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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | ▼ VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 2231 | Buch | I-126940 | B-410-01 | Rock in den 70ern, Jazzrock, Hardrock, Folkrock und New Wave | Kneif, Tibor | Rowohlt | Hamburg | 1980 | 2021-10-11 15:40:15 | |||||||||||||
| 2211 | Buch | I-146974 | B-890-10 | DJ Culture, Discjockeys und Popkultur | Poschardt, Ulf | Rowohlt | Hamburg | 1997 | 2021-10-11 13:49:32 | |||||||||||||
| 2199 | Buch | I-146979 | B-120-04 | Rote Lippen, Die ganze Welt des deutschen Schlagers | Kraushaar, Elmar | Rowohlt | Hamburg | 1983 | 2021-10-11 13:13:35 | |||||||||||||
| 2077 | Buch | I-143180 | B-850-10 | Soundtracking Germany; Popular Music and National Identity | Schiller, Melanie | Rowman & Littlefield | London | 2018 | Nationalität, Deutschland, Popmusik, Musicology | 2020-06-10 11:06:21 | ||||||||||||
| 2267 | Buch | II-145966 | B-800-69 | Pop Music Production, Manufactured Pop and BoyBands of the 1990s | Harding, Phil; Collins, Mike (Hrsg.) | Routledge | New York | 2020 | 2022-03-22 14:20:58 | |||||||||||||
| 2075 | Buch | I-143343 | B-320-07 | Listening To Rap; An Introduction | Berry, Michael | Routledge | New York, London | 2018 | 320 | Rap | Historische Kontexte, Kulturelle Einflüsse, Charakteristik | 2020-06-10 10:41:41 | ||||||||||
| 2064 | Buch | I-143188 | B-000-13 | Rock: The Primary Text; Developing a musicology of Rock | Moore, Allan F.; Remy, Martin | Ashgate Popular and Folk Music Series | 3 | Routledge | Abingdon, New York | 2019 | 000 | Rock | Musicology | 2020-06-10 09:43:36 | ||||||||
| 2134 | Buch | I-146521 | B-200-36 | Global Pop, World Music, World Markets | Taylor, Timothy D. | Routledge | New York | 1997 | 2021-01-26 14:50:47 | |||||||||||||
| 2127 | Buch | I-146201 | B-800-41 | Performing Popular Music, The Art of Creating Memorable and Successful Performances | Cashman, David | Routledge | New York | 2020 | 2021-01-26 14:25:32 | |||||||||||||
| 2125 | Buch | I-146146 | B-242-06 | Heavy Metal, Gender and Sexuality | Heesch, Florian; Scott, Niall (Hrsg.) | Routledge | New York | 2016 | 2021-01-26 14:17:34 | |||||||||||||
| 2123 | Buch | I-146151 | B-200-33 | The Lemonade Reader | Brooks, Kinitra D.; Martin, Kameelah L. | Routledge | New York | 2019 | 2021-01-26 14:04:32 | |||||||||||||
| 2122 | Buch | I-146255 | B-800-39 | Made in Poland, Studies in Popular Music | Galuszka, Patryk (Hrsg.) | Routledge | New York | 2020 | 2021-01-26 14:01:39 | |||||||||||||
| 2121 | Buch | I-146043 | B-300-03 | Analog Synthesizers: understanding, performing, buying, From the Legacy of Moog to Software Synthesis | Jenkins, Mark | 2 | Routledge | New York | 2020 | 2020-12-10 12:12:10 | ||||||||||||
| 2118 | Buch | I-146044 | B-400-20 | Jazz Diaspora, Music and Globalisation, Transnational Studies in Jazz | Johnson, Bruce | Routledge | New York | 2020 | 2020-12-10 12:04:15 | |||||||||||||
| 2117 | Buch | I-146046 | B-800-38 | Race/Gender/Class/Media, Considering Diversity Across Audiences, Content, and Producers | Lind, Rebecca Ann (Hrsg.) | 4 | Routledge | New York | 2019 | 2020-12-10 12:02:26 | ||||||||||||
| 2230 | Buch | I-146936 | B-800-58 | Key Concepts in Popular Music | Shuker, Roy | Routledge | New York | 1998 | 2021-10-11 15:38:04 | |||||||||||||
| 2244 | Buch | I-150639 | B-800-64 | Made in Yugoslavia, Studies in Popular Music | Beard, Danijela Š; Rasmussen, Ljerka V. (Hrsg.) | Routledge | New York | 2020 | 2022-01-20 09:44:37 | |||||||||||||
| 2300 | Buch | I-145176 | B-880-08 | Bad Music. The Music We Love To Hate | Washbourne, Christopher J.; Derno, Maiken (Hrsg.) | Routledge | New York | 2004 | 2022-03-28 16:14:25 | |||||||||||||
| 715 | Buch | AI 86150 | B-800-01 | Popular Music. The Key Concepts | Shuker, Roy | Routledge | 0-415-28425-2 | New York | 2002 (1998) | Bestandsaufnahm | 2005-09-09 11:18:54 | |||||||||||
| 2082 | Buch | I-143060 | B-840-12 | Pop Music - Technology and Creativity; Trevor Horn and the Digital Revolution | Warner, Timothy | Routledge | London, New York | 2016 | 2003 | 840 | Sound | Technologie, Kreativität, Musikproduktion | 2020-06-10 11:47:07 |