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ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | ▼ Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
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1163 | CD | C-531-14 | Sones de Bienvenido Julián Gutiérrez | Cuni, Miguelito | EGREM | 0103 | 1995 | 531 | Worldmusic | Salsa | Salsa, Worldmusic, 1990er | 2009-06-25 13:11:15 | ||||||||||
1164 | CD | C-531-15 | Estudiantina Invasora. 70 anos y estamos como ayer! | Verschiedene | Caribe | 9623 | 2001 | 531 | Worldmusic | Salsa | Salsa, Worldmusic | 2009-06-25 13:13:54 | ||||||||||
1165 | CD | C-531-16 | La Trova | Castillo, Daniel | Caribe | 9666 | 2000 | 531 | Worldmusic | Salsa | Salsa, Worldmusic, 2000er | 2009-06-25 13:15:21 | ||||||||||
1166 | CD | C-531-17 | El muerto se fue de rumba | Los Guanches | Caribe | 9587 | 1999 | 1993 | 531 | Worldmusic | Salsa | Salsa, Worldmusic, 1990er | 2009-06-25 13:17:10 | |||||||||
1167 | Textbeitrag | T-800-17 | Representation of femininity in popular music | Dibben, Nicola | Popular Music | 18/3 | 1999 | 000 | Theorie, Frau, Soziologie, Wissenschaft | S. 331-356 | 2009-07-02 12:24:19 | |||||||||||
1168 | Textbeitrag | T-840-07 | The diverting of musical technology by rock musicians: the example of double tracking | Julien, Oliver | Popular Music | 18/3 | 1999 | 200 | Pop/Rock | Technologie, Sound | S. 357-366 | 2009-07-02 12:28:31 | ||||||||||
1169 | Textbeitrag | T-840-08 | Popping the question: the function and effect of popular music in cinema | Lapedis, Hilary | Popular Music | 18/3 | 1999 | 000 | Sound, Video, Wirkung | S. 367-380 | 2009-07-02 12:32:18 | |||||||||||
1170 | Textbeitrag | T-140-04 | Oklahoma!: ideology and politics in the vernacular tradition of the American musical | Filmer, Paul / Rimmer, Val / Walsh, Dave | Popular Music | 18/3 | 1999 | 140 | Unterhaltungsmu | Musical | Musical, USA, Politik | S. 381-396 | 2009-07-02 12:38:31 | |||||||||
1171 | Textbeitrag | T-245-01 | Rules of rebellion: slamdancing, moshing, and the American altrnative scene | Tsitsos, William | Popular Music | 18/3 | 1999 | 245 | Pop/Rock | Alternative Rock, Punk | Alternative Rock, Punk, Tanzen, Publikum, Jugendkultur | S. 397-141 | 2009-07-02 12:45:05 | |||||||||
1172 | Textbeitrag | T-870-09 | Going down like a song: national identity, global commerce and the Great Canadian Party | Duffett, Mark | Popular Music | 19/1 | 2000 | 000 | Ethnologie, Nordamerika, Kulturindustrie, Wirtschaft | S. 1-12 | 2009-07-02 13:43:13 | |||||||||||
1173 | Textbeitrag | T-242-02 | Roots?: the relationship between the global and the local within the Extreme Metal scene | Harris, Keith | Popular Music | 19/1 | 2000 | 242 | Pop/Rock | Heavy Metal | Heavy Metal, 2000er, Soziologie | S. 13-30 | 2009-07-02 13:48:56 | |||||||||
1174 | Textbeitrag | T-242-03 | Losing the local: Sydney and the Oz Rock tradition | Homan, Shane | Popular Music | 19/1 | 2000 | 242 | Pop/Rock | Heavy Metal | Heavy Metal, 2000er, Australien, Soziologie | S. 31-50 | 2009-07-02 13:48:28 | |||||||||
1181 | Textbeitrag | T-810-01 | Lines of drift: festival partizipation and performing a sense of place | Duffy, Michelle | Popular Music | 19/1 | 2000 | 200 | Pop/Rock | Aufführung, Europa, USA, Freizeit, Jugendkultur, Publikum, Sound | S. 51-64 | 2009-07-09 13:04:32 | ||||||||||
1183 | Textbeitrag | T-320-02 | "Represent": race, space and place in rap music. | Forman, Murray | Popular Music | 19/1 | 2000 | 320 | Dance | HipHop | HipHop, Entwicklung, 1970er, 1980er, 1990er, USA, Soziologie | S. 65-90 | 2009-08-27 11:20:17 | |||||||||
1184 | Textbeitrag | T-820-05 | Home on the page: a virtual place of music community | Kibby, Marjorie D. | Popular Music | 19/1 | 2000 | 200 | Pop/Rock | Singer/Songwriter | Kommunikation, Publikum, Wirkung, 1990er, USA, Medien | S. 91-100 | 2009-08-27 11:42:54 | |||||||||
1185 | Textbeitrag | T-560-03 | From Manchuria to the tradition village: on the construction of place via pelimanni music | Järviluoma, Helmi | Popular Music | 19/1 | 2000 | 560 | World Music | Pelimanni-Musik, Volksmusik, Worldmusic | Volksmusik, Europa, Ethnologie | S. 101-124 | 2009-08-27 11:50:15 | |||||||||
1186 | Textbeitrag | T-540-03 | Religion,gossip, narrative conventions and the construction of meaning in Hindi film songs | Booth, Gregory | Popular Music | 19/2 | 2000 | 540 | World Music | Hindi-Filmmusik | Worldmusic, Asien, Film, Text, Wirkung, Soziologie | S. 125-246 | 2009-08-27 12:03:17 | |||||||||
1187 | Textbeitrag | T-120-02 | A song goes "round the world": the German Schlager as an organ of experience | Currid, Brian | Popular Music | 19/2 | 2000 | 120 | Unterhaltungsmu | Dt. Schlager | Schlager, Analyse, Text, 1930er, Soziologie, Politik | S. 147-180 | 2009-08-27 12:10:17 | |||||||||
1188 | Textbeitrag | T-870-10 | Hybridity and national musics: the case of irish rock music | McLaughlin, Noel / McLoone, Martin | Popular Music | 19/2 | 2000 | 200 | Pop/Rock | Irische Rockmusik | Rockmusik, Europa, Analyse | S. 181-200 | 2009-08-27 12:13:58 | |||||||||
1189 | Textbeitrag | T-820-08 | String musicians in the recording studios of Memphis, Tennessee | Brewer, Roy | Popular Music | 19/2 | 2000 | 227 | Pop/Rock | Memphis Soul | Musiker, Instrument, Soul, Analyse, Tonträger, 1960er, USA | S. 201-216 | 2009-08-27 12:17:51 |