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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | ▼ Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1086 | Textbeitrag | T-870-04 | Kiwi rock: popular music and cultural identity in New Zealand | Shuker, Roy / Pickering, Michael | Popular Music | 13 | 1994 | 550 | Pop/Rock | Musik, Stil, Neu Seeland, Ethnologie | S. 261-278 | 2009-07-02 12:19:23 | ||||||||||
| 1100 | Textbeitrag | T-800-09 | Perspectives in popular musicology: music, Lennox and meaning in 1990s pop | Hawkins, Stan | Popular Music | 15 | 1996 | Pop/Rock | Musiker, Frau, Analyse, Wissenschaft, Forschung | S. 17-36 | 2009-04-23 13:18:43 | |||||||||||
| 1103 | Textbeitrag | T-800-11 | "Cookin' on the West Coast": a contribution from the Swedish West Coast to contemporary composition practice | Edström, Olle | Popular Music | 15 | 1996 | Worldmusic, Pop | Musik, Stil, Analyse | S. 83-104 | 2009-04-23 13:31:22 | |||||||||||
| 1122 | Textbeitrag | T-820-06 | Counting down to number one: the evolution of the meaning of popular music charts | Hakanaen, Ernest A. | Popular Music | 17/1 | 1998 | Pop/Rock | Kulturindustrie, Tonträger, Wirtschaft | S. 95-112 | 2009-05-07 11:54:28 | |||||||||||
| 1123 | Textbeitrag | T-850-02 | Power relations in the Israeli popular music system | Perelson, Inbal | Popular Music | 17/1 | 1998 | Pop/Rock | Politik, Kulturindustrie | S. 113-128 | 2009-05-07 11:57:41 | |||||||||||
| 1124 | Textbeitrag | T-840-05 | Visualising 1950s hits on Your Hit Parade | Burns, Gary | Popular Music | 17/1 | 1998 | Pop/Rock | Video, Kulturindustrie, 1950er | S. 139-152 | 2009-05-07 12:18:29 | |||||||||||
| 1125 | Textbeitrag | T-840-06 | The aesthetics of music video: an analysis of Madonna's "Cherish" | Vernallis, Carol | Popular Music | 17/2 | 1998 | Pop/Rock | Video, Aesthetik, Musiker, Frau, 1980er | S. 153-186 | 2009-05-07 13:11:26 | |||||||||||
| 1126 | Textbeitrag | T-239-02 | Songs from the bell jar: autonomy and resistance in the music of The Bangles | Mercer-Taylor, Peter | Popular Music | 17/2 | 1998 | 239 | Pop/Rock | Musiker, Frau, 1980er, Werk | S. 187-204 | 2009-05-07 13:11:00 | ||||||||||
| 1138 | Textbeitrag | T-800-14 | Syncopation in rock: a perceptual perspective | Temperley, David | Popular Music | 18/1 | 1999 | Pop/Rock | Analyse, Rhythmus | S. 19-42 | 2009-06-25 13:40:20 | |||||||||||
| 1141 | Textbeitrag | T-860-02 | Masculinity and skill acquisition in the adolescent rock band | Clawson, Mary Ann | Popular Music | 18/1 | 1999 | Pop/Rock | Ausbildung, Musikpädagogik, Spieltechnik | S. 99-114 | 2009-06-25 13:50:49 | |||||||||||
| 1149 | Textbeitrag | T-540-02 | Cantopop and Mandapop in pre-post-colonial Hong Kong: identity negotiation in the performance of Anita Mui Yim-Fong | Witzleben, J. Lawrence | Popular Music | 18/2 | 1999 | 540 | Worldmusic, Pop | Musiker, Frau, Werk, Asien, Analyse | S. 241-258 | 2009-06-25 13:49:22 | ||||||||||
| 1168 | Textbeitrag | T-840-07 | The diverting of musical technology by rock musicians: the example of double tracking | Julien, Oliver | Popular Music | 18/3 | 1999 | 200 | Pop/Rock | Technologie, Sound | S. 357-366 | 2009-07-02 12:28:31 | ||||||||||
| 1181 | Textbeitrag | T-810-01 | Lines of drift: festival partizipation and performing a sense of place | Duffy, Michelle | Popular Music | 19/1 | 2000 | 200 | Pop/Rock | Aufführung, Europa, USA, Freizeit, Jugendkultur, Publikum, Sound | S. 51-64 | 2009-07-09 13:04:32 | ||||||||||
| 1190 | Textbeitrag | T-820-09 | Music and the Internet | Jones, Steve | Popular Music | 19/2 | 2000 | 000 | Pop/Rock | 2000er, Alltag, Analyse, Internet, Medien, Musikindustrie, Tonträger, Vermittlung, Wirkung | S. 217-230 | 2009-09-03 12:50:42 | ||||||||||
| 1215 | Textbeitrag | T-870-12 | Music, radio and teh record business in Zimbabwe today | Scannell, Paddy | Popular Music | 20/1 | 2001 | 000 | Pop/Rock, World | 2000er, Afrika, Musikindustrie, Produktion, Tonträger | 2009-10-22 13:16:19 | |||||||||||
| 1217 | Textbeitrag | T-800-19 | "* 1/2: a critique of rock criticism in North America | McLeod, Kembrew | Popular Music | 20/1 | 2001 | 200 | Pop/Rock | Medien, Kritik, Tonträger, Theorie | 2009-10-22 13:44:10 | |||||||||||
| 1258 | Bakk-Arbeit | BA-200-01 | Ausgewählte Vokalistinnin/Pianistinnen in Rock/Pop und Worldmusic | Hacker, Stephanie | iPOP Wien | 2008 | 200 | Pop/Rock, World | 2010-08-26 11:19:58 | |||||||||||||
| 1288 | Bakk-Arbeit | BA-530-07 | Ana Paula da Silva. Eine junge Stimme der brasilianischen Popularmusik | Ehrenfellner, Bernhard | iPOP Wien | 2007 | 530 | Worldmusic, Pop | 2010-09-02 11:49:15 | |||||||||||||
| 1306 | Bakk-Arbeit | BA-200-02 | Melodieanalyse von "Lovesongs" anhand von vier ausgewählten Beispielen | Henriquez, Patrick | iPOP Wien | 2007 | 200 | Pop/Rock | 2010-08-26 11:19:36 | |||||||||||||
| 1332 | Bak-Arbeit | BA-830-02 | Stiladäquate Gehörbildung in der Popularmusik | Hassfurther, Sophie | iPOP Wien | 2005 | 200 | Pop/Rock | 2010-09-02 12:26:19 |