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ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | ▼ Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
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2121 | Buch | I-146043 | B-300-03 | Analog Synthesizers: understanding, performing, buying, From the Legacy of Moog to Software Synthesis | Jenkins, Mark | 2 | Routledge | New York | 2020 | 2020-12-10 12:12:10 | ||||||||||||
2122 | Buch | I-146255 | B-800-39 | Made in Poland, Studies in Popular Music | Galuszka, Patryk (Hrsg.) | Routledge | New York | 2020 | 2021-01-26 14:01:39 | |||||||||||||
2123 | Buch | I-146151 | B-200-33 | The Lemonade Reader | Brooks, Kinitra D.; Martin, Kameelah L. | Routledge | New York | 2019 | 2021-01-26 14:04:32 | |||||||||||||
2124 | Buch | I-146149 | B-800-40 | Queer Times, Black Futures | Keeling, Kara | New York University Press | New York | 2019 | 2021-01-26 14:15:48 | |||||||||||||
2125 | Buch | I-146146 | B-242-06 | Heavy Metal, Gender and Sexuality | Heesch, Florian; Scott, Niall (Hrsg.) | Routledge | New York | 2016 | 2021-01-26 14:17:34 | |||||||||||||
2126 | Buch | I-146150 | B-320-09 | Bring That Beat Back, How Sampling built Hip-Hop | Patrin, Nate | University of Minnesota Press | 2020 | 2021-01-26 14:22:01 | ||||||||||||||
2127 | Buch | I-146201 | B-800-41 | Performing Popular Music, The Art of Creating Memorable and Successful Performances | Cashman, David | Routledge | New York | 2020 | 2021-01-26 14:25:32 | |||||||||||||
2128 | Buch | I-146210 | B-800-42 | Popular Music in Contemporary Bulgaria | Draganova, Asya | Birmingham University Press | Birmingham | 2019 | 2021-01-26 14:27:20 | |||||||||||||
2129 | Buch | I-146119 | B-800-43 | The politics of Authenticity, Countercultures and Radical Movements across the Iron Curtain, 1968-1989 | Häberlen, Joachim C.; Keck-Szajbel, Mark; Mahoney, Kate (Hrsg.) | Berghan | New York | 2019 | 2021-01-26 14:30:15 | |||||||||||||
2130 | Buch | I-146248 | B-200-34 | Rockin' Out, Popular Music in the USA | Garofalo, Reebee | University of Massachusetts Boston Press | Boston | 1997 | 2021-01-26 14:32:01 | |||||||||||||
2131 | Buch | I-146328 | B-800-44 | One Nation under a Groove, "Nation" als Kategorie Populärer Musik | von Appen, Ralf; Hindrichs, Thorsten (Hrsg.) | transcript | Bielefeld | 2020 | 2021-01-26 14:36:39 | |||||||||||||
2132 | Buch | I-146274 | B-320-10 | God Save The Queen, The Essential History of Women in Hip-Hop | Iandoli, Kathy | Bey Street | New York | 2019 | 2021-01-26 14:40:29 | |||||||||||||
2133 | Buch | 0-146518 | B-200-35 | Idole 7 Superstars | Schmidt-Joos, Sigfried (Hrsg.) | Ullstein Sachbuch | Berlin | 1985 | 2021-01-26 14:46:56 | |||||||||||||
2134 | Buch | I-146521 | B-200-36 | Global Pop, World Music, World Markets | Taylor, Timothy D. | Routledge | New York | 1997 | 2021-01-26 14:50:47 | |||||||||||||
2135 | Buch | I-145936 | B-800-45 | Crossover als Inszenierungsstrategie, Doing Pop, Doing Classical Music, Doing Mixed Genres | Petry, Clara-Franziska | transcript | Bielefeld | 2020 | 2021-01-26 14:52:37 | |||||||||||||
2136 | Buch | II-146522 | B-209-04 | Rock 'n' Roll | Stallings, Penny | Vermilion | London | 1984 | 2021-01-26 14:55:20 | |||||||||||||
2137 | Buch | I-146532 | B-200-37 | Lost in Music | Smith, Giles | Picador | London | 1995 | 2021-01-26 14:56:58 | |||||||||||||
2138 | Buch | 0-146534 | B-212-02 | Bob Dylan. Ein Kongreß | Honneth, Axel; Kemper, Peter; Klein, Richard (Hrsg.) | Suhrkamp | Frankfurt | 2007 | 2021-01-26 14:59:28 | |||||||||||||
2139 | Buch | 0-146531 | B-800-46 | Swinging Benjamin | Salzinger, Helmut | Fischer | Frankfurt | 1973 | 2021-01-26 15:02:53 | |||||||||||||
2140 | Buch | I-146535 | B-200-38 | Rock-Hymnen, Das Lexikon | Benzinger, Olaf | Bärenreiter | Kassel | 2002 | 2021-01-26 15:04:06 |