Zurück zur Informationsseite der iPOP - Mediathek
| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | ▼ Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1398 | Textbeitrag | T-870-14 | Populr music, gender and high school pupils in Japan: personal music in school and leisure sites | Koizumi, Kyoko | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Soziologie, Asien, Ethnologie, Alltag, Jugend | 2010-09-09 12:39:04 | |||||||||||
| 1399 | Textbeitrag | T-820-10 | A singer-songwriter's view of the French record industry: the case of Léo Ferré | Tinker, Chris | Popular Music | 21/2 | 2002 | 200 | Pop/Rock | Musikindustrie, Europa, Musiker | 2010-09-09 13:13:41 | |||||||||||
| 1400 | Textbeitrag | T-850-09 | The racial politics of hybridity and "neo-electism" contemporary popular music | Middleton, Jason / Beebe, Roger | Popular Music | 21/2 | 2002 | 000 | Politik | 2010-09-09 13:17:02 | ||||||||||||
| 1578 | Textbeitrag | T-215-01 | Fixing a hole in the scale: suppressed notes in the Beatles' songs | Wagner, Naphtali | Popular Music | 23/3 | 2004 | Pop/Rock | Beat | Musiker, Werk, Analyse | 2011-11-17 13:54:11 | |||||||||||
| 1514 | Textbeitrag | T-224-01 | I Wanna Be Your Man. Suzi Quatro's musical androgyny | Auslander, Philip | Popular Music | 23/1 | 2004 | Musiker, Frau, Großbritannien, 1970er, Glam Rock, Biographie, Soziologie | 2011-03-17 13:57:26 | |||||||||||||
| 1577 | Textbeitrag | T-850-13 | Marsalis and Baraka: an essay in comparative cultural discourse | Brown, Lee B. | Popular Music | 23/3 | 2004 | Pop/Rock | Jazz, Politik, USA, Afrika, Musiker | 2011-11-17 13:37:52 | ||||||||||||
| 1631 | Textbeitrag | T-800-29 | From "Tomorrow's Eve" to "High Fidelity". Novel responses to the gramophone in twentieth century literature | Symes, Colin | Popular Music | 24/2 | 2005 | Literatur, Tonträger, Medien | 2012-05-31 13:41:38 | |||||||||||||
| 1633 | Textbeitrag | T-221-04 | "Can You Still Keep Your Balance?" Keith Emnerson's anxiety of influence, style change, and the road to prog superstardom | Kawamoto, Akitsugu | Popular Music | 24/2 | 2005 | Pop/Rock | Prog Rock | Musiker, Stil, Entwicklung, Literatur | 2012-05-31 13:50:56 | |||||||||||
| 1525 | Textbeitrag | T-870-18 | Re-thinking "whiteness"? Identity, change and "white" popular music in post-apartheid South Africa | Ballatine, Christopher | Popular Music | 23/2 | 2004 | Politik, Afrika, Ethnologie, Soziologie | 2011-04-14 11:54:59 | |||||||||||||
| 1616 | Textbeitrag | T-540-06 | The rise and generic features of Shanghai popular songs in the 1930s and 1940s | Chen, Szu-Wei | Popular Music | 24/1 | 2005 | Worldmusic | China-Pop | Musik, Asien, 1930er, 1940er | 2012-05-03 13:06:46 | |||||||||||
| 1617 | Textbeitrag | T-800-26 | Can we get rid of the "popular" in popular music? A virtual symposium with contributions from the International Advisory Editors of Popular Music | International Advisory Editors of Popular Music | Popular Music | 24/1 | 2005 | Wissenschaft, international | 2012-05-03 13:13:17 | |||||||||||||
| 1526 | Textbeitrag | T-000-02 | Living troubadours and other recent uses for medieval music | Haines, John | Popular Music | 23/2 | 2004 | Geschichte, Musiker, Singen | 2011-04-14 11:58:42 | |||||||||||||
| 1524 | Textbeitrag | T-820-14 | The music industry, technology and utopia. An exchange between Mracus Breen and Eamonn Forde | Breen, Marcus / Frode, Eamonn | Popular Music | 23/1 | 2004 | Musikindustrie, Tonträger, Technik, Politik | 2011-04-14 11:31:08 | |||||||||||||
| 1518 | Textbeitrag | T-850-12 | "Over to you". Can Europe restrain Microssoft's treat to freedom of musical expression in computer-mediated communication? | Wolfe, Arnold S. | Popular Music | 23/1 | 2004 | Kommunikation, Produktion, Recht, Politik, USA, Europa, 2000er | 2011-03-24 12:38:16 | |||||||||||||
| 1401 | Textbeitrag | T-212-02 | Harmonic palette in early Joni Mitchell | Whitesell, Lloyd | Popular Music | 21/2 | 2002 | 212 | Pop/Rock | Folk | Stil, Analyse, Musiker, Frau, Folk, USA, 1960er | 2010-09-09 13:19:40 | ||||||||||
| 1517 | Textbeitrag | T-820-13 | "Sorry, can't hear you! I'm on a train" Ringing tones, meanings and the Finnish soundscape | Uimonen, Heikki | Popular Music | 23/1 | 2004 | Kommunikation, Musik, Sound, Technologie, Soziologie, 2000er | 2011-03-24 12:29:57 | |||||||||||||
| 1516 | Textbeitrag | T-840-20 | From "My Blue Heaven" to "Race with the Devil". Echo, Reverb and (dis)ordered space in early popular music recording. | Doyle, Peter | Popular Music | 23/1 | 2004 | Sound, Technologie, Produktion, Tonträger, 1930er, 1940er | 2011-03-24 12:25:12 | |||||||||||||
| 1515 | Textbeitrag | T-840-19 | Drag, camp and gender subversion in the music and videos of Annie Lennox | Rodger, Gillian | Popular Music | 23/1 | 2004 | Musiker, Frau, Großbritannien, 1980er, 1990er, Werk, Video, Soziologie | 2011-03-24 12:22:11 | |||||||||||||
| 1629 | Textbeitrag | T-800-27 | Dead Channel Surfing. The commonalities between cyberpunk literature and industrial music | Collins, Karen | Popular Music | 24/2 | 2005 | Literatur, Medien, Musik, Theorie | 2012-05-31 13:29:19 | |||||||||||||
| 1402 | Textbeitrag | T-540-04 | "Japanese music" can be popular | De Ferranti, Hughe | Popular Music | 21/2 | 2002 | 540 | World music | "Japanese music" | Stil, Analyse, Asien, Wirkung | 2010-09-09 13:24:36 |