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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | ▲ Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 725 | CD | CD 6409 | C-270-08 | Come away with me | Jones, Norah | Blue Note / Capitol | 7243 5 82067 2 2 | 2002 | 270 | Pop/Rock | Mainstream | 2006-03-24 12:44:57 | ||||||||||
| 726 | CD | CD 6413 | C-270-09 | Up | Gabriel, Peter | Peter Gabriel | Peter Gabriel | Virgin | 7243 813062 08 | 2002 | 270 | Pop/Rock | Video Pop / Mainstream | 2006-03-24 12:45:38 | ||||||||
| 1394 | Textbeitrag | T-850-07 | Killing me softly with his song: an initial investigation into the use of popular music as a tool of oppression | Cloonan, Martin / Johnson, Bruce | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Politik, Wirkung | 2010-09-09 12:22:00 | |||||||||||
| 740 | CD | CD 6415 | C-270-05 | heathen | Bowie, David | ISO | 508222 2 | 2002 | 270 | Pop/Rock | Alternative Rock, ab 2000 | 2006-03-17 14:13:50 | ||||||||||
| 1393 | Textbeitrag | T-000-01 | National music to national redeemer: the consolidation of a "folk-song" construct in Edwardian England | Francmanis, John | Popular Music | 21/1 | 2002 | 000 | Pop/Rock | Frühe englische Volksmusik | Geschichte, Entwicklung, Europa, Stil | 2010-09-09 12:18:09 | ||||||||||
| 809 | Zeitschrift | I 69079 | Z-000-09a | Popular Music Vol. 21/1 | Cambridge University Press | 2002 | 000 | Worldmusic, Pop | 2006-09-01 11:48:54 | |||||||||||||
| 810 | Zeitschrift | I 69079/21 | Z-000-09b | Popular Music Vol. 21/2 | Cambridge University Press | 2002 | 000 | Worldmusic, Pop | 2006-09-01 11:50:47 | |||||||||||||
| 811 | Zeitschrift | I 69079 | Z-000-09c | Popular Music Vol. 21/3 | Cambridge University Press | 2002 | 000 | Pop/Rock | Schwerpunktheft "Music and Television" | 2006-09-01 11:52:55 | ||||||||||||
| 1404 | Textbeitrag | T-233-03 | Local scenes and dangerous crossroads: punk and theories of cultural hybridity | O'Connor, Alan | Popular Music | 21/2 | 2002 | 233 | Pop/Rock | Punk | Stil, Großbritannien, Entwicklung | 2010-09-09 13:32:32 | ||||||||||
| 1403 | Textbeitrag | T-800-06 | Authentically as authentication | Moore, Allan | Popular Music | 21/2 | 2002 | 200 | Pop/Rock | Stil, Musiker, Analyse, Wirkung, Theorie, Aesthetik | 2010-09-09 13:29:57 | |||||||||||
| 912 | DVD | Video 304 | V-245-04 | Greatest Hits | Björk | Polydor | 065471-9 | 2002 | 245 | Pop/Rock, Dance | Alternative Rock | 2007-07-13 11:46:57 | ||||||||||
| 1401 | Textbeitrag | T-212-02 | Harmonic palette in early Joni Mitchell | Whitesell, Lloyd | Popular Music | 21/2 | 2002 | 212 | Pop/Rock | Folk | Stil, Analyse, Musiker, Frau, Folk, USA, 1960er | 2010-09-09 13:19:40 | ||||||||||
| 989 | DVD | Video 316 | V-245-03 | Under Blackpool Lights | White Stripes | XL | 2002 | 245 | Pop/Rock | Alternative Rock | 2007-07-13 12:14:47 | |||||||||||
| 991 | DVD | Video 306 | V-245-06 | The Best Of 1990-2000 | U2 | Universal | 063510-9 | 2002 | 245 | Pop/Rock | Alternative Rock | 2007-07-13 12:20:26 | ||||||||||
| 1399 | Textbeitrag | T-820-10 | A singer-songwriter's view of the French record industry: the case of Léo Ferré | Tinker, Chris | Popular Music | 21/2 | 2002 | 200 | Pop/Rock | Musikindustrie, Europa, Musiker | 2010-09-09 13:13:41 | |||||||||||
| 1055 | Buch | B-860-04 | "Profane Leidenschaft". Explorative Studie zur Soziologie des Sammelns am Beispiel von plattensammlern in Wien | Brunner, Philipp | extempore | 3 | Institut für Musiksoziologie | 3-9501301-2-8 | Wien | 2002 | Pop/Rock, Jazz, | Soziologie, Tonträger, Wien | 2008-09-12 11:31:34 | |||||||||
| 1398 | Textbeitrag | T-870-14 | Populr music, gender and high school pupils in Japan: personal music in school and leisure sites | Koizumi, Kyoko | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Soziologie, Asien, Ethnologie, Alltag, Jugend | 2010-09-09 12:39:04 | |||||||||||
| 593 | Diplomarbeit | D-700-05 | Blues, Rock, Jazz ... im nördlichen Waldviertel. Bandprojekte, Musiker und Veranstalten in einer össterreichischen Region im Zeitraum von 1972-2002. | Zimmermann, Bernhard | iPOP Wien | 2003 | Pop / Rock, Jaz | Österreich, Musiker, 1970er, 1980er, 1990er, 2000er, empirisch, Bestandaufnahme, Geschichte, Entwicklung, Stil | 2005-07-29 11:17:20 | |||||||||||||
| 671 | Diplomarbeit | D-239-05 | Toto und der Schlagzeugstil von Jeff Porcaro | Schönpos jun., Heinz | iPOP Wien | 2003 | Pop/Rock | Rock, Mainstream | Stil, Instrument, Rock, USA, 1980er Jahre, Musiker, Instrument | 2005-07-22 11:50:09 | ||||||||||||
| 672 | Buch | AI 70138/31 iPOP | B-840-07R | Clipped Differences. Geschlechterrepräsentationen im Musikvideo | Helms, Dietrich / Phleps, Thomas (Hg.) | Beiträge zur Popularmusikforschung | 31 | transcript | 3-89942-146-9 | Bielefeld | 2003 | 239 | Pop/Rock | Video Pop | 1980er, 1990er, 2000er, Ästhetik, Analyse, Frau, HipHop, Mainstream-Pop, Vermittlung, Video | steht bei den Reihen | 2008-06-13 12:42:42 |