/p>\n<\/div>\n<div id=\"e18353\" class=\"element element-datei g12_12 element-3\">\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Das-Subjekt-in-der-Malerei-Inhaltsverzeichnis.pdf\">Contents.pdf <\/a><\/p>\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Das-Subjekt-in-der-Malerei-Einleitung.pdf\">Introduction.pdf <\/a><\/p>\n<\/div>\n<div id=\"e18355\" class=\"element element-text g12_12 element-1\">\n<hr \/>\n<p><strong>Kunst oder Nichtkunst. \u00dcber die Bedingungen und Instanzen \u00e4sthetischer Beurteilung<\/strong><br \/>\nWien: WUV-Universit\u00e4tsverlag, 1997 (259 Seiten)<\/p>\n<p><a href=\"http:\/\/www.fachverband-kulturmanagement.org\/kunst-oder-nichtkunst-uber-die-bedingungen-und-instanzen-asthetischer-beurteilung\/\" target=\"_blank\" rel=\"noopener\">Publisher<\/a><\/p>\n<\/div>\n<div id=\"e18356\" class=\"element element-datei g12_12 element-3\">\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Kunst-oder-Nichtkunst-Inhaltsverzeichnis.pdf\">Contents.pdf<\/a><\/p>\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Kunst-oder-Nichtkunst-Einleitung.pdf\">Introduction.pdf <\/a><\/p>\n<\/div>\n<h1><\/h1>\n<h1><\/h1>\n<p>&nbsp;<\/p>\n<div id=\"e18344\" class=\"element element-datei g12_12 element-3\">\n<h3 id=\"e18503\" class=\"element element-text g12_12 element-1\">Edited Anthologies<\/h3>\n<div id=\"e18357\" class=\"element element-text g12_12 element-1\">\n<div id=\"e18359\" class=\"element element-text g12_12 element-1\">\n<hr \/>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Knowing in Performing. Artistic Research in Music and the Performing Arts.<\/strong><br \/>\nBielefeld, Transcript, 2020 (224 Seiten)<\/p>\n<p><a href=\"https:\/\/www.transcript-publishing.com\/978-3-8376-5287-1\/knowing-in-performing\/\">e-book, open source<\/a><\/p>\n<\/div>\n<hr \/>\n<p><strong>Artistic Practices. Social Interactions and Cultural Dynamics<\/strong><br \/>\nLondon: Routledge, 2014 (206 Seiten)<\/p>\n<p><a href=\"https:\/\/www.routledge.com\/Artistic-Practices-Social-Interactions-and-Cultural-Dynamics\/Zembylas\/p\/book\/9781138195622\">Publisher<\/a><\/p>\n<\/div>\n<div id=\"e18360\" class=\"element element-datei g12_12 element-3\">\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Artistic-Practices-content-and-introduction.pdf\" target=\"_blank\" rel=\"noopener\">Contents and Introduction.pdf <\/a><\/p>\n<\/div>\n<div id=\"e18359\" class=\"element element-text g12_12 element-1\">\n<hr \/>\n<p><strong>Die Kunst des M\u00f6glichen &#8211; Management mit Kunst<\/strong><br \/>\nJahrbuch f\u00fcr Kulturmanagement 2013 (428 Seiten)<br \/>\n(hg. im Auftrag des Fachverbandes f\u00fcr Kulturmanagement)<\/p>\n<p><a href=\"http:\/\/www.transcript-verlag.de\/978-3-8376-2688-9\/die-kunst-des-moeglichen-management-mit-kunst\/\" rel=\"noopener\">Publisher<\/a><\/p>\n<\/div>\n<div id=\"e18358\" class=\"element element-datei g12_12 element-3\">\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Die-Kunst-des-Moglichen-Inhaltsverzeichnis-und-Einleitung.pdf\" target=\"_blank\" rel=\"noopener\">Abstract and Introduction.pdf <\/a><\/p>\n<\/div>\n<div id=\"e18361\" class=\"element element-text g12_12 element-1\">\n<hr \/>\n<p><strong>Zukunft Publikum<\/strong><br \/>\nJahrbuch f\u00fcr Kulturmanagement 2012 (428 Seiten)<br \/>\n(hg. im Auftrag des Fachverbandes f\u00fcr Kulturmanagement)<\/p>\n<p><a href=\"https:\/\/www.transcript-verlag.de\/978-3-8376-2285-0\/zukunft-publikum\/\" rel=\"noopener\">Publisher<\/a><\/p>\n<\/div>\n<div id=\"e18362\" class=\"element element-datei g12_12 element-3\">\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Zukunft-Publikuum-Inhaltsverzeichnis-und-Einladung.pdf\" target=\"_blank\" rel=\"noopener\">Abstract and Introduction.pdf <\/a><\/p>\n<\/div>\n<div id=\"e18363\" class=\"element element-text g12_12 element-1\">\n<hr \/>\n<p><strong>Kurt Blaukopf on Music Sociology &#8211; An Anthology<\/strong><br \/>\nFrankfurt am Main u.a.: Peter Lang Verlag, 2012 (151 Seiten)<\/p>\n<p><a