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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | ▲ VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 2340 | Buch | I-146558 | B-820-24 | Confessions of a Record Producer. How to survive the scams and shams of the music business. | Avalon, Moses | Miller Freeman Books | San Francisco | 1998 | 2022-04-13 11:22:37 | |||||||||||||
| 2218 | Buch | I-147009 | B-300-05 | The A-Z Of Record Labels | Southall, Brian | MPG Books Ltd | London | 2003 | 2021-10-11 15:09:03 | |||||||||||||
| 467 | Buch | AI 72812 | B-340-01 | Vom Urkult zur Kultur. Drogen und Techno | Hans Cousto | Nachtschatten | 3-907080-10-6 | Solothurn | 1995 | 47 | Electronica | Techno | Techno, Tanz, Freizeit, Publikum, Rezeption, Jugendkultur, Deutschland | 2005-09-30 14:53:41 | ||||||||
| 480 | Buch | AI 72821 | B-810-03 | Wir sind die, vor denen uns unsere Eltern gewarnt haben. Szenen und Personen aus den amerikanischen Sechzigern | Schiffkowitz | Nausner & Röhrling | 3-900779-00-7 | Graz | 1990 | Pop/Rock | Rock, Folk, Beat | Jugendkultur, USA, Rezeption, Vermittlung, Politik, Avantgarde, Kritik, 1960er | 2005-11-18 15:29:54 | |||||||||
| 2124 | Buch | I-146149 | B-800-40 | Queer Times, Black Futures | Keeling, Kara | New York University Press | New York | 2019 | 2021-01-26 14:15:48 | |||||||||||||
| 827 | Buch | B-400-10 | Jazz in L.A. | Willoughby, Bob | Nieswand | Kiel | 1990 | 400 | Jazz | Hardbop, Swing | Schenkung GW; Großformat | 2006-10-20 12:15:05 | ||||||||||
| 2116 | Buch | I-146040 | B-100-01 | Everybody's Doin' It, Sex, Music, and Dance in New York, 1840-1917 | Cornell, Dale | Norton & Company | New York | 2019 | 2020-12-10 11:53:38 | |||||||||||||
| 735 | Buch | AI 86152 | B-820-12 | Bootleg! The Rise & Fall of the Secret Recording Industry. | Heylin, Clinton | Omnibus | 1 84449 151 X | London | 2003 | Kulturindustrie, Tonträger, international | 2005-12-09 12:49:16 | |||||||||||
| 1050 | Buch | B-420-09 | Fats Waller. His Life & Times | Shipton, Alyn | Omnibus | 0-7119-1440-0 | London | 1988 | 420 | Jazz | Swing | Jazz, Musiker, Werk, Biographie, USA | 2008-08-22 11:24:47 | |||||||||
| 1051 | Buch | B-430-04 | Dizzy Gillespie. His Life & Times | McRae, Barry | Omnibus | 0-7119-1441-9 | London | 1988 | 430 | Jazz | Bebop | Musiker, Werk, Biographie, Jazz, USA | 2008-08-22 11:28:01 | |||||||||
| 2206 | Buch | I-146976 | B-890-07 | Cultures of Popular Music | Bennet, Andy | Open University Press | Buckingham | 2001 | 2021-10-11 13:33:35 | |||||||||||||
| 2146 | Buch | B-140-06 | I-149011 | Anything Goes, a history of american musical theatre | Mordden, Ethan | Oxford University Press | Oxfort | 2013 | 140 | 2021-10-11 09:31:53 | ||||||||||||
| 2147 | Buch | B-880-07 | I-148863 | The Oxford Handbook of New Audiovisual Aesthetics | Richardson, John; Gorbman, Claudia; Vernallis, Carol | Oxford University Press | Oxford | 2013 | 2021-10-11 09:39:27 | |||||||||||||
| 2153 | Buch | B-140-08 | II-144177 | The Amarican Songbook, The Tin Pan Alley Era | Furia, Philip; Patterson, Laurie | Oxford University Press | Oxford | 2016 | 2021-10-11 09:54:53 | |||||||||||||
| 2160 | Buch | B-800-52 | I-144729 | Switched on Pop, how Popular Music works, and why it matters | Sloan, Nate; Harding, Charlie | Oxford University Press | Oxford | 2020 | 2021-10-11 10:12:57 | |||||||||||||
| 2179 | Buch | I-149358 | B-206-02 | Rural Rhythm, The Story of Old-Time Country Music in 78 Records | Russel, Tony | Oxford University Press | Oxford | 2021 | 2021-10-11 11:57:00 | |||||||||||||
| 2066 | Buch | I-143176/2 | B-215-07 | The beatles as Musicians; The Quarry Men through Rubber Soul | Everett, Walter | 2 | Oxford University Press | Oxford | 2001 | 215 | Beat | Musik Theorie, Analyse | 2020-06-10 09:59:44 | |||||||||
| 2067 | Buch | I-143176/1 | B-215-06 | The beatles as Musicians; Revolver through the Anthology | Everett, Walter | 1 | Oxford University Press | Oxford | 2001 | 215 | Beat | Musik Theorie, Analyse | 2020-06-10 09:59:44 | |||||||||
| 2083 | Buch | I-143198 | B-215-08 | What Goes On; The Beatles, Their Music, And Their Time | Everett, Walter; Riley, Tim | Oxford University Press | Oxford | 2019 | 215 | Beat | Musikanalyse, Musicology | 2020-06-10 11:49:52 | ||||||||||
| 2159 | Buch | B-870-05 | I-144765 | kick it, a social history of the Drum Kit | Brennan, Matt | Oxford University Press | Oxford | 2020 | 2021-10-11 10:10:37 |