Zurück zur Informationsseite der iPOP - Mediathek
ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | ▼ Stile | Schlagworte | Bemerkungen | LastUpdate |
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648 | Noten | AII 82864 iPOP | N-200-10 | Bass Bible | Paul Westwood | Ama | 3-927190-84-5 | Brühl | 1997 | 200 | Pop/Rock | HAPP Langer | 2007-10-19 10:44:02 | |||||||||
649 | Noten | AII 82863/1 | N-200-11 | Essential Styles 1. Für Schlagzeug und Bass. | Steve Houghton, Tom Warrington | Alfred | 1993 | 200 | Pop/Rock | HAPP Langer | 2007-10-19 10:44:37 | |||||||||||
651 | Noten | AII 82975 iPOP | N-200-12 | Ultimate Play-Along for Bass | John Pattucci | Level One, volume Four | Manhattan/CPP | Miami | 1993 | 200 | Pop/Rock | HAPP Langer | 2007-10-19 10:45:22 | |||||||||
654 | Noten | AII 82983 iPOP | N-400-11 | Metaphors for the Musician. Perspectives from a Jazz Pianist | Randy Halberstadt | Sher | 1-883217-12-1 | Petaluma | 2001 | 400 | Jazz | HAPP Theiser | 2007-10-12 11:38:24 | |||||||||
655 | Noten | AII 82984 iPOP | N-400-12 | The Jazz Educator's Handbook | Jeff Jarvis, Doug Beach | Kendor | Delevan | 2002 | 400 | Jazz | HAPP Theiser | 2007-10-12 11:39:04 | ||||||||||
656 | Noten | AII 82970 iPOP | N-200-07 | Stylistic II/V7/I Voicings for Keyboardists | Luke Gillespie | Aebersold | 2000 | 200 | Pop/Rock | HAPP Theiser | 2007-10-12 11:44:06 | |||||||||||
657 | Noten | AII 82981 iPOP | N-400-13 | Jazz Conception. Piano Comping | Jim Snidero | advance music | 1999 | 400 | Jazz | HAPP Theiser | 2007-10-12 11:44:49 | |||||||||||
658 | Noten | AII 82982 iPOP | N-400-14 | Jazz Conception. 21 solo etudes | Jim Snidero | advance music | 1997 | 400 | Jazz | HAPP Theiser | 2007-10-12 11:45:30 | |||||||||||
659 | Noten | AII 82979 iPOP | N-212-01 | Flatpicking Guitar Essentials | String Letter | 1-890490-07-5 | 1998 | 212 | Folk | HAPP Kelner | 2007-10-12 11:07:48 | |||||||||||
661 | VHS | AI 82966 IMP | V-007-01 | In Concert | Doc Watson, David Grisman | Vestapol | OV11477 | 1998 | Folk | HAPP Kelner | 2003-11-06 17:21:57 | |||||||||||
662 | Noten | AII 82825 iPOP | N-400-15 | Jazz Gitarre | Michael Sagmeister | Ama | 3-932587-48-0 | Brühl | 1999 | 400 | Jazz | HAPP Legat | 2007-10-12 11:46:17 | |||||||||
663 | Noten | AII 82848 iPOP | N-400-16 | Arpeggien - Jazzgitarre | Michael Sagmeister | Ama | 3-932587-64-2 | Brühl | 2002 | 400 | Jazz | HAPP Legat | 2007-10-12 11:46:58 | |||||||||
664 | Noten | AII 82856 iPOP | N-400-17 | Jazz Guitar Basics | Joachim Vogel | Ama | 3-927190-38-1 | Brühl | 1996 | 400 | Jazz | HAPP Legat | 2007-10-12 11:47:31 | |||||||||
666 | Noten | AII 82977 iPOP | N-206-01 | Hot Country | Lee Hodgson | Sanctuary | 1-86074-138-X | London | 1997 | 206 | Country | HAPP Legat | 2007-10-12 11:05:16 | |||||||||
667 | Noten | AII 82978 iPOP | N-200-13 | the advancing guitarist | Mick Goodrick | Hal Leonard | 0-88188-589-4 | Milwaukee | 1987 | 200 | Pop/Rock | HAPP Legat | 2007-10-19 10:46:03 | |||||||||
668 | Buch | AI 82870 iPOP | B-800-03 | Die Stunde der Cultural Studies | Lindner, Rolf | WUV | 3-85114-509-7 | Wien | 2000 | Entwicklung, Europa, Theorie, Soziologie, Kritik, Politik, Wissenschaft | 2005-11-18 15:23:45 | |||||||||||
673 | Buch | AI 82987 iPOP | B-820-08 | Popular American Recording Pioneers 1895-1925 | Gracyk, Tim / Frank Hoffmann | The Haworth Press | 1-56024-993-5 | Binghamton | 2000 | vor 1920, 1920er, Bestandsaufnahme, Biographie, Geschichte, Musiker, USA | 2005-11-18 15:47:59 | |||||||||||
674 | Buch | AI 83063 iPOP | B-820-06 | Confessions of a Record Producer. How to Survive the Scams and Shams of the Music Business | Avalon, Moses | Backbeat | 0-87930-660-2 | San Francisco | 2002 | 2000er, Beruf, international, Kulturindustrie, Musikmarkt, Produktion, Tonträger, Wirtschaft | 2005-11-18 15:43:49 | |||||||||||
675 | Noten | AII 83077 iPOP | N-400-09 | Real Jazz Standards Fake Book | Leonard, Hal | Hal Leonard | 0-634-02155-9 | Milwaukee | O.J. | 400 | Jazz | 2007-10-12 11:35:40 | ||||||||||
676 | Diplomarbeit | D-820-01 | Strukturen des Musikbusiness am Beispiel Bandmanagement | Ecker, Rafael | iPOP Wien | 2003 | Beruf, Kommunikation, Musikmarkt, Österreich, Vermittlung, Alltag | 2005-05-13 15:34:15 |