Zurück zur Informationsseite der iPOP - Mediathek
| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | ▼ KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1210 | Textbeitrag | T-560-04 | Popular music in the Welsh language and the affirmation of youth identities | Llewellyn, Meic | Popular Music | 19/3 | 2000 | 560 | Worldmusic | Welsh music | Sprache, Großbritannien, Jugendkultur, Ethnologie, Soziologie, 1960er, 1970er, 1980er | S. 319-340 | 2009-10-15 13:03:15 | |||||||||
| 1211 | Textbeitrag | T-850-05 | The political meaning of Hong Kong popular music: a review of sociopolitical relations between Hong Kong and the Peaple's Republic of China since the 1980s | Ho, Wai-Chung | Popular Music | 19/3 | 2000 | 000 | Asien, Politik, 1980er, 1990er, 2000er | 2009-10-15 13:13:18 | ||||||||||||
| 1212 | Textbeitrag | T-245-02 | Exploring modal subversions in the alternative music | McDonald, Chris | Popular Music | 19/3 | 2000 | 245 | Pop/Rock | Alternative Rock | 1990er, Alternative Rock, Analyse, Musikwissenschaft | 2009-10-15 13:28:49 | ||||||||||
| 1213 | Textbeitrag | T-850-06 | "I'd sell you suicide": pop music and moral panic in the age of Marilyn Manson | Wright, Robert | Popular Music | 19/3 | 2000 | 242 | Pop/Rock | Metal, Schock-Rock, Alternative Rock | Politik, Rezeption, Schock-Rock, Alternative Rock, Publikum, Soziologie | 2009-10-15 13:49:20 | ||||||||||
| 1214 | Textbeitrag | T-870-11 | Yaogun Yinyue: rethinking mainland Chinese rock'n'roll | Hao Huang | Popular Music | 20/1 | 2001 | 200 | Pop/Rock | Yaogun Yinyue (Rockmusik der Festland-Chinesen) | Politik, Stil, Ethnologie, Asien, 2000er, Entwicklung | 2009-10-22 13:02:10 | ||||||||||
| 1215 | Textbeitrag | T-870-12 | Music, radio and teh record business in Zimbabwe today | Scannell, Paddy | Popular Music | 20/1 | 2001 | 000 | Pop/Rock, World | 2000er, Afrika, Musikindustrie, Produktion, Tonträger | 2009-10-22 13:16:19 | |||||||||||
| 1216 | Textbeitrag | T-221-02 | "Living in the Past"?: value discourses in progressive rock fanzines | Atton, Chris | Popular Music | 20/1 | 2001 | 221 | Pop/Rock | Progressive Rock | 2000er, Progressive Rock, Analyse, Medien, Kritik, Theorie | 2009-10-22 13:26:42 | ||||||||||
| 1217 | Textbeitrag | T-800-19 | "* 1/2: a critique of rock criticism in North America | McLeod, Kembrew | Popular Music | 20/1 | 2001 | 200 | Pop/Rock | Medien, Kritik, Tonträger, Theorie | 2009-10-22 13:44:10 | |||||||||||
| 1218 | Textbeitrag | T-530-05 | Record grooves and salsa dance moves: the viejoteca phenomenon in Cali, Colombia | Waxer, Lise | Popular Music | 20/1 | 2001 | 530 | Worldmusic | Viejoteca | Worldmusic, Lateinamerica, 2000er, Szene, Rezeption, Stil, Soziologie, Ethnologie | 2009-10-22 13:49:19 | ||||||||||
| 1219 | Textbeitrag | T-880-02 | "Nothing You Can See That Isn't Shown": the album covers of the Beatles | Inglis, Ian | Popular Music | 20/1 | 2001 | 215 | Pop/Rock | Beat | Aesthetic, 1960er, Musiker, Werk, Tonträger | 2009-10-22 13:52:44 | ||||||||||
| 1220 | Textbeitrag | T-800-20 | Is there such a thing as the "blue note"? | Weisethaunet, Hans | Popular Music | 20/1 | 2001 | 000 | Jazz, Pop/Rock | Jazz, Blues, Soul, Rock | Analyse, Theorie | 2009-10-22 13:55:23 | ||||||||||
| 1221 | Textbeitrag | T-239-03 | Vicars of "Wannabe": authenticity and the Spice Girls | Leach, Elizabeth Eva | Popular Music | 20/2 | 2001 | 239 | Pop/Rock | Video-Pop, Girl-Groups | Analyse, Musiker, Frau, Video Pop, Großbritannien, 1990er, Kritik, Soziologie | 2009-10-29 11:39:27 | ||||||||||
| 1222 | Textbeitrag | T-870-13 | Mixes mesages: unsettled cosmopolitanisms in Nepali pop | Greene, Paul | Popular Music | 20/2 | 2001 | Pop/Rock, Dance | Rock, HipHop | Text, Sprache, Asien, 1990er | 2009-10-29 11:46:05 | |||||||||||
| 1223 | Textbeitrag | T-840-09 | Bohemian rhapsodies: operatic influences on rock music | McLeod, Ken | Popular Music | 20/2 | 2001 | 224 | Pop/Rock, Klass | Glamrock, Prog Rock, New Wave | Stil, Pop/Rock, Klassik, Analyse | 2009-10-29 11:54:04 | ||||||||||
| 1224 | Textbeitrag | T-218-02 | "Or any art at all?" Frank Zappa meets critical theory | Wragg, David | Popular Music | 20/2 | 2001 | 218 | Pop/Rock | Rock USA 1960er | Rock USA 1960er, Musiker, Kritik, Theorie, Soziologie | 2009-10-29 12:01:15 | ||||||||||
| 1225 | Textbeitrag | T-810-02 | Does it really matter? Young people and popular music. | Williams, Christina | Popular Music | 20/2 | 2001 | Jugendkultur, Freizeit, 2000er, Rezeption, Soziologie | 2009-10-29 12:12:55 | |||||||||||||
| 1226 | Textbeitrag | T-221-03 | Yes, "Awaken", and the progressive rock style | Palmer, John R. | Popular Music | 20/2 | 2001 | 221 | Pop/Rock | Prog Rock | Prog Rock, 1970er, Musiker, Werk, Analyse | 2009-10-29 12:17:00 | ||||||||||
| 1239 | DVD | Video 375/8 DVD iPOP | V-400-17 | Bonus Disc / Series 2 | John Coltrane, Dexter Gordon, Dave Brubeck, Sarah Vaughan | Jazz Icons | 24 | Naxos | 2007 | 1962 | 430, 440 | Jazz | Hard Bop, Free Jazz | Film, 1960er, Jazz, Musiker, Aufführung | Tolles Booklet | 2011-03-10 11:19:19 | ||||||
| 1240 | Dissertation | D-800-01 | Complete Communion...? Die musikalische Methode der Kollektiv-Improvisation als Analogie zur idealen Sprechsituation und Rahmenmodell interkultureller Kommunikation | Gansinger, Martin | Wien | 2009 | Jazz | Technik, Jazz, Kommunikation, Theorie, Analyse | zweitbetreut von HH | 2009-11-12 11:46:19 | ||||||||||||
| 1241 | Bak-Arbeit | BA-530-06 | Black Orpheus, The Bossa Nova and its Inventors | Sandor, Rigo | iPOP Wien | 2009 | 530 | Worldmusic | Bossa Nova | Worldmusic, Lateinamerika, Musiker, Geschichte | 2010-09-02 11:50:54 |