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| ID | Medium | ▼ SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 2075 | Buch | I-143343 | B-320-07 | Listening To Rap; An Introduction | Berry, Michael | Routledge | New York, London | 2018 | 320 | Rap | Historische Kontexte, Kulturelle Einflüsse, Charakteristik | 2020-06-10 10:41:41 | ||||||||||
| 2065 | Buch | I-143225 | B-200-30 | Ashes To Ashes - The Songs Of David Bowie 1976-2016 | O'Leary, Chris | Repeater | London | 2019 | 200 | Pop | Songbook, History | 2020-06-10 09:51:02 | ||||||||||
| 2078 | Buch | I-143201 | B-800-33 | Popular Music, Stars and Stardom | Loy, Stephen; Rickwood, Julie, Bennett, Samantha (Hrsg.) | Australian National University Press | 2018 | Essays, Sammelband, Musicology | 2020-06-10 11:10:45 | |||||||||||||
| 2083 | Buch | I-143198 | B-215-08 | What Goes On; The Beatles, Their Music, And Their Time | Everett, Walter; Riley, Tim | Oxford University Press | Oxford | 2019 | 215 | Beat | Musikanalyse, Musicology | 2020-06-10 11:49:52 | ||||||||||
| 2064 | Buch | I-143188 | B-000-13 | Rock: The Primary Text; Developing a musicology of Rock | Moore, Allan F.; Remy, Martin | Ashgate Popular and Folk Music Series | 3 | Routledge | Abingdon, New York | 2019 | 000 | Rock | Musicology | 2020-06-10 09:43:36 | ||||||||
| 2077 | Buch | I-143180 | B-850-10 | Soundtracking Germany; Popular Music and National Identity | Schiller, Melanie | Rowman & Littlefield | London | 2018 | Nationalität, Deutschland, Popmusik, Musicology | 2020-06-10 11:06:21 | ||||||||||||
| 2076 | Buch | I-143177 | B-320-08 | The Musical Artistry of Rap | Connor, Martin E.; Adams, Kyle; Zechory, Ilan | McFarland | Jefferson | 2018 | 320 | Rap | Theorie, Kontext, Musicology | 2020-06-10 10:46:10 | ||||||||||
| 2066 | Buch | I-143176/2 | B-215-07 | The beatles as Musicians; The Quarry Men through Rubber Soul | Everett, Walter | 2 | Oxford University Press | Oxford | 2001 | 215 | Beat | Musik Theorie, Analyse | 2020-06-10 09:59:44 | |||||||||
| 2067 | Buch | I-143176/1 | B-215-06 | The beatles as Musicians; Revolver through the Anthology | Everett, Walter | 1 | Oxford University Press | Oxford | 2001 | 215 | Beat | Musik Theorie, Analyse | 2020-06-10 09:59:44 | |||||||||
| 2101 | Buch | I-143170 | B-800-36 | (Dis-)Orienting Sounds, Machtkritische Perspektiven auf Populäre Musik | von Appen, Ralf; Dunkel, Mario | Beiträge zur Popularmusikforschung | 45 | transcript | Bielefeld | 2019 | 2020-09-16 14:10:48 | |||||||||||
| 2082 | Buch | I-143060 | B-840-12 | Pop Music - Technology and Creativity; Trevor Horn and the Digital Revolution | Warner, Timothy | Routledge | London, New York | 2016 | 2003 | 840 | Sound | Technologie, Kreativität, Musikproduktion | 2020-06-10 11:47:07 | |||||||||
| 2062 | Buch | I-143032 | B-400-20 | Jazzforschung heute; Themen, Methoden, Perspektiven | Pfleiderer, Martin; Zaddach, Wolf-Georg (Hrsg.) | sounding heritage | 4 | Edition Emvas | Berlin | 2019 | 400 | Jazz | Sammelband, Musicology | 2020-06-10 09:28:24 | ||||||||
| 2079 | Buch | I-142141 | B-840-11 | Critical Approaches to the Production of Music and Sound | Bennett, Samantha; Bates, Eliot (Hrsg.) | Bloomsbury | New York | 2018 | Musikproduktion, Sammelband, Essays, Musicology | 2020-06-10 11:17:05 | ||||||||||||
| 2043 | Buch | I-141067 | B-800-31 | Music´s Meanings a modern musicology for non-musos | Tagg, Philipp | 2019-04-26 10:02:32 | ||||||||||||||||
| 2036 | Buch | I-139927 | B-800-30 | Diseusen in der Weimarer Republik - Imagekonstruktionen im Kabarett am Beispiel von Margo Lion und Blandine Ebinger | Danielczyk, Sandra | 800 | Kabarett, Image | 2019-01-25 09:56:32 | ||||||||||||||
| 1996 | Buch | I-137267 | B-320-05 | Die Poetik des deutschsprachigen Rap | Wolbring, Fabian | 2015 | 2015 | 320 | Rap, HipHop | 2018-06-22 10:44:33 | ||||||||||||
| 1989 | Buch | I-137105 | B-212-01 | Refractions of Bob Dylan - Cultural appropriations of an American icon | Banauch, Eugen | 2015 | 2015 | 212 | Folk | Folk | Folk, Analyse | 2018-06-15 10:16:04 | ||||||||||
| 1991 | Buch | I-136905 | B-800-27 | Feminism, Femininity and Popular Culture | Hollows, Joanne | 2000 | 800 | Theorie, Feminismus | 2018-06-15 10:21:29 | |||||||||||||
| 1987 | Buch | I-136822 | B-800-25 | Art into Pop | Frith, Simon; Horne, Howard | 2016 | 1987 | 800 | Theorie | Theorie | Theorie populärer Musik, Pop | 2018-06-08 11:14:59 | ||||||||||
| 1988 | Buch | I-136820 | B-800-26 | Musik, Medien und Verkörperung - Transdisziplinäre Analyse populärer Musik | Jost, Christofer | 2012 | 2012 | 800 | Theorie | Theorie | Theorie populärer Musik, Medien, Analyse | 2018-06-08 11:17:07 |