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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | ▲ KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 2064 | Buch | I-143188 | B-000-13 | Rock: The Primary Text; Developing a musicology of Rock | Moore, Allan F.; Remy, Martin | Ashgate Popular and Folk Music Series | 3 | Routledge | Abingdon, New York | 2019 | 000 | Rock | Musicology | 2020-06-10 09:43:36 | ||||||||
| 2065 | Buch | I-143225 | B-200-30 | Ashes To Ashes - The Songs Of David Bowie 1976-2016 | O'Leary, Chris | Repeater | London | 2019 | 200 | Pop | Songbook, History | 2020-06-10 09:51:02 | ||||||||||
| 2066 | Buch | I-143176/2 | B-215-07 | The beatles as Musicians; The Quarry Men through Rubber Soul | Everett, Walter | 2 | Oxford University Press | Oxford | 2001 | 215 | Beat | Musik Theorie, Analyse | 2020-06-10 09:59:44 | |||||||||
| 2067 | Buch | I-143176/1 | B-215-06 | The beatles as Musicians; Revolver through the Anthology | Everett, Walter | 1 | Oxford University Press | Oxford | 2001 | 215 | Beat | Musik Theorie, Analyse | 2020-06-10 09:59:44 | |||||||||
| 2068 | Noten | II-144655 | N-200-14 | 34 Scores for Piano, Organ, Harpsichord and Celeste || Björk | Björk | Wellhart Ltd/Kobalt Music Publishing | 2017 | 200 | pop | 2020-06-10 10:12:25 | ||||||||||||
| 2069 | Buch | II-144162/1 | B-130-02 | Das Bilderlexikon der Deutschen Schellack-Schallplatten | Lotz, Rainer E.; Gunrem, Michael; Puille, Stephan | 1 | Bear Family Records | Holste | 2019 | 130 | Schlager | Bildband, Geschichte, Covers | 2020-06-10 10:27:31 | |||||||||
| 2070 | Buch | II-144162/2 | B-130-03 | Das Bilderlexikon der Deutschen Schellack-Schallplatten | Lotz, Rainer E.; Gunrem, Michael; Puille, Stephan | 2 | Bear Family Records | Holste | 2019 | 130 | Schlager | Bildband, Geschichte, Covers | 2020-06-10 10:27:31 | |||||||||
| 2072 | Buch | II-144162/3 | B-130-04 | Das Bilderlexikon der Deutschen Schellack-Schallplatten | Lotz, Rainer E.; Gunrem, Michael; Puille, Stephan | 3 | Bear Family Records | Holste | 2019 | 130 | Schlager | Bildband, Geschichte, Covers | 2020-06-10 10:27:31 | |||||||||
| 2073 | Buch | II-144162/4 | B-130-05 | Das Bilderlexikon der Deutschen Schellack-Schallplatten | Lotz, Rainer E.; Gunrem, Michael; Puille, Stephan | 4 | Bear Family Records | Holste | 2019 | 130 | Schlager | Bildband, Geschichte, Covers | 2020-06-10 10:27:31 | |||||||||
| 2074 | Buch | II-144162/5 | B-130-06 | Das Bilderlexikon der Deutschen Schellack-Schallplatten | Lotz, Rainer E.; Gunrem, Michael; Puille, Stephan | 5 | Bear Family Records | Holste | 2019 | 130 | Schlager | Bildband, Geschichte, Covers | 2020-06-10 10:27:31 | |||||||||
| 2075 | Buch | I-143343 | B-320-07 | Listening To Rap; An Introduction | Berry, Michael | Routledge | New York, London | 2018 | 320 | Rap | Historische Kontexte, Kulturelle Einflüsse, Charakteristik | 2020-06-10 10:41:41 | ||||||||||
| 2076 | Buch | I-143177 | B-320-08 | The Musical Artistry of Rap | Connor, Martin E.; Adams, Kyle; Zechory, Ilan | McFarland | Jefferson | 2018 | 320 | Rap | Theorie, Kontext, Musicology | 2020-06-10 10:46:10 | ||||||||||
| 2077 | Buch | I-143180 | B-850-10 | Soundtracking Germany; Popular Music and National Identity | Schiller, Melanie | Rowman & Littlefield | London | 2018 | Nationalität, Deutschland, Popmusik, Musicology | 2020-06-10 11:06:21 | ||||||||||||
| 2078 | Buch | I-143201 | B-800-33 | Popular Music, Stars and Stardom | Loy, Stephen; Rickwood, Julie, Bennett, Samantha (Hrsg.) | Australian National University Press | 2018 | Essays, Sammelband, Musicology | 2020-06-10 11:10:45 | |||||||||||||
| 2079 | Buch | I-142141 | B-840-11 | Critical Approaches to the Production of Music and Sound | Bennett, Samantha; Bates, Eliot (Hrsg.) | Bloomsbury | New York | 2018 | Musikproduktion, Sammelband, Essays, Musicology | 2020-06-10 11:17:05 | ||||||||||||
| 2080 | B-850-11 | The Politics of Mass Digitization | Thylstrup, Nanna Bonde | The MIT Press | London | 2018 | 850 | Politik | Digitalisierung, Bibliotheken, Politik | 2020-06-10 11:22:23 | ||||||||||||
| 2081 | B-740-05 | Hans Koller; The Man Who Plays Jazz | Koglmann, Franz; Karl, Ingrid (Red.) | Wiener Musik Galerie | Wien | 1993 | 740 | Ö. Jazz | Ausstellungskatalog | 2020-06-10 11:39:03 | ||||||||||||
| 2082 | Buch | I-143060 | B-840-12 | Pop Music - Technology and Creativity; Trevor Horn and the Digital Revolution | Warner, Timothy | Routledge | London, New York | 2016 | 2003 | 840 | Sound | Technologie, Kreativität, Musikproduktion | 2020-06-10 11:47:07 | |||||||||
| 2083 | Buch | I-143198 | B-215-08 | What Goes On; The Beatles, Their Music, And Their Time | Everett, Walter; Riley, Tim | Oxford University Press | Oxford | 2019 | 215 | Beat | Musikanalyse, Musicology | 2020-06-10 11:49:52 | ||||||||||
| 2084 | Bachelorarbeit | BA-400-46 | Vergleich der Stilistik von Wes Montgomery und Reiniert Baas anhand einer Improvisation über einen F-Jazzblues | Peter Janisch | 2020 | 2020-06-15 11:36:02 |