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ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | ▼ Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
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2141 | Buch | I-146533 | B-800-47 | Pop. Geschichte eines Konzepts 1955-2009 | Hecken, Thomas | transcript | Bielefeld | 2009 | 2021-01-26 15:06:09 | |||||||||||||
2142 | Buch | 0-146520 | B-800-48 | Modernisierungstheorie | Degele, Nina; Dries, Christian | Wilhelm Fink Verlag | München | 2005 | 2021-01-26 15:07:57 | |||||||||||||
2143 | Buch | I-146519 | B- 400-22 | Miles Davis, Round About Midnight, Ein Portrait | Nisenson, Eric | Piper-Schott | München | 1982 | 2021-01-26 15:10:00 | |||||||||||||
2144 | Buch | B-200-39 | I-146629 | Queen - In Zusammenarbeit mit der Band entstanden | Gunn, Jacky; Jenkins, Jim | Goldmann Verlag | München | 1992 | 2021-05-10 15:47:38 | |||||||||||||
2145 | Buch | B-227-09 | I-147528 | Harlem 69, The Future of Soul | Stuart Grossrove | Polygon | Edinborough | 2018 | 227 | 2021-10-11 09:14:16 | ||||||||||||
2146 | Buch | B-140-06 | I-149011 | Anything Goes, a history of american musical theatre | Mordden, Ethan | Oxford University Press | Oxfort | 2013 | 140 | 2021-10-11 09:31:53 | ||||||||||||
2147 | Buch | B-880-07 | I-148863 | The Oxford Handbook of New Audiovisual Aesthetics | Richardson, John; Gorbman, Claudia; Vernallis, Carol | Oxford University Press | Oxford | 2013 | 2021-10-11 09:39:27 | |||||||||||||
2148 | Buch | B-140-07 | I-148847 | Showtime, A history of the Broadway Musical Theater | Stempel. Larry | W. W. Norton & Norton Company | New York | 2010 | 2021-10-11 09:41:59 | |||||||||||||
2149 | Buch | B-320-11 | I-145979 | Dead Precedents, how Hip-Hop defines the future | Christopher, Roy | Repeater Books | London | 2018 | 2021-10-11 09:46:51 | |||||||||||||
2150 | Buch | B-227-10 | I-145980 | Detroit 67, The Year That Changed Soul | Cosgrove, Stuart | Polygon | Edinburgh | 2016 | 2021-10-11 09:49:13 | |||||||||||||
2151 | Buch | B-300-04 | 0-145976 | Blue Lines | Bourland, Ian | Bloomsburry Academy | New York | 2020 | 2021-10-11 09:51:15 | |||||||||||||
2152 | Buch | B-800-49 | I-145967 | Curating Pop, Exhibiting Popular Music in the Museum | Baker, Sarah; Istvandity, Lauren; Nowak, Rapaël | Bloomsburry Academy | New York | 2019 | 2021-10-11 09:53:20 | |||||||||||||
2153 | Buch | B-140-08 | II-144177 | The Amarican Songbook, The Tin Pan Alley Era | Furia, Philip; Patterson, Laurie | Oxford University Press | Oxford | 2016 | 2021-10-11 09:54:53 | |||||||||||||
2154 | Buch | B-200-40 | I-145963 | Rocking the closet, How Little Richard, Johnnie Ray, Liberace, and Johhny Mathis queered Pop Music | Stephens, Vincent L. | Board of Trustes | Illinois | 2019 | 2021-10-11 09:57:45 | |||||||||||||
2155 | Buch | B-800-50 | II-145977 | The Bloomsburry Handbook of Popular Music Video Analysis | Burns, Lori A.; Hawkins, Stan | Bloomsburry | New York | 2019 | 2021-10-11 09:59:54 | |||||||||||||
2156 | Buch | B-800-51 | I-145981 | Resilience & Melancholy, Pop Music, Feminism, Neoliberalism | James, Robin | Zero Books | Alresford | 2015 | 2021-10-11 10:02:31 | |||||||||||||
2157 | Buch | B-209-05 | I-145991 | Just Around Midnight, Rock and Roll and the racial imagination | Hamilton, Jack | Harvard University Press | Harvard | 2016 | 2021-10-11 10:04:22 | |||||||||||||
2158 | Buch | B-820-20 | I-144771 | All you need to know about the Music Business | Passman, Donald S. | Simon & Schuster | New York | 2019 | 1991 | 2021-10-11 10:06:47 | ||||||||||||
2159 | Buch | B-870-05 | I-144765 | kick it, a social history of the Drum Kit | Brennan, Matt | Oxford University Press | Oxford | 2020 | 2021-10-11 10:10:37 | |||||||||||||
2160 | Buch | B-800-52 | I-144729 | Switched on Pop, how Popular Music works, and why it matters | Sloan, Nate; Harding, Charlie | Oxford University Press | Oxford | 2020 | 2021-10-11 10:12:57 |