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| ID | Medium | SignUB | ▼ SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1148 | Textbeitrag | T-221-01 | Cathy's homecoming and the other world: Kate Bush's "Wuthering Heights" | Losseff, Nicky | Popular Music | 18/2 | 1999 | 221 | Pop/Rock | Art-Rock, Prog Rock, College Rock | Tonträger, Frau, Werk, Rock, Analyse | S. 227-240 | 2009-07-02 12:12:24 | |||||||||
| 1224 | Textbeitrag | T-218-02 | "Or any art at all?" Frank Zappa meets critical theory | Wragg, David | Popular Music | 20/2 | 2001 | 218 | Pop/Rock | Rock USA 1960er | Rock USA 1960er, Musiker, Kritik, Theorie, Soziologie | 2009-10-29 12:01:15 | ||||||||||
| 1150 | Textbeitrag | T-218-01 | On the enduring popularity of Cream's "Sunshine of Your Love": sonic synecdoche of the "psychedelic 60s" | Wolfe, Arnold S. / Miller, Chuck / O'Donnell, Heather | Popular Music | 18/2 | 1999 | 218 | Pop/Rock | Blues-Rock | Rock, Blues, USA, Werk, Analyse | S. 259-276 | 2009-07-02 12:13:25 | |||||||||
| 1578 | Textbeitrag | T-215-01 | Fixing a hole in the scale: suppressed notes in the Beatles' songs | Wagner, Naphtali | Popular Music | 23/3 | 2004 | Pop/Rock | Beat | Musiker, Werk, Analyse | 2011-11-17 13:54:11 | |||||||||||
| 1401 | Textbeitrag | T-212-02 | Harmonic palette in early Joni Mitchell | Whitesell, Lloyd | Popular Music | 21/2 | 2002 | 212 | Pop/Rock | Folk | Stil, Analyse, Musiker, Frau, Folk, USA, 1960er | 2010-09-09 13:19:40 | ||||||||||
| 1077 | Textbeitrag | T-212-01 | Into the mystic: the aural poetry ov Van Morrison | Mills, Peter | Popular Music | 13 | 1994 | Pop/Rock | Folk, Soul | Musiker, Text, Werk | S. 91-104 | 2009-03-26 11:12:29 | ||||||||||
| 1397 | Textbeitrag | T-206-02 | "Redneck religion and shitkickin' saviours?": Gram Parsons, theology and country music | Grimshaw, Michael | Popular Music | 21/1 | 2002 | 206 | Pop/Rock | Country, Politik, Religion, Musiker, Text | 2010-09-09 12:35:46 | |||||||||||
| 1088 | Textbeitrag | T-206-01 | Australian country music and the hillbilly yodel | Smith, Graeme | Popular Music | 13 | 1994 | 206 | Pop/Rock | Country | Country, Stil, Australien | S. 297-312 | 2009-03-26 12:30:10 | |||||||||
| 1121 | Textbeitrag | T-203-01 | Robert Johnson's rhythms | Ford, Charles | Popular Music | 17/1 | 1998 | 203 | Pop/Rock | Blues | Musiker, Rhytmus, Werk, Analyse | S. 71-94 | 2009-05-07 11:51:40 | |||||||||
| 1393 | Textbeitrag | T-000-01 | National music to national redeemer: the consolidation of a "folk-song" construct in Edwardian England | Francmanis, John | Popular Music | 21/1 | 2002 | 000 | Pop/Rock | Frühe englische Volksmusik | Geschichte, Entwicklung, Europa, Stil | 2010-09-09 12:18:09 | ||||||||||
| 942 | Noten | AII 54891 | N-239-03 | We've Only Just Begun | Paul Williams / Roger Nichols | Jazz Combo Series | Kendor Music | New York | o.J. | 239 | Pop/Rock | Mainstream | 2007-05-11 11:49:42 | |||||||||
| 939 | Noten | AII 54895 | N-239-02 | Just the way you are | Billy Joel | Jazz Combo Series | Kendor Music | New York | o.J. | 239 | Pop/Rock | Mainstream | 2007-05-11 11:26:49 | |||||||||
| 852 | Noten | AII 54076 | N-239-01 | Matt Bianco. Whose Side Are You On | International Music Publications | Essex | 1985 | 239 | Pop/Rock | Mainstream | Musiker, Werk, 1980er | 2006-12-01 11:58:09 | ||||||||||
| 647 | Noten | AII 82859 iPOP | N-227-05 | Funk Grooves for Bass | Fernando Martinez | Advance Music | 15025 | 1999 | 227 | Pop/Rock | Soul/Funk | HAPP Langer | 2007-10-19 10:42:33 | |||||||||
| 646 | Noten | AII 82860 iPOP | N-227-04 | The Funkmasters. The Great James Brown Rythm Sections | Allan Slutsky, Chuck Silverman | Manhattan | 1997 | 227 | Pop/Rock | Soul/Funk | HAPP Langer | 2007-10-19 10:41:36 | ||||||||||
| 932 | Noten | AII 54919 | N-227-03 | Some Skunk Funk | 227 | Pop/Rock | Soul/Funk | Lose Blätter ohne Einband! | 2007-05-04 12:44:50 | |||||||||||||
| 1344 | Noten | N-215-03a+b | The Compleat Beatles. Vol. 1+2 | Lennon / McCartney, u.a. | Lennon / McCartney, u.a. | Edition Olms | 3-283-00099-9 | Zürich | 1981 | 1980 | 215 | Rock/Pop | Beat | Musiker, Werk, Bestandaufnahme, Beat, Großbritannien | Mit insgesamt mehr als 200 Seiten Begleittext | 2010-04-08 11:55:34 | ||||||
| 899 | Noten | AII 54886 | N-215-02 | When I'm Sixty-Four | Lennon / McCartney | Lennon / McCartney | Kendor Music | Delevan | o.J. | 215 | Pop/Rock | Beat | 2007-02-23 11:24:58 | |||||||||
| 845 | Noten | I 74833 | N-215-01 | The Beatles. Complete Scores | Lennon / McCartney, u.a. | Lennon / McCartney, u.a. | Hal Leonard | 0-7119-3293-X | London | 1993 | 1989 | 215 | Rock/Pop | Beat | Musiker, Werk, Bestandaufnahme | 2006-11-17 11:38:23 | ||||||
| 880 | Noten | AII 70845 | N-203-03 | The Book of the Blues | Shirley, Kay (Ed.) | MCA Music | New York | 1963 | 203 | Pop/Rock | Blues | 2007-01-12 13:06:12 |