English version below!

Dear colleagues and friends of the Music and Minorities Research Center (MMRC),

In view of the crisis-ridden character of global capitalism, the concept of class is receiving renewed attention across many scholarly disciplines. The 2024 MMRC Lecture invites different perspectives on the connections between class and music as a political instrument, an economic power relation and a creative, shared experience of self-determination and resistance across different geographical and historical contexts. And we invite you to join us, for an evening with music, lectures and discussion:

"Between Cultural Labor and Political Struggle: Music and Class" The 2024 MMRC Lecture

14 October 2024, 7PM (CEST), Joseph Haydn Hall, mdw and online! Register here        

Title image: Klimentina Li

 

Programme:

Music: Mata Granata feat. MC Andja Mitraljeza

Opening: Gerda Müller, Vicerector of the mdw

Introduction: Ursula Hemetek, Director of the MMRC, mdw

Keynote: "Lessons on Music and Class struggle", Ana Hofman (Institute of Culture and Memory Studies at the Research Centre of the Slovenian Academy of Sciences and Arts, Ljubljana)

Response: "Migrant Sonic Work: Overseas Filipino Musicians and the Class Mobilities of Music and Race", Anjeline de Dios (Manila)

Q&A Session: Chaired by Ursula Hemetek, MMRC, mdw

Music: Mata Granata feat. MC Andja Mitraljeza

 

In her keynote, ethnomusicologist and anthropologist Ana Hofman (Institute of Culture and Memory Studies at the Research Centre of the Slovenian Academy of Sciences and Arts, Ljubljana) focuses on the amateur-professional nexus as one of the key grounds for musical actualizations of the ideas of class struggle to provide a conceptual framework for listening for (in)equality beyond an exclusive focus on a subject position towards historically situated processes of social stratification.

Cultural geographer and artist Anjeline de Dios (Manila) extends these reflections in her response by analyzing the class hierarchy of race as experienced by overseas Filipino musicians performing Western songs in leisure venues around Asia. Understood as a form of care or service work, their livelihood is marginalised in the global music industry, however they find ways to challenge these hierarchies.

They are complemented by a musical contribution from Mata Granata (Croatia/Vienna) feat. MC Andja Mitraljeza, who raps about class as a shared experience of people from different cultural contexts, class struggles and the invisibility of migrant labour.

While all of the contributors focus on different geographical and historical contexts, their talks and music are intended to be starting points of a conversation about interconnections – between class and race, the histories of the so-called former Second World and the Global South, state socialism and overseas colonialism, struggles and mobilities.

 

    V.l.n.r.: Ana Hofman (© Igor Lapajne), Anjeline de Dios (© Lizza May David) and Mata Granata

 

Find all information about the event on our website


Music and Minorites Research Center (Wittgenstein Project)
mdw – University of Music and Performing Arts Vienna
Tongasse 2/43, 1030 Vienna, Austria
mmrc@mdw.ac.at
www.musicandminorities.org

mdw - University of Music and Performing Arts Vienna

FWF - Der Wissenschaftsfonds.