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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | ▲ Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1509 | Textbeitrag | T-140-05 | Popular modernism? The "urban" style of interwar Tin Pan Alley | Lindberg, Ulf | Popular Music | 22/3 | 2003 | Tin Pan Alley, 1920er, 1930er, Analyse | 2011-03-17 13:36:23 | |||||||||||||
| 1510 | Textbeitrag | T-233-04 | The Raincoats. Breaking down punk rock's masculinities | O'Meara, Caroline | Popular Music | 22/3 | 2003 | Punk, New Wave, Musiker, Frau, Soziologie | 2011-03-17 13:38:33 | |||||||||||||
| 1511 | Textbeitrag | T-410-03 | A critical reassessment of the reception of early jazz in Britain | Parsonage, Catherine | Popular Music | 22/3 | 2003 | Jazz, Großbritannien, Rezeption, Soziologie, 1920er | 2011-03-17 13:41:52 | |||||||||||||
| 1512 | Textbeitrag | T-800-23 | Space oddities. Aliens, futurism and meaning in popular music | McLeod, Ken | Popular Music | 22/3 | 2003 | Musik, Text, Analyse | 2011-03-17 13:44:36 | |||||||||||||
| 1513 | Textbeitrag | T-233-05 | Known history! John Lydon, cultural capital and the prog/punk dialectic | Albiez, Sean | Popular Music | 22/3 | 2003 | Musiker, Grußbritannien, Punk, New Wave, Biographie, Soziologie | 2011-03-17 13:47:55 | |||||||||||||
| 1514 | Textbeitrag | T-224-01 | I Wanna Be Your Man. Suzi Quatro's musical androgyny | Auslander, Philip | Popular Music | 23/1 | 2004 | Musiker, Frau, Großbritannien, 1970er, Glam Rock, Biographie, Soziologie | 2011-03-17 13:57:26 | |||||||||||||
| 1515 | Textbeitrag | T-840-19 | Drag, camp and gender subversion in the music and videos of Annie Lennox | Rodger, Gillian | Popular Music | 23/1 | 2004 | Musiker, Frau, Großbritannien, 1980er, 1990er, Werk, Video, Soziologie | 2011-03-24 12:22:11 | |||||||||||||
| 1516 | Textbeitrag | T-840-20 | From "My Blue Heaven" to "Race with the Devil". Echo, Reverb and (dis)ordered space in early popular music recording. | Doyle, Peter | Popular Music | 23/1 | 2004 | Sound, Technologie, Produktion, Tonträger, 1930er, 1940er | 2011-03-24 12:25:12 | |||||||||||||
| 1517 | Textbeitrag | T-820-13 | "Sorry, can't hear you! I'm on a train" Ringing tones, meanings and the Finnish soundscape | Uimonen, Heikki | Popular Music | 23/1 | 2004 | Kommunikation, Musik, Sound, Technologie, Soziologie, 2000er | 2011-03-24 12:29:57 | |||||||||||||
| 1518 | Textbeitrag | T-850-12 | "Over to you". Can Europe restrain Microssoft's treat to freedom of musical expression in computer-mediated communication? | Wolfe, Arnold S. | Popular Music | 23/1 | 2004 | Kommunikation, Produktion, Recht, Politik, USA, Europa, 2000er | 2011-03-24 12:38:16 | |||||||||||||
| 1524 | Textbeitrag | T-820-14 | The music industry, technology and utopia. An exchange between Mracus Breen and Eamonn Forde | Breen, Marcus / Frode, Eamonn | Popular Music | 23/1 | 2004 | Musikindustrie, Tonträger, Technik, Politik | 2011-04-14 11:31:08 | |||||||||||||
| 1525 | Textbeitrag | T-870-18 | Re-thinking "whiteness"? Identity, change and "white" popular music in post-apartheid South Africa | Ballatine, Christopher | Popular Music | 23/2 | 2004 | Politik, Afrika, Ethnologie, Soziologie | 2011-04-14 11:54:59 | |||||||||||||
| 1526 | Textbeitrag | T-000-02 | Living troubadours and other recent uses for medieval music | Haines, John | Popular Music | 23/2 | 2004 | Geschichte, Musiker, Singen | 2011-04-14 11:58:42 | |||||||||||||
| 1527 | Textbeitrag | T-400-01 | (Re)voicing tradition. Improvising aesthetics and identity on local jazz scenes. | Hollerbach, Peter | Popular Music | 23/2 | 2004 | Jazz, Entwicklung, Improvisation | 2011-04-14 12:05:28 | |||||||||||||
| 1541 | Noten | AII 102199 +1CD | N-532-02 | The Music of Brazilian Jazz. Plus One | Arranged by Ethan Neuburg | Warner | 2001 | 532 | Worldmusic | Samba, Jazz | 2011-06-16 10:57:07 | |||||||||||
| 1543 | CD | C-740-14 | Wuziprak | Albert Kreuzer Big Band | Albert Kreuzer | Hoernix | 91/10A | 740 | Jazz | Bigband-Jazz | Standort: Albert Kreuzer Mediathek | 2011-06-16 13:53:58 | ||||||||||
| 1548 | CD | C-740-15 | Mira | Albert Kreuzer | Extraplatte | PEP 02024 | 2002 | 740 | Jazz | Fusion | Standort: Albert Kreuzer Mediathek | 2011-06-16 13:56:29 | ||||||||||
| 1549 | Textbeitrag | T-870-19 | "So slide over here". The aesthetics of masculinity in late twentieth-century Australian pop music | Young, Greg | Popular Music | 23/2 | 2004 | Pop/Rock | Australien, Soziologie, Aesthetik | 2011-07-07 11:10:32 | ||||||||||||
| 1550 | Textbeitrag | T-820-15 | What is music worth? Some reflections on the Scottish experience | Cloonan, Martin Williamson, John Frith, Simon | Popular Music | 23/2 | 2004 | Pop/Rock | Musikmarkt, Tonträger, Wirtschaft | 2011-07-07 11:14:43 | ||||||||||||
| 1577 | Textbeitrag | T-850-13 | Marsalis and Baraka: an essay in comparative cultural discourse | Brown, Lee B. | Popular Music | 23/3 | 2004 | Pop/Rock | Jazz, Politik, USA, Afrika, Musiker | 2011-11-17 13:37:52 |