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ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | ▼ Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
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1214 | Textbeitrag | T-870-11 | Yaogun Yinyue: rethinking mainland Chinese rock'n'roll | Hao Huang | Popular Music | 20/1 | 2001 | 200 | Pop/Rock | Yaogun Yinyue (Rockmusik der Festland-Chinesen) | Politik, Stil, Ethnologie, Asien, 2000er, Entwicklung | 2009-10-22 13:02:10 | ||||||||||
1152 | Textbeitrag | T-530-04 | Adoptin imports: new images and alliances in Brazilian popular music of the 1990s | Magaldi, Cristina | Popular Music | 18/3 | 1999 | 530 | Worldmusic | Worldmusic Lateinamerika | Worldmuaic Lateinamerika, Stil, Entwicklung, 1990er | S. 309-330 | 2009-07-02 12:15:02 | |||||||||
1167 | Textbeitrag | T-800-17 | Representation of femininity in popular music | Dibben, Nicola | Popular Music | 18/3 | 1999 | 000 | Theorie, Frau, Soziologie, Wissenschaft | S. 331-356 | 2009-07-02 12:24:19 | |||||||||||
1206 | Textbeitrag | T-880-01 | Sex, Pulp and critique | Clarke, Eric F. / Dibben, Nicola | Popular Music | 19/2 | 2000 | 245 | Pop/Rock | Britpop, Alternative Rock | 1990er, Aesthetik, Großbritannien, Kritik, Medien, Tonträger, Wirkung | S. 231-242 | 2009-10-15 11:32:57 | |||||||||
1224 | Textbeitrag | T-218-02 | "Or any art at all?" Frank Zappa meets critical theory | Wragg, David | Popular Music | 20/2 | 2001 | 218 | Pop/Rock | Rock USA 1960er | Rock USA 1960er, Musiker, Kritik, Theorie, Soziologie | 2009-10-29 12:01:15 | ||||||||||
1207 | Textbeitrag | T-410-01 | Jim Crow laws of the 1890s and the origins of New Orleans jazz: correction of an error | Johnson, Jerah | Popular Music | 19/2 | 2000 | 410 | Jazz | New Orleans Jazz | 19. Jh., Jazz, Entwicklung, Politik, Forschung, Geschichte | S. 243-252 | 2009-10-15 11:43:25 | |||||||||
1211 | Textbeitrag | T-850-05 | The political meaning of Hong Kong popular music: a review of sociopolitical relations between Hong Kong and the Peaple's Republic of China since the 1980s | Ho, Wai-Chung | Popular Music | 19/3 | 2000 | 000 | Asien, Politik, 1980er, 1990er, 2000er | 2009-10-15 13:13:18 | ||||||||||||
1213 | Textbeitrag | T-850-06 | "I'd sell you suicide": pop music and moral panic in the age of Marilyn Manson | Wright, Robert | Popular Music | 19/3 | 2000 | 242 | Pop/Rock | Metal, Schock-Rock, Alternative Rock | Politik, Rezeption, Schock-Rock, Alternative Rock, Publikum, Soziologie | 2009-10-15 13:49:20 | ||||||||||
1218 | Textbeitrag | T-530-05 | Record grooves and salsa dance moves: the viejoteca phenomenon in Cali, Colombia | Waxer, Lise | Popular Music | 20/1 | 2001 | 530 | Worldmusic | Viejoteca | Worldmusic, Lateinamerica, 2000er, Szene, Rezeption, Stil, Soziologie, Ethnologie | 2009-10-22 13:49:19 | ||||||||||
1208 | Textbeitrag | T-531-02 | Making modernity in the hinterlands: new Maroon musics in the Black Atlantic | Bilby, Kenneth | Popular Music | 19/3 | 2000 | 531 | Worldmusic | Salsa, Music im "Black Atlantic" | 19. Jh., Jazz, Entwicklung, Politik, Forschung, Geschichte | S. 265-292 | 2009-10-15 12:00:10 | |||||||||
1209 | Textbeitrag | T-227-02 | "Funky Drummer": New Orleans, James Brown and the rhythmic transformation of American popular music | Stewart, Alexander | Popular Music | 19/3 | 2000 | 227 | Pop/Rock | Soul, Funk | 1960er, Analyse, Soul, Funk, Rhythmus, Musiker | S. 293-318 | 2009-10-15 12:38:41 | |||||||||
1217 | Textbeitrag | T-800-19 | "* 1/2: a critique of rock criticism in North America | McLeod, Kembrew | Popular Music | 20/1 | 2001 | 200 | Pop/Rock | Medien, Kritik, Tonträger, Theorie | 2009-10-22 13:44:10 | |||||||||||
1219 | Textbeitrag | T-880-02 | "Nothing You Can See That Isn't Shown": the album covers of the Beatles | Inglis, Ian | Popular Music | 20/1 | 2001 | 215 | Pop/Rock | Beat | Aesthetic, 1960er, Musiker, Werk, Tonträger | 2009-10-22 13:52:44 | ||||||||||
1220 | Textbeitrag | T-800-20 | Is there such a thing as the "blue note"? | Weisethaunet, Hans | Popular Music | 20/1 | 2001 | 000 | Jazz, Pop/Rock | Jazz, Blues, Soul, Rock | Analyse, Theorie | 2009-10-22 13:55:23 | ||||||||||
1168 | Textbeitrag | T-840-07 | The diverting of musical technology by rock musicians: the example of double tracking | Julien, Oliver | Popular Music | 18/3 | 1999 | 200 | Pop/Rock | Technologie, Sound | S. 357-366 | 2009-07-02 12:28:31 | ||||||||||
1221 | Textbeitrag | T-239-03 | Vicars of "Wannabe": authenticity and the Spice Girls | Leach, Elizabeth Eva | Popular Music | 20/2 | 2001 | 239 | Pop/Rock | Video-Pop, Girl-Groups | Analyse, Musiker, Frau, Video Pop, Großbritannien, 1990er, Kritik, Soziologie | 2009-10-29 11:39:27 | ||||||||||
1222 | Textbeitrag | T-870-13 | Mixes mesages: unsettled cosmopolitanisms in Nepali pop | Greene, Paul | Popular Music | 20/2 | 2001 | Pop/Rock, Dance | Rock, HipHop | Text, Sprache, Asien, 1990er | 2009-10-29 11:46:05 | |||||||||||
1223 | Textbeitrag | T-840-09 | Bohemian rhapsodies: operatic influences on rock music | McLeod, Ken | Popular Music | 20/2 | 2001 | 224 | Pop/Rock, Klass | Glamrock, Prog Rock, New Wave | Stil, Pop/Rock, Klassik, Analyse | 2009-10-29 11:54:04 | ||||||||||
1210 | Textbeitrag | T-560-04 | Popular music in the Welsh language and the affirmation of youth identities | Llewellyn, Meic | Popular Music | 19/3 | 2000 | 560 | Worldmusic | Welsh music | Sprache, Großbritannien, Jugendkultur, Ethnologie, Soziologie, 1960er, 1970er, 1980er | S. 319-340 | 2009-10-15 13:03:15 | |||||||||
1169 | Textbeitrag | T-840-08 | Popping the question: the function and effect of popular music in cinema | Lapedis, Hilary | Popular Music | 18/3 | 1999 | 000 | Sound, Video, Wirkung | S. 367-380 | 2009-07-02 12:32:18 |