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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | ▲ VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1090 | Textbeitrag | T-800-07 | From refrain to rave: the decline of figure and the rise of ground | Tagg, Philip | Popular Music | 13 | 1994 | Pop/Rock, Dance | Techno, Rock | Stil, Analyse, Forschung, Wissenschaft | S. 209-221 | 2009-03-26 12:39:06 | ||||||||||
| 54 | Diplomarbeit | D-242-01a+b | Aspekte der Geschichte und Ästhetik von Hardrock und Heavy Metal | Pöpperl, Robert | IMP Wien | 1993 | Pop / Rock | Hardrock / Metal | Hardrock / Metal, Geschichte, Entwicklung, Ästhetik, Stil, Musiker | Diplomarbeit im FBPM | 2009-11-26 12:41:07 | |||||||||||
| 182 | VHS | HH privat | V-045-01 | HIStory, Video Greatest Hits | Jackson, Michael | Jackson, Temperton, Orff, ... | Jackson, Temperton, Bottrell, ... | Landis, Singleton, ... | MJJ Ventures Inc. | 1995 | 45 | Pop/Rock | Pop, Soul | 1O Video Hits | 2003-01-22 13:41:39 | |||||||
| 1177 | Diplomarbeit | D-720-04 | Falco. Zwischen Mensch und Kunstfigur. | Reichel, Petra | iPop Wien | 2009 | 720 | Pop/Rock | Deutschrock, New Wave, Video Pop, HipHop | Musiker, Österreich, Biographie, Analyse, Sprache | 2009-07-09 11:59:35 | |||||||||||
| 80 | CD | CD 3380 +1Beil. IMP | C-239-07 | Brothers In Arms | Dire Straits | Mark Knopfler | Mark Knopfler | Mark Knopfler & Neil Dorfsman | 1985 | 239 | Pop/Rock | Mainstram, Video Pop | 2006-03-03 12:19:18 | |||||||||
| 708 | Diplomarbeit | D-245-06 | Gothic. Ein subkulturelles und musikalisches Phänomen. | Oberhammer, Irene | iPOP Wien | 2005 | Pop / Rock | Alternative Rock | Aesthetik, Jugendkultur, Publikum, Soziologie, Stil, Szene | 2005-07-29 11:33:15 | ||||||||||||
| 1148 | Textbeitrag | T-221-01 | Cathy's homecoming and the other world: Kate Bush's "Wuthering Heights" | Losseff, Nicky | Popular Music | 18/2 | 1999 | 221 | Pop/Rock | Art-Rock, Prog Rock, College Rock | Tonträger, Frau, Werk, Rock, Analyse | S. 227-240 | 2009-07-02 12:12:24 | |||||||||
| 562 | CD | HH privat | C-222-05 | Tone Float | Organisation (prae-Kraftwerk) | Conrad Plank & Organisation | 222 | Pop/Rock | Deutschrock | Art Rock, Electronica, Deutschland, 1970er Jahre | Bootleg? | 2007-09-07 11:35:02 | ||||||||||
| 1149 | Textbeitrag | T-540-02 | Cantopop and Mandapop in pre-post-colonial Hong Kong: identity negotiation in the performance of Anita Mui Yim-Fong | Witzleben, J. Lawrence | Popular Music | 18/2 | 1999 | 540 | Worldmusic, Pop | Musiker, Frau, Werk, Asien, Analyse | S. 241-258 | 2009-06-25 13:49:22 | ||||||||||
| 876 | Musikkassette | AII 69836 | K-200-01 | Rock Session [Kassette zum Notenband] | Frydendall, Hans | 200 | Pop/Rock | Befindet sich zwischen Buchdeckeln | 2007-01-12 12:27:02 | |||||||||||||
| 1088 | Textbeitrag | T-206-01 | Australian country music and the hillbilly yodel | Smith, Graeme | Popular Music | 13 | 1994 | 206 | Pop/Rock | Country | Country, Stil, Australien | S. 297-312 | 2009-03-26 12:30:10 | |||||||||
| 1144 | Textbeitrag | T-242-01 | Death metal tonality and the act of listening | Berger, Harris M. | Popular Music | 18/2 | 1999 | Pop/Rock | Metal | Metal, Analyse, Hören | S. 161-178 | 2009-06-25 13:54:33 | ||||||||||
| 1086 | Textbeitrag | T-870-04 | Kiwi rock: popular music and cultural identity in New Zealand | Shuker, Roy / Pickering, Michael | Popular Music | 13 | 1994 | 550 | Pop/Rock | Musik, Stil, Neu Seeland, Ethnologie | S. 261-278 | 2009-07-02 12:19:23 | ||||||||||
| 1132 | Textbeitrag | T-222-01 | "Whatever happened to ...?": The decline and renaissance of rock in the former GDR | Maas, Georg / Reszel, Hartmut | Popular Music | 17/3 | 1998 | 222 | Pop/Rock | Deutschrock | Deutschland, Rock, Entwicklung | S. 267-278 | 2009-06-04 11:35:36 | |||||||||
| 1190 | Textbeitrag | T-820-09 | Music and the Internet | Jones, Steve | Popular Music | 19/2 | 2000 | 000 | Pop/Rock | 2000er, Alltag, Analyse, Internet, Medien, Musikindustrie, Tonträger, Vermittlung, Wirkung | S. 217-230 | 2009-09-03 12:50:42 | ||||||||||
| 702 | Diplomarbeit | D-245-01 | Björk: MTV Unplugged. Live-Arrangements der isländischen Popmusikerin am Beispiel eines ausgewählten Konzerts. | Siegler, Karin | iPOP Wien | 2004 | 245 | Pop/Rock | Alternative Rock | 1990er, Alternative Rock, Ästhetik, Analyse, Aufführung, Biographie, Electronica, Frau, Grenzgänger, Europa, Video | 2005-07-29 10:01:25 | |||||||||||
| 1103 | Textbeitrag | T-800-11 | "Cookin' on the West Coast": a contribution from the Swedish West Coast to contemporary composition practice | Edström, Olle | Popular Music | 15 | 1996 | Worldmusic, Pop | Musik, Stil, Analyse | S. 83-104 | 2009-04-23 13:31:22 | |||||||||||
| 1126 | Textbeitrag | T-239-02 | Songs from the bell jar: autonomy and resistance in the music of The Bangles | Mercer-Taylor, Peter | Popular Music | 17/2 | 1998 | 239 | Pop/Rock | Musiker, Frau, 1980er, Werk | S. 187-204 | 2009-05-07 13:11:00 | ||||||||||
| 1124 | Textbeitrag | T-840-05 | Visualising 1950s hits on Your Hit Parade | Burns, Gary | Popular Music | 17/1 | 1998 | Pop/Rock | Video, Kulturindustrie, 1950er | S. 139-152 | 2009-05-07 12:18:29 | |||||||||||
| 1181 | Textbeitrag | T-810-01 | Lines of drift: festival partizipation and performing a sense of place | Duffy, Michelle | Popular Music | 19/1 | 2000 | 200 | Pop/Rock | Aufführung, Europa, USA, Freizeit, Jugendkultur, Publikum, Sound | S. 51-64 | 2009-07-09 13:04:32 |