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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | ▲ KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1099 | Textbeitrag | T-530-01 | Tom Jobim and the Bossa Nova | Reiley, Suzel Ana | Popular Music | 15 | 1996 | 530 | Worldmusic | Bossa Nova | Musiker, Lateinamerika, Stil | S. 1-16 | 2009-04-23 13:15:06 | |||||||||
| 1100 | Textbeitrag | T-800-09 | Perspectives in popular musicology: music, Lennox and meaning in 1990s pop | Hawkins, Stan | Popular Music | 15 | 1996 | Pop/Rock | Musiker, Frau, Analyse, Wissenschaft, Forschung | S. 17-36 | 2009-04-23 13:18:43 | |||||||||||
| 1096 | Textbeitrag | T-870-03 | The "East ist red" goes pop: commodification, hybridity and nationalism in Chinese popular song and its televisual performance | Lee, Gregory | Popular Music | 14 | 1995 | Ethnologie, Asien | S. 95-110 | 2009-03-26 13:19:09 | ||||||||||||
| 1104 | Textbeitrag | T-530-03 | Guns and Roses: bossa nova and Brazil's music of popular protest, 1958-68 | Treece, David | Popular Music | 16/1 | 1997 | Worldmusic | Bossa Nova | Musik, Stil, Politik, 1950er, 1960er | S. 1-30 | 2009-04-30 12:41:07 | ||||||||||
| 1088 | Textbeitrag | T-206-01 | Australian country music and the hillbilly yodel | Smith, Graeme | Popular Music | 13 | 1994 | 206 | Pop/Rock | Country | Country, Stil, Australien | S. 297-312 | 2009-03-26 12:30:10 | |||||||||
| 1079 | Textbeitrag | T-140-01 | Genre, performance and ideology in the early songs of Irving Berlin | Hamm, Charles | Popular Music | 13 | 1994 | 140 | Unterhaltungsmu | Musical | Musiker, Werk, Analyse | S. 143-150 | 2009-03-26 11:30:09 | |||||||||
| 1090 | Textbeitrag | T-800-07 | From refrain to rave: the decline of figure and the rise of ground | Tagg, Philip | Popular Music | 13 | 1994 | Pop/Rock, Dance | Techno, Rock | Stil, Analyse, Forschung, Wissenschaft | S. 209-221 | 2009-03-26 12:39:06 | ||||||||||
| 1089 | Textbeitrag | T-840-03 | Music video and the construction of gendered subjectivity (or how being a music video junkie turned me into a feminist) | Hurley, Jennifer M. | Popular Music | 13 | 1994 | Musik, Video, Frau, Rezeption | S. 327-338 | 2009-03-26 12:34:32 | ||||||||||||
| 1098 | Textbeitrag | T-820-04 | "... into another kind of life in which anything might happen ..." Popular music and late modernity, 1910-1930 | Baxendale, John | Popular Music | 14 | 1995 | Kulturindustrie, Geschichte, Entwicklung, England | S. 137-154 | 2009-03-26 13:36:04 | ||||||||||||
| 1083 | Textbeitrag | T-800-04 | Scrutiny to subcultures: notes on literary criticism an popular music | Laing, Dave | Popular Music | 13 | 1994 | Kritik, Literatur, Wissenschaft | S. 179-190 | 2009-03-26 11:43:14 | ||||||||||||
| 1082 | Textbeitrag | T-800-03 | "Ethnic" music traditions in the USA (black music; country music; others; all) | Keil, Charles | Popular Music | 13 | 1994 | Analyse, Stil, USA, Geschichte | S. 175-178 | 2009-03-26 11:39:39 | ||||||||||||
| 1377 | Bak-Arbeit | BA-200-03 | Mozartjahr 2006 - Ein Versuch. 12/5 - Mozart goes Pop | Enzmann, Martin | iPOP Wien | 2006 | 200 | Pop/Rock, Klass | Klassik-Pop-Crossover | 2010-08-26 11:20:15 | ||||||||||||
| 1153 | Buch | B-405-01 | The Long Road To Freedom. An Anthology of Black Music. (138seitiges Begleitbuch zu C-405-01) | Bellafonte, Harry | 405 | Jazz | Jazz-Roots | Afrika, USA, Geschichte, Jazz, 19. Jh., Blues, Ethnologie | In der Box mit 5 CDs und einer DVD | 2009-06-18 10:58:26 | ||||||||||||
| 1137 | Textbeitrag | T-510-01 | Looking to the USA: the politics of male close-harmony song style in South Africa during the 1940s and 1950s | Ballantine, Christopher | Popular Music | 18/1 | 1999 | 510 | Worldmusic | Worldmusic Afrika | Worldmusic Afrika, Singen, 1940er, 1950er, Stil | S. 1-18 | 2009-06-25 13:39:37 | |||||||||
| 1384 | Bak-Arbeit | BA-740-03 | Juan Sebastian Garcia-Herreros und die elektrische Kontrabassgitarre | Gridl, Joachim | iPOP Wien | 2010 | 740 | Jazz | New Jazz, Ethno-Jazz | 2010-09-02 12:04:24 | ||||||||||||
| 1385 | Bak-Arbeit | BA-840-07 | minimal music und Film in Europa. Wechselbeziehungen und Einflüsse, Komponisten und Filmbeispiele | Eder, Philipp | iPOP Wien | 2010 | 236 | Pop/Rock | Minimal Music | BETREUT VON HERBERT PICHLER | 2011-03-24 11:45:47 | |||||||||||
| 1110 | Textbeitrag | T-100-01 | Provinces versus metropolis in the british brass band movement in the early twentieth century: the case of William Rimmer and his music | Bythell, Duncan | Popular Music | 16/2 | 1997 | Unterhaltungsmu | Blasmusik | Großbritannien, Stil, Geschichte, Musiker, Soziologie | S. 151-164 | 2009-04-30 11:36:36 | ||||||||||
| 1383 | Bak-Arbeit | BA-830-03 | Reflexionen über den Klavierunterricht bei Herbert Wiedemann | Loibner, Katharina | iPOP Wien | 2010 | 2010-09-02 12:26:54 | |||||||||||||||
| 1134 | Textbeitrag | T-222-02 | New German "folk-like" song and its hidden political messages | Schoenebeck, Mechthild von | Popular Music | 17/3 | 1998 | 222 | Pop/Rock | Deutschrock | Deutschland, Rock, Folk, Politik | S. 279-292 | 2009-06-04 11:56:30 | |||||||||
| 618 | Buch | AI 72828 | B-820-11 | Hit Bilanz. Deutsche Chart singles. British Chart Singles. US Chart Singles. 1991-1992 | Ehnert, Günter (Hg.) | Taurus | Hamburg | 1993 | 1990er, Hits, Deutschland, Großbritannien, USA, Bestandsaufnahme, Musikmarkt | 2005-11-18 15:53:22 |