Zurück zur Informationsseite der iPOP - Mediathek
| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | ▼ Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1138 | Textbeitrag | T-800-14 | Syncopation in rock: a perceptual perspective | Temperley, David | Popular Music | 18/1 | 1999 | Pop/Rock | Analyse, Rhythmus | S. 19-42 | 2009-06-25 13:40:20 | |||||||||||
| 1141 | Textbeitrag | T-860-02 | Masculinity and skill acquisition in the adolescent rock band | Clawson, Mary Ann | Popular Music | 18/1 | 1999 | Pop/Rock | Ausbildung, Musikpädagogik, Spieltechnik | S. 99-114 | 2009-06-25 13:50:49 | |||||||||||
| 1145 | Textbeitrag | T-850-03 | The Parents´Music Resource Center: from information to censorship | Chastagner, Claude | Popular Music | 18/2 | 1999 | Politik, Soziologie, Pädagogik | S. 179-192 | 2009-07-02 12:11:37 | ||||||||||||
| 1146 | Textbeitrag | T-850-04 | Pop and the nation state: towards a theorisation | Cloonan, Martin | Popular Music | 18/2 | 1999 | Politik, Soziologie, Theorie | S. 193-208 | 2009-07-02 12:11:48 | ||||||||||||
| 1147 | Textbeitrag | T-560-02 | Minotaurs or musonauts?: "world music" and Cretan music | Dawe, Kevin | Popular Music | 18/2 | 1999 | 560 | Worldmusic | Worldmusic, Europa, Analyse | S. 209-226 | 2009-06-25 13:47:03 | ||||||||||
| 1149 | Textbeitrag | T-540-02 | Cantopop and Mandapop in pre-post-colonial Hong Kong: identity negotiation in the performance of Anita Mui Yim-Fong | Witzleben, J. Lawrence | Popular Music | 18/2 | 1999 | 540 | Worldmusic, Pop | Musiker, Frau, Werk, Asien, Analyse | S. 241-258 | 2009-06-25 13:49:22 | ||||||||||
| 1167 | Textbeitrag | T-800-17 | Representation of femininity in popular music | Dibben, Nicola | Popular Music | 18/3 | 1999 | 000 | Theorie, Frau, Soziologie, Wissenschaft | S. 331-356 | 2009-07-02 12:24:19 | |||||||||||
| 1168 | Textbeitrag | T-840-07 | The diverting of musical technology by rock musicians: the example of double tracking | Julien, Oliver | Popular Music | 18/3 | 1999 | 200 | Pop/Rock | Technologie, Sound | S. 357-366 | 2009-07-02 12:28:31 | ||||||||||
| 1169 | Textbeitrag | T-840-08 | Popping the question: the function and effect of popular music in cinema | Lapedis, Hilary | Popular Music | 18/3 | 1999 | 000 | Sound, Video, Wirkung | S. 367-380 | 2009-07-02 12:32:18 | |||||||||||
| 1172 | Textbeitrag | T-870-09 | Going down like a song: national identity, global commerce and the Great Canadian Party | Duffett, Mark | Popular Music | 19/1 | 2000 | 000 | Ethnologie, Nordamerika, Kulturindustrie, Wirtschaft | S. 1-12 | 2009-07-02 13:43:13 | |||||||||||
| 1175 | Diplomarbeit | D-830-06 | Kinästhetisches Lernen in der Popularmusik | Wällstedt, Sven Lukas | iPop Wien | 2009 | 000 | Pädagogik, Psychologie, Instrument, Wissenschaft | 2009-07-09 11:48:37 | |||||||||||||
| 1181 | Textbeitrag | T-810-01 | Lines of drift: festival partizipation and performing a sense of place | Duffy, Michelle | Popular Music | 19/1 | 2000 | 200 | Pop/Rock | Aufführung, Europa, USA, Freizeit, Jugendkultur, Publikum, Sound | S. 51-64 | 2009-07-09 13:04:32 | ||||||||||
| 1190 | Textbeitrag | T-820-09 | Music and the Internet | Jones, Steve | Popular Music | 19/2 | 2000 | 000 | Pop/Rock | 2000er, Alltag, Analyse, Internet, Medien, Musikindustrie, Tonträger, Vermittlung, Wirkung | S. 217-230 | 2009-09-03 12:50:42 | ||||||||||
| 1191 | Buch | AI 100507 iPOP | B-820-17 | Playback. From the Victrola to MP3, 100 Years of Music, Machines, and Money. | Coleman, Mark | Da Capo Press | 10-0-306-81390-4 | Cambridge | 2005 | 2003 | 000 | Tonträger, Entwicklung, Geschichte, Soziologie, Technologie, Internet, Musikmarkt, Medien, Musikindustrie | 2009-09-10 10:37:57 | |||||||||
| 1193 | Textbeitrag | II-100535 iPop (mit Mappe) | T-800-18 | "Von der Begeisterung zur Ignoranz" - Schreiben über Pop. Ein Symposium zum Wandel und Selbstverständnis des Pop-Musikjournalismus | Micafocus | 9 | mica | Wien | 2005 | 000 | Beruf, Deutschland, Oesterreich, Kommunikation, Kritik, Medien, Rezeption, Sprache, Text, Wirkung | Kam als Website-Ausdruck und ungeheftet! | 2009-10-01 13:11:55 | |||||||||
| 1211 | Textbeitrag | T-850-05 | The political meaning of Hong Kong popular music: a review of sociopolitical relations between Hong Kong and the Peaple's Republic of China since the 1980s | Ho, Wai-Chung | Popular Music | 19/3 | 2000 | 000 | Asien, Politik, 1980er, 1990er, 2000er | 2009-10-15 13:13:18 | ||||||||||||
| 1215 | Textbeitrag | T-870-12 | Music, radio and teh record business in Zimbabwe today | Scannell, Paddy | Popular Music | 20/1 | 2001 | 000 | Pop/Rock, World | 2000er, Afrika, Musikindustrie, Produktion, Tonträger | 2009-10-22 13:16:19 | |||||||||||
| 1217 | Textbeitrag | T-800-19 | "* 1/2: a critique of rock criticism in North America | McLeod, Kembrew | Popular Music | 20/1 | 2001 | 200 | Pop/Rock | Medien, Kritik, Tonträger, Theorie | 2009-10-22 13:44:10 | |||||||||||
| 1225 | Textbeitrag | T-810-02 | Does it really matter? Young people and popular music. | Williams, Christina | Popular Music | 20/2 | 2001 | Jugendkultur, Freizeit, 2000er, Rezeption, Soziologie | 2009-10-29 12:12:55 | |||||||||||||
| 1240 | Dissertation | D-800-01 | Complete Communion...? Die musikalische Methode der Kollektiv-Improvisation als Analogie zur idealen Sprechsituation und Rahmenmodell interkultureller Kommunikation | Gansinger, Martin | Wien | 2009 | Jazz | Technik, Jazz, Kommunikation, Theorie, Analyse | zweitbetreut von HH | 2009-11-12 11:46:19 |