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ID | Medium | SignUB | SignIB | ▼ Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
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899 | Noten | AII 54886 | N-215-02 | When I'm Sixty-Four | Lennon / McCartney | Lennon / McCartney | Kendor Music | Delevan | o.J. | 215 | Pop/Rock | Beat | 2007-02-23 11:24:58 | |||||||||
474 | CD | CD 3405 AL, 2Pl.+1Textb. IMP | C-215-04 | Wheels Of Fire | Cream | Cream | Cream | Polydor | 827 578-2 | 1968 | 218 | Pop/Rock | Beat | 2CD | 2006-01-20 12:39:08 | |||||||
472 | CD | CD 5650 | C-227-13 | What`s going on | Gaye, Marvin | Motown | 530 022-2 | 1993 | 1971 | 227 | Pop/Rock | Soul | 2006-03-03 10:52:56 | |||||||||
1550 | Textbeitrag | T-820-15 | What is music worth? Some reflections on the Scottish experience | Cloonan, Martin Williamson, John Frith, Simon | Popular Music | 23/2 | 2004 | Pop/Rock | Musikmarkt, Tonträger, Wirtschaft | 2011-07-07 11:14:43 | ||||||||||||
470 | CD | CD 3329 +1Beil. IMP | C-221-05 | We`re Only In For the Money / Lumpy Gravy | Zappa, Frank Vincent | Frank Zappa | Frank Zappa | Frank Zappa | Zappa Records | 13 | 1985 | 1968 | 221 | Pop/Rock | Prog Rock | 2006-01-27 12:06:19 | ||||||
1376 | Bak-Arbeit | BA-245-04 | Wege zur Beschreibung von Pop- und Rockmusik. Analyse des Albums Nevermind von Nirvana anhand 13 Kategorien deskritiver Ästhetik | Heidenbauer, Christian | iPOP Wien | 245 | Pop/Rock | Alternative Rock | 2010-08-26 12:37:21 | |||||||||||||
942 | Noten | AII 54891 | N-239-03 | We've Only Just Begun | Paul Williams / Roger Nichols | Jazz Combo Series | Kendor Music | New York | o.J. | 239 | Pop/Rock | Mainstream | 2007-05-11 11:49:42 | |||||||||
469 | CD | CD 6645 iPOP | C-239-06 | We Can`t Dance | Genesis | Banks/Collins/Rutherford | Banks/Collins/Rutherford | Genesis & Nick Davis | Virgin | GENCD3 | 1991 | 239 | Pop/Rock | Video Pop, Mainstream | fine booklet | 2006-03-03 12:18:23 | ||||||
1388 | Bak-Arbeit | BA-230-02 | Vom Ska zum Reggae. Anhand von Desmond Dekker: "The Israelites" | Buchegger, Gerhard | iPOP Wien | 2010 | 230 | Pop/Rock | Ska, Reggae | 2010-08-26 11:59:45 | ||||||||||||
502 | Diplomarbeit | D-203-01 | Vom Blues zum Rock'n'Roll | Heybal, Christine | ipop Wien | 2002 | 203 | Pop/Rock | Blues, Rock'n'Roll | Geschichte, Entwicklung, Musiker, Stil, Afrika, USA | 2009-11-26 12:39:06 | |||||||||||
700 | Buch | AII 68112 | B-870-01GF | Volks- und Popularmusik in Europa. Mit 176 Notenbeispielen, 153 Abbildungen, 20 Tabellen und 2 Farbtafeln | Stockmann, Doris (Hg.) | Neues Handbuch der Musikwissenschaft | 12 | Laaber | 3-89007-030-2 | Laaber | 1992 | 870 | Volksmusik, Pop | Volksmusik, Worldmusic | Analyse, Geschichte, Entwicklung, Europa, Volksmusik, World Music | Großformat | 2008-06-13 12:50:51 | |||||
1395 | Textbeitrag | T-850-08 | Voices of peace and the legacy of reconciliation: popular music, nationalism, and the quest for peace in the Middle East | Al-Taee, Nasser | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Politik, Wirkung | 2010-09-09 12:24:09 | |||||||||||
1124 | Textbeitrag | T-840-05 | Visualising 1950s hits on Your Hit Parade | Burns, Gary | Popular Music | 17/1 | 1998 | Pop/Rock | Video, Kulturindustrie, 1950er | S. 139-152 | 2009-05-07 12:18:29 | |||||||||||
1593 | Bakk-Arbeit | BA-840-12 | Videospielmusik. Einflüsse, Gemeinsamkeiten mit-, und Eigendefinition in der Populärkultur im allgemeinen, mit Vorstellung zweier Subkulturen, und der Beschreibung interaktiver Spielmusik anhand eines Beispiels. | Loreck, David | ipop Wien | 2012 | Pop/Rock | Musik in Videospielen | Video, Sound, Jugendkultur | 2012-02-16 13:03:24 | ||||||||||||
1117 | Textbeitrag | T-840-01 | Video in the machine: the incorporation of music video into the recording industry. | Banks, Jack | Popular Music | 16/3 | 1997 | Pop/Rock | Video-Pop | Video, Kulturindustrie | S. 293-310 | 2009-04-30 12:40:39 | ||||||||||
1221 | Textbeitrag | T-239-03 | Vicars of "Wannabe": authenticity and the Spice Girls | Leach, Elizabeth Eva | Popular Music | 20/2 | 2001 | 239 | Pop/Rock | Video-Pop, Girl-Groups | Analyse, Musiker, Frau, Video Pop, Großbritannien, 1990er, Kritik, Soziologie | 2009-10-29 11:39:27 | ||||||||||
462 | CD | CD 3411 +1Beil. IMP | C-221-20 | Vanetyne Suite | Colosseum | Tony Reeves & Gerry Bron | Bronze/Castle | CLC 5082 | 1992 | 1977 | 221 | Pop/Rock | Prog Rock | 2006-01-27 12:36:00 | ||||||||
461 | CD | CD 6642/2 | C-242-02 | Use Your Illusion II | Guns n` Roses | Mike Clink & Guns n` Roses | Geffen | 24420 | 1991 | 242 | Pop/Rock | Album Rock, Hard Rock, Heavy Metal | 2006-03-10 11:07:59 | |||||||||
459 | ViHS | HH privat | V-046-01 | Use Your Illusion II | Guns n' Roses | Kevin Reagan | Geffen | GEFV-39522 | 1992 | 46 | Pop/Rock | Rock, Heavy Metal | Live in Tokyo | 2003-03-03 01:57:53 | ||||||||
979 | VHS | Video 336 | V-242-01 | Use Your Illusion II | Guns N' Roses | Geffen | BM 520 | 1992 | 242 | Pop/Rock | Hardrock / Metal | 2007-06-22 14:35:01 |