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ID | Medium | ▲ SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
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2099 | Buch | I-144561 | B-203-05 | The New Blue Music; Changes in Rhythm & Blues, 1950-1999 | Ripani, Richard J. | University Press of Mississippi | Jackson | 2006 | 2020-09-16 13:32:01 | |||||||||||||
2061 | Buch | I-144564 | B-227-02 | Soulsville USA, Story of STAX RECORDS | Bowman, Rob | Schirmer Trade Books | New York | 2003 | 1997 | 227 | Soul | Soul, Geschichte, Musicology | 2020-06-10 09:20:35 | |||||||||
2100 | Buch | I-144567 | B-800-35 | Queer Phenomenology, orientations, objects, others | Ahmed, Sara | Duke University Press | Durham | 2006 | 2020-09-16 14:07:53 | |||||||||||||
2098 | Buch | I-144932 | B-800-34 | Music Theory for Electronic Music Producers - The producer's guide to harmony, chord progressions, and song structure in the MIDI grid | Allen, Anthony J. | Slam Academy | Minneapolis | 2018 | 800 | Theorie | 2020-09-16 13:23:36 | |||||||||||
2102 | Buch | I-145076 | B-227-04 | Motown, music, money, sex, and power | Posner, Gerald | Random House Trade Paperbacks | New York | 2005 | 2020-09-16 14:24:15 | |||||||||||||
2106 | Buch | I-145098 | B-227-06 | The Rise and Fall of the Motown Sound, Where Did Our Love Go? | George, Nelson | University of Illinoise Press | Urbana, Chicago | 2007 | 2020-09-16 14:40:27 | |||||||||||||
2105 | Buch | I-145174 | B-227-05 | The Story of Motown | Benjaminson, Peter | Barnacle Book | Los Angeles | 2018 | 2020-09-16 14:36:22 | |||||||||||||
2300 | Buch | I-145176 | B-880-08 | Bad Music. The Music We Love To Hate | Washbourne, Christopher J.; Derno, Maiken (Hrsg.) | Routledge | New York | 2004 | 2022-03-28 16:14:25 | |||||||||||||
2242 | Buch | I-145883 | B-800-62 | Dancing with Mr. D, Tod in Popmusik und Kunst | Vögele, Jörg; Schiller, Anna; Rittershaus, Luisa; Waap, Kelly Gisela (Hrsg.) | Wienand | Köln | 2019 | 2022-01-20 09:38:04 | |||||||||||||
2236 | Buch | I-145890 | B-890-11 | Die Praxis der Popmusik | Daniel, Anna; Hillebrandt, Frank (Hrsg.) | Springer | Wiesbaden | 2019 | 2021-12-02 10:09:27 | |||||||||||||
2243 | Buch | I-145913 | B-800-63 | "Sounds like a real man to me" - Populäre Kultur, Musik und Männlichkeit | Fleischer, Laura Patrizia; Heesch, Florian (Hrsg.) | SpringerVS | Wiesbaden | 2019 | 2022-01-20 09:40:28 | |||||||||||||
2241 | Buch | I-145930 | B-800-61 | Social-Pop-Media, Zur Mediatisierung von Popmusik und digitaler Musikpraxis in sozialen Medien | Anastasiadis, Mario | SpringerVS | Wiesbaden | 2019 | 2022-01-20 09:30:03 | |||||||||||||
2135 | Buch | I-145936 | B-800-45 | Crossover als Inszenierungsstrategie, Doing Pop, Doing Classical Music, Doing Mixed Genres | Petry, Clara-Franziska | transcript | Bielefeld | 2020 | 2021-01-26 14:52:37 | |||||||||||||
2113 | Buch | I-146026 | B-200-31 | Beggars Banquet and the Rolling Stones' Rock and Roll Revolution, "They Call My Name Disturbance" | Russel Reising (Hrsg.) | New York | 2020 | 2020-12-10 11:26:56 | ||||||||||||||
2112 | Buch | I-146027 | B-300-02 | The Second Summer Of Love, How Dance Music Took Over The World | Shulman, Alon | London | 2019 | 2020-12-10 11:17:31 | ||||||||||||||
2116 | Buch | I-146040 | B-100-01 | Everybody's Doin' It, Sex, Music, and Dance in New York, 1840-1917 | Cornell, Dale | Norton & Company | New York | 2019 | 2020-12-10 11:53:38 | |||||||||||||
2114 | Buch | I-146042 | B-227-07 | Move On Up, Chicago Soul Music and Black Cultural Power | Cohen, Aaron | Chicago, London | 2019 | 2020-12-10 11:35:55 | ||||||||||||||
2121 | Buch | I-146043 | B-300-03 | Analog Synthesizers: understanding, performing, buying, From the Legacy of Moog to Software Synthesis | Jenkins, Mark | 2 | Routledge | New York | 2020 | 2020-12-10 12:12:10 | ||||||||||||
2118 | Buch | I-146044 | B-400-20 | Jazz Diaspora, Music and Globalisation, Transnational Studies in Jazz | Johnson, Bruce | Routledge | New York | 2020 | 2020-12-10 12:04:15 | |||||||||||||
2117 | Buch | I-146046 | B-800-38 | Race/Gender/Class/Media, Considering Diversity Across Audiences, Content, and Producers | Lind, Rebecca Ann (Hrsg.) | 4 | Routledge | New York | 2019 | 2020-12-10 12:02:26 |