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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | ▲ Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 2127 | Buch | I-146201 | B-800-41 | Performing Popular Music, The Art of Creating Memorable and Successful Performances | Cashman, David | Routledge | New York | 2020 | 2021-01-26 14:25:32 | |||||||||||||
| 2129 | Buch | I-146119 | B-800-43 | The politics of Authenticity, Countercultures and Radical Movements across the Iron Curtain, 1968-1989 | Häberlen, Joachim C.; Keck-Szajbel, Mark; Mahoney, Kate (Hrsg.) | Berghan | New York | 2019 | 2021-01-26 14:30:15 | |||||||||||||
| 2132 | Buch | I-146274 | B-320-10 | God Save The Queen, The Essential History of Women in Hip-Hop | Iandoli, Kathy | Bey Street | New York | 2019 | 2021-01-26 14:40:29 | |||||||||||||
| 2134 | Buch | I-146521 | B-200-36 | Global Pop, World Music, World Markets | Taylor, Timothy D. | Routledge | New York | 1997 | 2021-01-26 14:50:47 | |||||||||||||
| 2148 | Buch | B-140-07 | I-148847 | Showtime, A history of the Broadway Musical Theater | Stempel. Larry | W. W. Norton & Norton Company | New York | 2010 | 2021-10-11 09:41:59 | |||||||||||||
| 2151 | Buch | B-300-04 | 0-145976 | Blue Lines | Bourland, Ian | Bloomsburry Academy | New York | 2020 | 2021-10-11 09:51:15 | |||||||||||||
| 2152 | Buch | B-800-49 | I-145967 | Curating Pop, Exhibiting Popular Music in the Museum | Baker, Sarah; Istvandity, Lauren; Nowak, Rapaël | Bloomsburry Academy | New York | 2019 | 2021-10-11 09:53:20 | |||||||||||||
| 2155 | Buch | B-800-50 | II-145977 | The Bloomsburry Handbook of Popular Music Video Analysis | Burns, Lori A.; Hawkins, Stan | Bloomsburry | New York | 2019 | 2021-10-11 09:59:54 | |||||||||||||
| 2158 | Buch | B-820-20 | I-144771 | All you need to know about the Music Business | Passman, Donald S. | Simon & Schuster | New York | 2019 | 1991 | 2021-10-11 10:06:47 | ||||||||||||
| 2189 | Buch | I-146912 | B-000-22 | The Grammys | O'Neil, Thomas | The Berkley Publishing Group | New York | 1993 | 2021-10-11 12:36:22 | |||||||||||||
| 2225 | Buch | I-147948 | B-800-57 | Interpreting Music Video, Popular Music in the Post-MTV Era | Osborn, Brad | Routledge | New York | 2021 | 2021-10-11 15:23:36 | |||||||||||||
| 2227 | Buch | I-146996 | B-820-21 | Mass Media and the Popular Arts | Rissover, Frederic; Birch, David C. | McGraw-Hill, Inc. | New York | 1977 | 2021-10-11 15:28:48 | |||||||||||||
| 2230 | Buch | I-146936 | B-800-58 | Key Concepts in Popular Music | Shuker, Roy | Routledge | New York | 1998 | 2021-10-11 15:38:04 | |||||||||||||
| 2244 | Buch | I-150639 | B-800-64 | Made in Yugoslavia, Studies in Popular Music | Beard, Danijela Š; Rasmussen, Ljerka V. (Hrsg.) | Routledge | New York | 2020 | 2022-01-20 09:44:37 | |||||||||||||
| 2267 | Buch | II-145966 | B-800-69 | Pop Music Production, Manufactured Pop and BoyBands of the 1990s | Harding, Phil; Collins, Mike (Hrsg.) | Routledge | New York | 2020 | 2022-03-22 14:20:58 | |||||||||||||
| 2271 | Buch | I-146628 | B-212-05 | Like a Rolling Stone, Die Biographie eines Songs | Marcus, Greil | KiWi | New York | 2006 | 2022-03-22 14:29:13 | |||||||||||||
| 2300 | Buch | I-145176 | B-880-08 | Bad Music. The Music We Love To Hate | Washbourne, Christopher J.; Derno, Maiken (Hrsg.) | Routledge | New York | 2004 | 2022-03-28 16:14:25 | |||||||||||||
| 2301 | Buch | 0-145590 | B-880-09 | Let's Talk About Love. A Journey to the End of Taste | Wilson, Carl | 333 | Bloomsburry | New York | 2007 | 2022-03-28 16:16:23 | ||||||||||||
| 2307 | Buch | II-151043 | B-890-17 | Recording Analysis. How the Record Shapes the Song. | Moylan, William | Routledge | New York | 2020 | 2022-03-28 17:53:45 | |||||||||||||
| 2309 | Buch | I-151333 | B-200-68 | Decoding "Despacito". An oral history of Latin Music | Cobo, Leila | Vintage Books | New York | 2021 | 2022-04-11 14:23:07 |