href=\"https:\/\/www.peterlang.com\/view\/title\/15548\" rel=\"noopener\">Publisher<\/a><\/p>\n<\/div>\n<div id=\"e18364\" class=\"element element-datei g12_12 element-3\">\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Kurt-Blaukopf-on-Music-Sociology-content.pdf\" target=\"_blank\" rel=\"noopener\">Contents.pdf <\/a><\/p>\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Kurt-Blaukopf-on-Music-Sociology-preface.pdf\" target=\"_blank\" rel=\"noopener\">Introduction.pdf <\/a><\/p>\n<\/div>\n<div id=\"e18365\" class=\"element element-text g12_12 element-1\">\n<hr \/>\n<p><strong>Kulturmanagement und Kulturpolitik<\/strong><br \/>\nJahrbuch f\u00fcr Kulturmanagement 2011 (402 Seiten)<br \/>\n(hg. im Auftrag des Fachverbandes f\u00fcr Kulturmanagement)<\/p>\n<p><a href=\"https:\/\/www.transcript-verlag.de\/978-3-8376-1963-8\/kulturmanagement-und-kulturpolitik\/\" rel=\"noopener\">Publisher<\/a><\/p>\n<\/div>\n<div id=\"e18366\" class=\"element element-datei g12_12 element-3\">\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Kulturmanagement-und-Kulturpolitik-Inhaltsverzeichnis.pdf\" target=\"_blank\" rel=\"noopener\">Contents.pdf <\/a><\/p>\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Kulturmanagement-und-Kulturpolitik-Einleitung.pdf\" target=\"_blank\" rel=\"noopener\">Introduction.pdf <\/a><\/p>\n<\/div>\n<div id=\"e18367\" class=\"element element-text g12_12 element-1\">\n<hr \/>\n<p><strong>Theorien f\u00fcr den Kultursektor<\/strong><br \/>\nJahrbuch f\u00fcr Kulturmanagement 2010 (369 Seiten)<br \/>\n(hg. im Auftrag des Fachverbandes f\u00fcr Kulturmanagement)<\/p>\n<p><a href=\"https:\/\/www.transcript-verlag.de\/978-3-8376-1641-5\/theorien-fuer-den-kultursektor\/\" rel=\"noopener\">Publisher<\/a><\/p>\n<\/div>\n<div id=\"e18368\" class=\"element element-datei g12_12 element-3\">\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Theorien-fur-den-Kultursektor-Inhaltsverzeichnis.pdf\" target=\"_blank\" rel=\"noopener\">Contents.pdf <\/a><\/p>\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Theorien-fur-den-Kultursektor-Einleitung.pdf\" target=\"_blank\" rel=\"noopener\">Introduction.pdf <\/a><\/p>\n<\/div>\n<div id=\"e18369\" class=\"element element-text g12_12 element-1\">\n<hr \/>\n<p><strong>Arts Management: A Sociological Inquiry<\/strong><br \/>\nSpecial Issue of The Journal of Arts Management, Law and Society<br \/>\nVol. 40, Nr. 1, 2010 (91 Seiten)<br \/>\nGuest Editor zusammen mit Volker Kirchberg<\/p>\n<p><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/10632921003641190\">Link<\/a><\/p>\n<\/div>\n<div id=\"e18371\" class=\"element element-text g12_12 element-1\">\n<hr \/>\n<p><strong>Forschen im Kulturmanagement<\/strong><br \/>\nJahrbuch f\u00fcr Kulturmanagement 2009 (264 Seiten)<br \/>\n(hg. im Auftrag des Fachverbandes f\u00fcr Kulturmanagement)<\/p>\n<p><a href=\"https:\/\/www.transcript-verlag.de\/978-3-8376-1252-3\/forschen-im-kulturmanagement\/\" rel=\"noopener\">Publisher<\/a><\/p>\n<\/div>\n<div id=\"e18370\" class=\"element element-datei g12_12 element-3\">\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Forschen-im-Kulturmanagement-Inhaltsverzeichnis-und-Einleitung.pdf\" target=\"_blank\" rel=\"noopener\">Abstract and Introduction.pdf <\/a><\/p>\n<\/div>\n<div id=\"e18372\" class=\"element element-text g12_12 element-1\">\n<hr \/>\n<p><strong>Kulturbetriebsforschung: Ans\u00e4tze und Perspektiven der Kulturbetriebslehre<\/strong><br \/>\nWiesbaden: VS Verlag f\u00fcr Sozialwissenschaften, 2006 (185 Seiten)<\/p>\n<p><a href=\"https:\/\/www.springer.com\/de\/book\/9783531150635\" rel=\"noopener\">Publisher<\/a><\/p>\n<\/div>\n<div id=\"e18373\" class=\"element element-datei g12_12 element-3\">\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Kulturbetriebsforschung-Inhaltsverzeichnis.pdf\" target=\"_blank\" rel=\"noopener\">Contents.pdf <\/a><\/p>\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Kulturbetriebsforschung-Einleitung-1.pdf\" target=\"_blank\" rel=\"noopener\">Introduction.pdf <\/a><\/p>\n<\/div>\n<div id=\"e18374\" class=\"element element-text g12_12 element-1\">\n<hr \/>\n<p><strong>Der Staat als kulturf\u00f6rdernde Instanz.