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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | ▼ Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1224 | Textbeitrag | T-218-02 | "Or any art at all?" Frank Zappa meets critical theory | Wragg, David | Popular Music | 20/2 | 2001 | 218 | Pop/Rock | Rock USA 1960er | Rock USA 1960er, Musiker, Kritik, Theorie, Soziologie | 2009-10-29 12:01:15 | ||||||||||
| 1225 | Textbeitrag | T-810-02 | Does it really matter? Young people and popular music. | Williams, Christina | Popular Music | 20/2 | 2001 | Jugendkultur, Freizeit, 2000er, Rezeption, Soziologie | 2009-10-29 12:12:55 | |||||||||||||
| 1226 | Textbeitrag | T-221-03 | Yes, "Awaken", and the progressive rock style | Palmer, John R. | Popular Music | 20/2 | 2001 | 221 | Pop/Rock | Prog Rock | Prog Rock, 1970er, Musiker, Werk, Analyse | 2009-10-29 12:17:00 | ||||||||||
| 1400 | Textbeitrag | T-850-09 | The racial politics of hybridity and "neo-electism" contemporary popular music | Middleton, Jason / Beebe, Roger | Popular Music | 21/2 | 2002 | 000 | Politik | 2010-09-09 13:17:02 | ||||||||||||
| 1514 | Textbeitrag | T-224-01 | I Wanna Be Your Man. Suzi Quatro's musical androgyny | Auslander, Philip | Popular Music | 23/1 | 2004 | Musiker, Frau, Großbritannien, 1970er, Glam Rock, Biographie, Soziologie | 2011-03-17 13:57:26 | |||||||||||||
| 1401 | Textbeitrag | T-212-02 | Harmonic palette in early Joni Mitchell | Whitesell, Lloyd | Popular Music | 21/2 | 2002 | 212 | Pop/Rock | Folk | Stil, Analyse, Musiker, Frau, Folk, USA, 1960er | 2010-09-09 13:19:40 | ||||||||||
| 1406 | Textbeitrag | T-840-11 | "One night on TV is worth weeks at the Paramount": musicians and oppurtunity in early telefision, 1948-55 | Forman, Murray | Popular Music | 21/3 | 2002 | 000 | Kommunikation, Film, Wirkung, USA, 1940er, 1950er | 2010-09-09 13:48:05 | ||||||||||||
| 1408 | Textbeitrag | T-840-13 | Chewing gum for the ears: children's television and popular music | Lury, Karen | Popular Music | 21/3 | 2002 | 000 | Kommunikation, Film, Wirkung | 2010-09-09 13:51:59 | ||||||||||||
| 1413 | Textbeitrag | T-840-18 | Television's problem with (classical) music | Chanan, Michael | Popular Music | 21/3 | 2002 | 600 | Kunstmusik | Klassik | Stil, Kommunikation, Film, Wirkung | 2010-09-09 14:02:14 | ||||||||||
| 1402 | Textbeitrag | T-540-04 | "Japanese music" can be popular | De Ferranti, Hughe | Popular Music | 21/2 | 2002 | 540 | World music | "Japanese music" | Stil, Analyse, Asien, Wirkung | 2010-09-09 13:24:36 | ||||||||||
| 1403 | Textbeitrag | T-800-06 | Authentically as authentication | Moore, Allan | Popular Music | 21/2 | 2002 | 200 | Pop/Rock | Stil, Musiker, Analyse, Wirkung, Theorie, Aesthetik | 2010-09-09 13:29:57 | |||||||||||
| 1412 | Textbeitrag | T-840-17 | Sounds real: music and documentary | Corner, John | Popular Music | 21/3 | 2002 | 000 | Musiker, Kommunikation, Film, Wirkung | 2010-09-09 14:00:23 | ||||||||||||
| 1414 | Textbeitrag | T-239-04 | Taking it seriously: intertextuality and authenticity in two covers by the Pet Shop Boys | Butler, Mark | Popular Music | 22/1 | 2003 | 239 | Pop/Rock | Video Pop | Musiker, Werk, Text | 2010-09-16 13:50:31 | ||||||||||
| 1415 | Textbeitrag | T-540-05 | World music or Japanese - the gagaku of Togi Hideki | Lancashire, Terence | Popular Music | 22/1 | 2003 | 540 | Worldmusic | Japanische Hofmusik | Musiker, Werk, Asien | 2010-09-16 13:54:07 | ||||||||||
| 1511 | Textbeitrag | T-410-03 | A critical reassessment of the reception of early jazz in Britain | Parsonage, Catherine | Popular Music | 22/3 | 2003 | Jazz, Großbritannien, Rezeption, Soziologie, 1920er | 2011-03-17 13:41:52 | |||||||||||||
| 1416 | Textbeitrag | T-320-03 | Sampling the 1970s in hip-hop | Demeers, Joanna | Popular Music | 22/1 | 2003 | 320 | Dance | HipHop | Stil, Analyse | 2010-09-16 13:55:58 | ||||||||||
| 1417 | Textbeitrag | T-820-11 | For and against the record industry: an introduction to bootleg collectors and tape traders | Marshall, Lee | Popular Music | 22/1 | 2003 | 000 | Tonträger, Kulturindustrie, Wirtschaft, Soziologie | 2010-09-16 13:59:13 | ||||||||||||
| 1431 | Textbeitrag | T-850-10 | Singing the pulse of the Egyptian-Arab street; Shaaban Abd al-Rahim and the geo-pop-politics of fast food | Gordon, Joel | Popular Music | 22/1 | 2003 | 500 | Politik, Afrika, Asien, Musiker | 2010-10-07 12:57:28 | ||||||||||||
| 1404 | Textbeitrag | T-233-03 | Local scenes and dangerous crossroads: punk and theories of cultural hybridity | O'Connor, Alan | Popular Music | 21/2 | 2002 | 233 | Pop/Rock | Punk | Stil, Großbritannien, Entwicklung | 2010-09-09 13:32:32 | ||||||||||
| 1512 | Textbeitrag | T-800-23 | Space oddities. Aliens, futurism and meaning in popular music | McLeod, Ken | Popular Music | 22/3 | 2003 | Musik, Text, Analyse | 2011-03-17 13:44:36 |