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| ID | Medium | SignUB | ▼ SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1222 | Textbeitrag | T-870-13 | Mixes mesages: unsettled cosmopolitanisms in Nepali pop | Greene, Paul | Popular Music | 20/2 | 2001 | Pop/Rock, Dance | Rock, HipHop | Text, Sprache, Asien, 1990er | 2009-10-29 11:46:05 | |||||||||||
| 1215 | Textbeitrag | T-870-12 | Music, radio and teh record business in Zimbabwe today | Scannell, Paddy | Popular Music | 20/1 | 2001 | 000 | Pop/Rock, World | 2000er, Afrika, Musikindustrie, Produktion, Tonträger | 2009-10-22 13:16:19 | |||||||||||
| 1214 | Textbeitrag | T-870-11 | Yaogun Yinyue: rethinking mainland Chinese rock'n'roll | Hao Huang | Popular Music | 20/1 | 2001 | 200 | Pop/Rock | Yaogun Yinyue (Rockmusik der Festland-Chinesen) | Politik, Stil, Ethnologie, Asien, 2000er, Entwicklung | 2009-10-22 13:02:10 | ||||||||||
| 1188 | Textbeitrag | T-870-10 | Hybridity and national musics: the case of irish rock music | McLaughlin, Noel / McLoone, Martin | Popular Music | 19/2 | 2000 | 200 | Pop/Rock | Irische Rockmusik | Rockmusik, Europa, Analyse | S. 181-200 | 2009-08-27 12:13:58 | |||||||||
| 1086 | Textbeitrag | T-870-04 | Kiwi rock: popular music and cultural identity in New Zealand | Shuker, Roy / Pickering, Michael | Popular Music | 13 | 1994 | 550 | Pop/Rock | Musik, Stil, Neu Seeland, Ethnologie | S. 261-278 | 2009-07-02 12:19:23 | ||||||||||
| 1396 | Textbeitrag | T-860-03 | Oh, Boy! (Oh, Boy!): mutual desirability and musical structure in the buddy group. | Bradby, Barbara | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Analyse, Psychologie | 2010-09-09 12:28:43 | |||||||||||
| 1141 | Textbeitrag | T-860-02 | Masculinity and skill acquisition in the adolescent rock band | Clawson, Mary Ann | Popular Music | 18/1 | 1999 | Pop/Rock | Ausbildung, Musikpädagogik, Spieltechnik | S. 99-114 | 2009-06-25 13:50:49 | |||||||||||
| 1615 | Textbeitrag | T-850-14 | Jews, punk and the Holocaust. From the Velvet Underground to the Ramones - the Jewish-American story | Stratton, Jon | Popular Music | 24/1 | 2005 | Pop/Rock | Politik | 2012-05-03 13:02:26 | ||||||||||||
| 1577 | Textbeitrag | T-850-13 | Marsalis and Baraka: an essay in comparative cultural discourse | Brown, Lee B. | Popular Music | 23/3 | 2004 | Pop/Rock | Jazz, Politik, USA, Afrika, Musiker | 2011-11-17 13:37:52 | ||||||||||||
| 1395 | Textbeitrag | T-850-08 | Voices of peace and the legacy of reconciliation: popular music, nationalism, and the quest for peace in the Middle East | Al-Taee, Nasser | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Politik, Wirkung | 2010-09-09 12:24:09 | |||||||||||
| 1394 | Textbeitrag | T-850-07 | Killing me softly with his song: an initial investigation into the use of popular music as a tool of oppression | Cloonan, Martin / Johnson, Bruce | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Politik, Wirkung | 2010-09-09 12:22:00 | |||||||||||
| 1213 | Textbeitrag | T-850-06 | "I'd sell you suicide": pop music and moral panic in the age of Marilyn Manson | Wright, Robert | Popular Music | 19/3 | 2000 | 242 | Pop/Rock | Metal, Schock-Rock, Alternative Rock | Politik, Rezeption, Schock-Rock, Alternative Rock, Publikum, Soziologie | 2009-10-15 13:49:20 | ||||||||||
| 1123 | Textbeitrag | T-850-02 | Power relations in the Israeli popular music system | Perelson, Inbal | Popular Music | 17/1 | 1998 | Pop/Rock | Politik, Kulturindustrie | S. 113-128 | 2009-05-07 11:57:41 | |||||||||||
| 1223 | Textbeitrag | T-840-09 | Bohemian rhapsodies: operatic influences on rock music | McLeod, Ken | Popular Music | 20/2 | 2001 | 224 | Pop/Rock, Klass | Glamrock, Prog Rock, New Wave | Stil, Pop/Rock, Klassik, Analyse | 2009-10-29 11:54:04 | ||||||||||
| 1168 | Textbeitrag | T-840-07 | The diverting of musical technology by rock musicians: the example of double tracking | Julien, Oliver | Popular Music | 18/3 | 1999 | 200 | Pop/Rock | Technologie, Sound | S. 357-366 | 2009-07-02 12:28:31 | ||||||||||
| 1125 | Textbeitrag | T-840-06 | The aesthetics of music video: an analysis of Madonna's "Cherish" | Vernallis, Carol | Popular Music | 17/2 | 1998 | Pop/Rock | Video, Aesthetik, Musiker, Frau, 1980er | S. 153-186 | 2009-05-07 13:11:26 | |||||||||||
| 1124 | Textbeitrag | T-840-05 | Visualising 1950s hits on Your Hit Parade | Burns, Gary | Popular Music | 17/1 | 1998 | Pop/Rock | Video, Kulturindustrie, 1950er | S. 139-152 | 2009-05-07 12:18:29 | |||||||||||
| 1117 | Textbeitrag | T-840-01 | Video in the machine: the incorporation of music video into the recording industry. | Banks, Jack | Popular Music | 16/3 | 1997 | Pop/Rock | Video-Pop | Video, Kulturindustrie | S. 293-310 | 2009-04-30 12:40:39 | ||||||||||
| 1589 | Textbeitrag | T-830-02 | Beyond the "high fidelity" stereotype: defining the (contemporary) record collector. | Shuker, Roy | Popular Music | 23/3 | 2004 | Pop/Rock | Tonträger, Publikum, Musikindustrie. Rezeption | 2012-02-02 11:59:14 | ||||||||||||
| 1587 | Textbeitrag | T-820-16 | The promotional state of Canada's Juno Awards | Young, David | Popular Music | 23/3 | 2004 | Pop/Rock | Musikindustrie, Tonträger, Analyse, Entwicklung, Institution, Medien | 2012-02-02 11:50:07 |