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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | ▲ Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1768 | Buch | I-120235 | B-840-10 | I want my MTV - The uncensored story of the music video revolution | Tannenbaum, Rob; Marks, Craig | 2012 | 2011 | 840 | MTV, Video | 2014-10-03 11:03:30 | ||||||||||||
| 1863 | Magisterarbeit | D-110-01 | Marie Lloyd und die englische Music Hall | Konschill-Schwesig, Henriette | ipop Wien | 2016 | 110 | Music Hall, Unterhaltungsmusik | 2016-05-20 10:53:17 | |||||||||||||
| 2000 | Buch | I-136754 | B-140-05 | Musical | Bering, Rüdiger | ipop Wien | 1997 | 1997 | 140 | Musical | Musical | 2018-07-06 09:57:29 | ||||||||||
| 2032 | Bak-Arbeit | BA-140-05 | Vom Vaudeville-Blues zum Musical - eine Geschichte | Kranner, Julian Albert | ipop Wien | 2018 | 140 | Musical | Musical | Musical | 2018-11-16 11:56:23 | |||||||||||
| 1712 | Bak-Arbeit | BA-140-01 | Hello, Dolly! Die Besonderheiten eines Musicals | Czellecz, Enikö | ipop Wien | 2013 | 140 | Musical | Musical, Analyse | 2014-03-14 12:10:00 | ||||||||||||
| 1127 | Textbeitrag | T-140-03 | Theatre space as virtual place: audio technology, the reconfigured singing body, and the megamusical | Burston, Jonathan | Popular Music | 17/2 | 1998 | 140 | Unterhaltungsmu | Musical | Musical, Aufführung, Bühnenwerke, Technologie, Singen | S. 205-218 | 2009-06-04 11:15:30 | |||||||||
| 1739 | Bak-Arbeit | BA-140-2 | Broadway-Songs, George Gershwin und Duke Ellington im Vergleich | Macovei, Doina | ipop Wien | 2014 | 140 | Musical | Musical, Broadway | 2014-06-06 11:42:51 | ||||||||||||
| 1848 | Bak-Arbeit | BA-140-03 | Die Entstehung und Wirkung des Musicals "My Fair Lady" unter besonderer Berücksichtigung historischer und musikalischer Aspekte | Saribekyan, Ani | ipop Wien | 2015 | 140 | Musical, Tin Pan Alley, My Fair Lady | 2016-02-19 12:24:23 | |||||||||||||
| 1044 | Buch | B-140-04 | George Gershwin. Vom Erfolg zur Größe. | Ewen, David | hannibal | 3-85445-032-x | Wien | 1988 | 1986 | 140 | Unterhaltungsmu | Tin Pan Alley | Musical, Tin Pan Alley, USA, Komponist | 2008-06-20 13:00:47 | ||||||||
| 626 | Buch | HH | B-140-03 | Broadways Greatest Musicals | Laufe, Abe | David&Charles | 0 7153 7712 4 | London | 1977 | 1969 | 140 | Unterhaltungsmu | Musical | Musical, USA, Bühnenwerke, Geschichte, Entwicklung, Musical | 2008-04-18 11:41:05 | |||||||
| 1170 | Textbeitrag | T-140-04 | Oklahoma!: ideology and politics in the vernacular tradition of the American musical | Filmer, Paul / Rimmer, Val / Walsh, Dave | Popular Music | 18/3 | 1999 | 140 | Unterhaltungsmu | Musical | Musical, USA, Politik | S. 381-396 | 2009-07-02 12:38:31 | |||||||||
| 2064 | Buch | I-143188 | B-000-13 | Rock: The Primary Text; Developing a musicology of Rock | Moore, Allan F.; Remy, Martin | Ashgate Popular and Folk Music Series | 3 | Routledge | Abingdon, New York | 2019 | 000 | Rock | Musicology | 2020-06-10 09:43:36 | ||||||||
| 2066 | Buch | I-143176/2 | B-215-07 | The beatles as Musicians; The Quarry Men through Rubber Soul | Everett, Walter | 2 | Oxford University Press | Oxford | 2001 | 215 | Beat | Musik Theorie, Analyse | 2020-06-10 09:59:44 | |||||||||
| 2067 | Buch | I-143176/1 | B-215-06 | The beatles as Musicians; Revolver through the Anthology | Everett, Walter | 1 | Oxford University Press | Oxford | 2001 | 215 | Beat | Musik Theorie, Analyse | 2020-06-10 09:59:44 | |||||||||
| 1616 | Textbeitrag | T-540-06 | The rise and generic features of Shanghai popular songs in the 1930s and 1940s | Chen, Szu-Wei | Popular Music | 24/1 | 2005 | Worldmusic | China-Pop | Musik, Asien, 1930er, 1940er | 2012-05-03 13:06:46 | |||||||||||
| 1506 | Textbeitrag | T-870-17 | Limited pidgin-type patois? Policy, language, technologie, identity and the experience of Canto-pop in Singapore. | Khiun, Liew Kai | Popular Music | 22/2 | 2003 | Musik, Asien, Ethnologie, Politik | 2011-03-17 13:21:39 | |||||||||||||
| 1502 | Textbeitrag | T-870-15 | Between globalisation and localisation. A study of Hong Kong popular music | Ho, Wai-Chung | Popular Music | 22/2 | 2003 | Musik, Asien, Ethnologie, Soziologie | 2011-03-17 12:44:22 | |||||||||||||
| 1505 | Textbeitrag | T-870-16 | Gesturin elsewhere. The identity politics of the Balinese death/trash metal scene | Baulch, Emma | Popular Music | 22/2 | 2003 | Musik, Asien, Metal, Ethnologie | 2011-03-17 13:19:25 | |||||||||||||
| 1592 | Bakk-Arbeit | BA-560-02 | Entwicklung der bulgarischen Jazz- und Popmusik | Gospodinov, Lubomir | ipop Wien | 2012 | Worldmusic | Bulgarischer Jazz, Bulgarischer Pop | Musik, Eruopa, Bestandaufnahme, Entwicklung | 2012-02-16 12:58:27 | ||||||||||||
| 1503 | Textbeitrag | T-800-22 | "Ces nymphes, je les veux perpétuer. The post-war pastoral in space-age bachelor-pad music | Leydon, Rebecca | Popular Music | 22/2 | 2003 | Musik, Europa, Religion, Analyse, 1950er | 2011-03-17 12:58:29 |