<\/strong><br \/>\nInnsbruck: Studienverlag, 2005 (176 Seiten)<\/p>\n<p><a href=\"https:\/\/www.studienverlag.at\/buecher\/4141\/der-staat-als-kulturfoerdernde-instanz\/\" rel=\"noopener\">Publisher<\/a><\/p>\n<\/div>\n<div id=\"e18377\" class=\"element element-datei g12_12 element-3\">\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Der-Staat-als-kulturfordernde-Instanz-Inhaltsverzeichnis.pdf\" target=\"_blank\" rel=\"noopener\">Contents.pdf <\/a><\/p>\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Der-Staat-als-kulturfordernde-Instanz-Einleitung.pdf\" target=\"_blank\" rel=\"noopener\">Introduction.pdf <\/a><\/p>\n<\/div>\n<div id=\"e18376\" class=\"element element-text g12_12 element-1\">\n<hr \/>\n<p><strong>Kunst und Politik &#8211; Aspekte einer Problematik<\/strong><br \/>\nInnsbruck: StudienVerlag, 2000 (128 Seiten)<\/p>\n<p><a href=\"https:\/\/www.studienverlag.at\/buecher\/1412\/kunst-und-politik-kunstfreiheit-geschlechterasymmetrie\/\" rel=\"noopener\">Publisher<\/a><\/p>\n<\/div>\n<div id=\"e18375\" class=\"element element-datei g12_12 element-3\">\n<p><a href=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2021\/10\/Kunst-und-Politik-Einleitung.pdf\" target=\"_blank\" rel=\"noopener\">Introduction.pdf <\/a><\/p>\n<\/div>\n<\/div>\n<h1 id=\"e18503\" class=\"element element-text g12_12 element-1\"><\/h1>\n<\/div>\n<p><\/div><\/div><\/div><\/div><\/div>[\/vc_column][\/vc_row][\/vc_section][vc_section css=&#8221;.vc_custom_1592596618839{margin-top: 100px !important;}&#8221;][vc_row][vc_column]<div  class=\"wpb_content_element   clearfix\"><style type=\"text\/css\">#ut_am_69d069f9ba619 { opacity: 1; }#ut_am_wrap_69d069f9ba61a .ut-image-gallery-item-caption-title h3 { letter-spacing: 0em; }#ut_am_wrap_69d069f9ba61a .ut-gallery-slider-caption { font-weight: bold; }#ut_am_wrap_69d069f9ba61a { text-align: left; }@media (min-width: 768px) and (max-width: 1024px) { #ut_am_wrap_69d069f9ba61a { text-align: left !important; } }@media (max-width: 767px) { #ut_am_wrap_69d069f9ba61a { text-align: center !important; } }<\/style><div id=\"ut_am_wrap_69d069f9ba61a\" class=\"ut-image-gallery-image \"><div id=\"ut_reveal_69d069f9ba61b\"  data-appear-top-offset=\"auto\" class=\"ut-animated-image-item ut-image-gallery-item ut-animation-done \"><a class=\"ut-deactivated-link\" href=\"#\"><div class=\"ut-animated-image-zoom\"><img class=\"ut-lazy skip-lazy ut-animated-image\"  id=\"ut_am_69d069f9ba619\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D'http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg' viewBox%3D'0 0 500 600'%2F%3E\" data-src=\"https:\/\/www.mdw.ac.at\/ar_center\/wp-content\/uploads\/2020\/07\/ARC-Design-Element-6-1.svg\" width=\"500\" height=\"\" alt=\"\"\/><\/div><\/a><\/div><\/div><\/div>[\/vc_column][\/vc_row][\/vc_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_section css=&#8221;.vc_custom_1592596618839{margin-top: 100px !important;}&#8221;][vc_row][vc_column width=&#8221;1\/4&#8243;][\/vc_column][vc_column width=&#8221;3\/4&#8243;][vc_column_text] T: +43 1 71155-4380 Ungargasse 22\/1\/16, 1030 Wien email: zembylas@mdw.ac.at &nbsp; Professional Education 2003 Post Doctoral Thesis \/ Habilitation 1997 PhD in Philosophy 1995 Master in Philosophy 1991-1997 University of Vienna. Studies in Philosophy, Sociology, and History of Art &nbsp; Academic Career 2010-2021 Member of the Institute for Music [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/pages\/1162"}],"collection":[{"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/comments?post=1162"}],"version-history":[{"count":39,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/pages\/1162\/revisions"}],"predecessor-version":[{"id":3105,"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/pages\/1162\/revisions\/3105"}],"wp:attachment":[{"href":"https:\/\/www.mdw.ac.at\/ar_center\/wp-json\/wp\/v2\/media?parent=1162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}