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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | ▼ Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 853 | Noten | AII 70851 | N-531-01 | Antonio Carlos Jobim. Anthology | Hal Leonard | 0-7935-1677-3 | Milwaukee | 1994 | 531 | Worldmusic | Bossa Nova | Latin, Musiker, Werk | 2006-12-01 12:03:24 | |||||||||
| 864 | Noten | AII 71135 | N-200-03 | Biggest Hits of 1993/94 | Warner Bros. Publications | 0-89724-328-5 | Secaucus | 1994 | 200 | Pop/Rock | 2006-12-15 13:21:13 | |||||||||||
| 870 | Noten | AI 70843/5 | N-000-05 | The Best Songs 5 | Kessler, Dietrich (Hg.) | KDM | 3-927503-41-X | Berlin | 1994 | 000 | 2006-12-15 13:37:48 | |||||||||||
| 910 | DVD | Video 311 | V-218-04 | Woodstock. The Director's Cut | Verschiedene | Michael Wadleigh | WB | 1354995 | 1994 | 1969 | 218 | Pop/Rock | Rock USA 1960er | 2007-03-16 12:15:52 | ||||||||
| 920 | Buch | AI 70138/14 | B-800-12R | Grundlagen, Theorien, Perspektiven | Rösing, Helmut (Hg.) | Beiträge zur Popularmusikforschung | 14 | coda | 0943-9242 | Karben | 1994 | Pop/Rock | Theorie, Aesthetik, Analyse | steht bei den Reihen | 2008-06-13 12:26:48 | |||||||
| 921 | Buch | AI 70138/13 | B-880-02R | Musik der Skinheads, und ein Gegenpart: Die "Heile Welt" der volkstümlichen Musik | Rösing, Helmut (Hg.) | Beiträge zur Popularmusikforschung | 13 | coda | 0943-9242 | Karben | 1994 | Pop/Rock | Volkstümliche Musik, Jugendkultur, Deutschland | steht bei den Reihen | 2008-06-13 12:52:08 | |||||||
| 1006 | VHS | Video 163 | V-700-01 | Die größten Hits aus 20 Jahren | Wolfgang Ambros | Wolfgang Ambros | DoRo | 1994 | 700 | Österreich | Austropop | 2007-08-10 11:00:20 | ||||||||||
| 1049 | Buch | B-320-04 | the new Beats. Exploring the Music, Culture and Attitudes of Hip-Hop | S.H. Fernando Jr. | Anchor | 0-385-47119-X | New York | 1994 | 320 | Dance | HipHop | 2008-08-22 11:20:54 | ||||||||||
| 1072 | Textbeitrag | T-800-16 | The jazz essays of Theodor Adorno: some thoughts on jazz reception in Weimar Germany | Robinson, J. Bradford | Popular Music | 13 | 1994 | 400 | Jazz | Jazz, Rezeption, Theorie, Soziologie, Deutschland, 1930er | S. 1-25 | 2009-07-02 12:17:01 | ||||||||||
| 1073 | Textbeitrag | T-860-01 | Music and meaning in the commercials | Cook, Nicholas | Popular Music | 13 | 1994 | Wirkung, Wirtschaft, | S. 27-40 | 2009-03-19 14:02:26 | ||||||||||||
| 1074 | Textbeitrag | T-850-01 | Did rock smash the wall? The role of rock in political transition | Pekacz, Jolanta | Popular Music | 13 | 1994 | Politik, Wirkung, Rock | S. 41-50 | 2009-03-26 10:59:38 | ||||||||||||
| 1075 | Textbeitrag | T-840-04 | The flamenco body | Washabaugh, william | Popular Music | 13 | 1994 | 560 | Worldmusic | Flamenco | Film, Video, Frau, Forschung | S. 75-90 | 2009-07-02 12:18:56 | |||||||||
| 1076 | Textbeitrag | T-840-02 | Structural relationships of music and images in music video | Björnberg, Alf | Popular Music | 13 | 1994 | Film, Video, Forschung, Aesthetik | S. 51-74 | 2009-03-26 11:09:15 | ||||||||||||
| 1077 | Textbeitrag | T-212-01 | Into the mystic: the aural poetry ov Van Morrison | Mills, Peter | Popular Music | 13 | 1994 | Pop/Rock | Folk, Soul | Musiker, Text, Werk | S. 91-104 | 2009-03-26 11:12:29 | ||||||||||
| 1078 | Textbeitrag | T-800-01 | Music, culture and interdisciplinarity: reflections on relationships | Shepherd, John | Popular Music | 13 | 1994 | Forschung, Theorie | S. 127-142 | 2009-03-26 11:26:53 | ||||||||||||
| 1079 | Textbeitrag | T-140-01 | Genre, performance and ideology in the early songs of Irving Berlin | Hamm, Charles | Popular Music | 13 | 1994 | 140 | Unterhaltungsmu | Musical | Musiker, Werk, Analyse | S. 143-150 | 2009-03-26 11:30:09 | |||||||||
| 1080 | Textbeitrag | T-800-02 | Caliban reheard: new voices on jazz and American consciousness | Peretti, Burton W. | Popular Music | 13 | 1994 | 400 | Jazz | Jazz, Forschung, Soziologie | S. 151-164 | 2009-03-26 11:34:06 | ||||||||||
| 1081 | Textbeitrag | T-140-02 | From Catfish Row to Granby Street: contesting meaning in Porgy and Bess | Horn, David | Popular Music | 13 | 1994 | 140 | Unterhaltungsmu | Musical | Analyse, Musical, Werk | S. 165-174 | 2009-03-26 11:36:21 | |||||||||
| 1082 | Textbeitrag | T-800-03 | "Ethnic" music traditions in the USA (black music; country music; others; all) | Keil, Charles | Popular Music | 13 | 1994 | Analyse, Stil, USA, Geschichte | S. 175-178 | 2009-03-26 11:39:39 | ||||||||||||
| 1083 | Textbeitrag | T-800-04 | Scrutiny to subcultures: notes on literary criticism an popular music | Laing, Dave | Popular Music | 13 | 1994 | Kritik, Literatur, Wissenschaft | S. 179-190 | 2009-03-26 11:43:14 |