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ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | ▲ Schlagworte | Bemerkungen | LastUpdate |
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1049 | Buch | B-320-04 | the new Beats. Exploring the Music, Culture and Attitudes of Hip-Hop | S.H. Fernando Jr. | Anchor | 0-385-47119-X | New York | 1994 | 320 | Dance | HipHop | 2008-08-22 11:20:54 | ||||||||||
2128 | Buch | I-146210 | B-800-42 | Popular Music in Contemporary Bulgaria | Draganova, Asya | Birmingham University Press | Birmingham | 2019 | 2021-01-26 14:27:20 | |||||||||||||
2106 | Buch | I-145098 | B-227-06 | The Rise and Fall of the Motown Sound, Where Did Our Love Go? | George, Nelson | University of Illinoise Press | Urbana, Chicago | 2007 | 2020-09-16 14:40:27 | |||||||||||||
2105 | Buch | I-145174 | B-227-05 | The Story of Motown | Benjaminson, Peter | Barnacle Book | Los Angeles | 2018 | 2020-09-16 14:36:22 | |||||||||||||
2136 | Buch | II-146522 | B-209-04 | Rock 'n' Roll | Stallings, Penny | Vermilion | London | 1984 | 2021-01-26 14:55:20 | |||||||||||||
2123 | Buch | I-146151 | B-200-33 | The Lemonade Reader | Brooks, Kinitra D.; Martin, Kameelah L. | Routledge | New York | 2019 | 2021-01-26 14:04:32 | |||||||||||||
2135 | Buch | I-145936 | B-800-45 | Crossover als Inszenierungsstrategie, Doing Pop, Doing Classical Music, Doing Mixed Genres | Petry, Clara-Franziska | transcript | Bielefeld | 2020 | 2021-01-26 14:52:37 | |||||||||||||
2098 | Buch | I-144932 | B-800-34 | Music Theory for Electronic Music Producers - The producer's guide to harmony, chord progressions, and song structure in the MIDI grid | Allen, Anthony J. | Slam Academy | Minneapolis | 2018 | 800 | Theorie | 2020-09-16 13:23:36 | |||||||||||
2139 | Buch | 0-146531 | B-800-46 | Swinging Benjamin | Salzinger, Helmut | Fischer | Frankfurt | 1973 | 2021-01-26 15:02:53 | |||||||||||||
1036 | Buch | B-400-15 | Darmstädter Jazzforum 89 | Jost, Ekkehard (Ed.) | Beiträge zur Jazzforschung | Wolke Verlag | 3-923997-40-X | Hofheim | 1990 | 400 | Jazz | Sammelband mit unterschiedlichen Beiträgen | 2007-11-30 12:17:08 | |||||||||
2120 | Buch | I-146058 | B-400-21 | Analysis of Jazz, A comprehensive Approach | Gugny, Laurent | University Press of Mississippi | 2019 | 2020-12-10 12:09:37 | ||||||||||||||
2101 | Buch | I-143170 | B-800-36 | (Dis-)Orienting Sounds, Machtkritische Perspektiven auf Populäre Musik | von Appen, Ralf; Dunkel, Mario | Beiträge zur Popularmusikforschung | 45 | transcript | Bielefeld | 2019 | 2020-09-16 14:10:48 | |||||||||||
2141 | Buch | I-146533 | B-800-47 | Pop. Geschichte eines Konzepts 1955-2009 | Hecken, Thomas | transcript | Bielefeld | 2009 | 2021-01-26 15:06:09 | |||||||||||||
2138 | Buch | 0-146534 | B-212-02 | Bob Dylan. Ein Kongreß | Honneth, Axel; Kemper, Peter; Klein, Richard (Hrsg.) | Suhrkamp | Frankfurt | 2007 | 2021-01-26 14:59:28 | |||||||||||||
2043 | Buch | I-141067 | B-800-31 | Music´s Meanings a modern musicology for non-musos | Tagg, Philipp | 2019-04-26 10:02:32 | ||||||||||||||||
2143 | Buch | I-146519 | B- 400-22 | Miles Davis, Round About Midnight, Ein Portrait | Nisenson, Eric | Piper-Schott | München | 1982 | 2021-01-26 15:10:00 | |||||||||||||
827 | Buch | B-400-10 | Jazz in L.A. | Willoughby, Bob | Nieswand | Kiel | 1990 | 400 | Jazz | Hardbop, Swing | Schenkung GW; Großformat | 2006-10-20 12:15:05 | ||||||||||
2111 | Buch | I-146049 | B-800-37 | The Routledge Companion to Popular Music and Humor | Kitts, Thomas M.; Baxter-Moore, Nick (Hrsg.) | New York | 2020 | 2020-12-10 11:12:36 | ||||||||||||||
2100 | Buch | I-144567 | B-800-35 | Queer Phenomenology, orientations, objects, others | Ahmed, Sara | Duke University Press | Durham | 2006 | 2020-09-16 14:07:53 | |||||||||||||
2130 | Buch | I-146248 | B-200-34 | Rockin' Out, Popular Music in the USA | Garofalo, Reebee | University of Massachusetts Boston Press | Boston | 1997 | 2021-01-26 14:32:01 |