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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | ▼ Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 429 | CD | CD 3334 +1Beil. IMP | C-221-15 | The Six Wifes of Henry VIII | Wakeman, Rick | Rick Wakeman | Rick Wakeman | Rick Wakeman | A&M | 393 229-2 | 1973 | 221 | Pop/Rock | Prog Rock | 2006-01-27 12:26:47 | |||||||
| 451 | CD | CD 3330 2Pl.+1Beil. IMP | C-221-06 | Uncle Meat | Zappa, Frank Vincent | Frank Zappa | Frank Zappa | Frank Zappa | Zappa Records | 3 | 1987 | 1969 | 221 | Pop/Rock | Prog Rock | 2CDs | 2006-01-27 12:07:53 | |||||
| 462 | CD | CD 3411 +1Beil. IMP | C-221-20 | Vanetyne Suite | Colosseum | Tony Reeves & Gerry Bron | Bronze/Castle | CLC 5082 | 1992 | 1977 | 221 | Pop/Rock | Prog Rock | 2006-01-27 12:36:00 | ||||||||
| 470 | CD | CD 3329 +1Beil. IMP | C-221-05 | We`re Only In For the Money / Lumpy Gravy | Zappa, Frank Vincent | Frank Zappa | Frank Zappa | Frank Zappa | Zappa Records | 13 | 1985 | 1968 | 221 | Pop/Rock | Prog Rock | 2006-01-27 12:06:19 | ||||||
| 488 | CD | CD 3332/1 2Pl.+1Beil. IMP | C-221-07 | Works, Vol. One | Emerson, Lake & Palmer | Diverse | Warner/Atlantic | 7567-81409-2 | 1977 | 221 | Pop/Rock | Prog Rock | 2CDs | 2006-01-27 12:09:57 | ||||||||
| 489 | CD | CD 3332/2 +1Beil. IMP | C-221-08 | Works, Vol. Two | Emerson, Lake & Palmer | diverse | diverse | Warner/Atlantic | 7567-81538-2 | 1977 | 221 | Pop/Rock | Prog Rock | 2006-01-27 12:10:40 | ||||||||
| 492 | CD | CD AL 3327 (2Pl.+1Beil.) IMP | C-221-13 | Yessongs | YES | Yes & Eddie Offord | Atlantic/Warner | 7567-81300-2 | 1973 | 221 | Pop/Rock | Prog Rock | 2CDs | 2006-01-27 12:23:26 | ||||||||
| 1226 | Textbeitrag | T-221-03 | Yes, "Awaken", and the progressive rock style | Palmer, John R. | Popular Music | 20/2 | 2001 | 221 | Pop/Rock | Prog Rock | Prog Rock, 1970er, Musiker, Werk, Analyse | 2009-10-29 12:17:00 | ||||||||||
| 1179 | Buch | AI 100.369 iPoP | B-233-01 | Rip it up and start again. Schmeiss alles hin und fang neu an. Postpunk 1978-1984 | Reynolds, Simon | hannibal | 978-3-85445-270-6 | Höfen | 2007 | 2005 | 233 | Pop/Rock | Postpunk, New Wave | Ästhetik, Analyse, Geschichte, Entwicklung, Musiker, Politik, Stil, 1970er, 1980er | 2009-07-09 12:14:11 | |||||||
| 1245 | Bakk-Arbeit | BA-233-01 | Die Entstehung des Gothic aus der Post-Punkt Szene in England | Papanastasiou, Anastasia | iPop Wien | 2009 | 233 | Pop/Rock | Postpunk, Gothic, Darkwave | 2010-08-26 11:59:59 | ||||||||||||
| 1200 | CD | CD 7316 | C-720-14 | Expedition 87-04 | Platzgumer, Hans | Buntspecht | 2005 | 1987-2004 | 720, 730 | Pop/Rock, Dance | Post-Punk, Alternative Rock, Disco, Electronica | Tonträger, Musiker, Österreich, 1980er, 1990er, 2000er, Bestandaufnahme | Tolles Booklet | 2009-10-08 11:53:45 | ||||||||
| 1115 | Textbeitrag | T-233-02 | Post-Punk's attempt to democratise the music industry: the success and failure of rough trade | Hesmondhalgh, David | Popular Music | 16/3 | 1997 | Pop/Rock | Post-Punk | Stil, 1980er, Kulturindustrie, Tonträger, Politik, Institution | S. 255-274 | 2009-04-30 12:34:25 | ||||||||||
| 1114 | Textbeitrag | T-233-01 | Patti Smith's Gloria: intertextual play in a vocal performance | Daley, Mike | Popular Music | 16/3 | 1997 | Pop/Rock | Post-Punk | Musiker, Stil, Frau, Singen, Vermittlung, Analyse | S. 235-254 | 2009-04-30 12:35:35 | ||||||||||
| 1529 | Diplomarbeit | D-460-04 | Joshua Redman. Analysen des Personalstils anhand ausgewählter Titel der Band "Joshua Redman Elastic Band" | Lamm, Christian | ipop Wien | 2011 | 460 | Jazz | Post-Bop, New Jazz | Musiker, Jazz, USA, Instrument, Werk, Analyse | 2011-05-19 12:43:05 | |||||||||||
| 1561 | Bak-Arbeit | BA-440-05 | John Coltrane. Sein Leben unter besonderer Berücksichtigung seines Spätwerks "A Love Supreme" | Lahner, Klaus | ipop Wien | 2011 | 440 | Jazz | Post-Bop, Hardbop, Freejazz | Musiker, Jazz, Biographie, Werk | 2011-10-06 13:18:18 | |||||||||||
| 176 | Buch | AI 78376 | B-000-11 | Handbuch der populären Musik | Wicke, Peter / Ziegenrücker, Kai-Erik / Ziegenrücker, Wieland | Atlantis - Schott | 3-254-08363-6 | 1997 | 200 | Pop/Rock | Pop/Rock allgemein | Musiker, Musikmarkt, Technik | 2009-06-25 12:49:34 | |||||||||
| 770 | VHS | Video 177 | V-200-02 | Rolling Stone - 20 Years of Rock | Diverse | PolyGram | 6326483 | 1988 | 200 | Pop/Rock | Pop/Rock allgemein | 2007-03-09 12:17:27 | ||||||||||
| 625 | Buch | AI 76735/6 | B-200-25R | Mein bester Freund in der populären Musik. Nachricht von den neuesten Schicksalen des lauten Schalls im deutschsprachigen Raum. | Phleps, Thomas | Forum Jazz Pop Rock | 6 | Coda | 3-00-008104-6 | Karben | 2001 | 200 | Pop/Rock | Pop/Rock allgemein | Schlager, Österreich, Deutschland, Alltag, Bestandsaufnahme, Text | Steht bei den Reihen. Da gehts um Hunde. | 2008-06-13 11:44:50 | |||||
| 483 | VHS | Video 325 | V-200-01 | Woodstock '94 | diverse | John Scher | PolyGram | 632 350-3 | 1994 | 200 | Pop/Rock | Pop/Rock allgemein | Sheryl Crow, Cranberrys, Joe Cocker, Melissa Etheridge, Metallica, Aerosmith, Green Day, Bob Dylan, Red Hot Chili Peppers, Peter Gabriel | 2007-03-09 12:16:05 | ||||||||
| 1130 | Textbeitrag | T-830-01 | The Göteborg connection: lessons in the history and politics of popular music education and research | Tagg, Philip | Popular Music | 17/2 | 1998 | 200 | Pop/Rock | Paedagogik, Forschung, Europa, Entwicklung, Politik | S. 219-242 | 2009-07-02 12:18:41 |