Zurück zur Informationsseite der iPOP - Mediathek
| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | ▼ Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 647 | Noten | AII 82859 iPOP | N-227-05 | Funk Grooves for Bass | Fernando Martinez | Advance Music | 15025 | 1999 | 227 | Pop/Rock | Soul/Funk | HAPP Langer | 2007-10-19 10:42:33 | |||||||||
| 653 | Noten | AII 82858 iPOP | N-530-05 | Muy Caliente! | Sher | 1-883217-08-3 | Petaluma | 1999 | 530 | Worldmusic | Worldmusic Lateinamerika | HAPP Theiser | 2007-10-12 11:26:43 | |||||||||
| 657 | Noten | AII 82981 iPOP | N-400-13 | Jazz Conception. Piano Comping | Jim Snidero | advance music | 1999 | 400 | Jazz | HAPP Theiser | 2007-10-12 11:44:49 | |||||||||||
| 660 | Noten | AII 82980 iPOP | N-560-01 | De Colores Eclipse El Rastrillo. Guitarra Flamenca Paso a Paso. | Oscar Herrero | RGB Arte Visual | 1999 | 560 | Worldmusic | Worldmusic Europa | HAPP Kelner | 2007-10-12 11:29:14 | ||||||||||
| 662 | Noten | AII 82825 iPOP | N-400-15 | Jazz Gitarre | Michael Sagmeister | Ama | 3-932587-48-0 | Brühl | 1999 | 400 | Jazz | HAPP Legat | 2007-10-12 11:46:17 | |||||||||
| 669 | Buch | AII 82926 iPOP | B-320-03GF | The Vibe History of HipHop | Light, Alan (Ed.) | Vibe | 0-609-80503-7 | New York u.a. | 1999 | 320 | Dance | HipHop | 1970er, 1980er, 1990er, Ästhetik, Biographie, Entwicklung, Frau, Freizeit, Geschichte, Hip Hop, Rap, Stars, Tanz, Tonträger | Großformat | 2008-06-13 12:00:12 | |||||||
| 761 | Buch | B-224-01 | Glam Rock. Bowie, Bolan und die Glitter-Rock-Revolution | Hoskins, Barney | hannibal | 3-85445-167-9 | St. Andrä-Wördern | 1999 | 224 | Pop/Rock | Glamrock | USA, 1970er, Glamrock, Musiker, Stil, Soziologie | Schenkung Harry Fuchs | 2006-05-12 13:20:27 | ||||||||
| 800 | Zeitschrift | Z-000-06a | Popular Music Vol. 18/1 | Cambridge University Press | 1999 | 000 | Worldmusic, Pop | 2006-09-01 11:27:18 | ||||||||||||||
| 801 | Zeitschrift | Z-000-06b | Popular Music Vol. 18/2 | Cambridge University Press | 1999 | Pop/Rock, World | 2006-09-01 11:29:23 | |||||||||||||||
| 802 | Zeitschrift | Z-000-06c | Popular Music Vol. 18/3 | Cambridge University Press | 1999 | 000 | Worldmusic, Pop | 2006-09-01 11:31:21 | ||||||||||||||
| 913 | Buch | AI 70138/24 | B-800-08R | Erkenntniszuwachs durch Analyse. Populäre Musik auf dem prüfstand | Rösing, Helmut / Phleps, Thomas (Hg.) | Beiträge zur Popularmusikforschung | 24 | coda | 0943-9242 | Karben | 1999 | Pop/Rock | Analyse, Musikwisenschaft, Stil, Theorie, empirisch | Steht bei den Reihen | 2008-06-13 12:24:54 | |||||||
| 1137 | Textbeitrag | T-510-01 | Looking to the USA: the politics of male close-harmony song style in South Africa during the 1940s and 1950s | Ballantine, Christopher | Popular Music | 18/1 | 1999 | 510 | Worldmusic | Worldmusic Afrika | Worldmusic Afrika, Singen, 1940er, 1950er, Stil | S. 1-18 | 2009-06-25 13:39:37 | |||||||||
| 1138 | Textbeitrag | T-800-14 | Syncopation in rock: a perceptual perspective | Temperley, David | Popular Music | 18/1 | 1999 | Pop/Rock | Analyse, Rhythmus | S. 19-42 | 2009-06-25 13:40:20 | |||||||||||
| 1139 | Textbeitrag | T-560-01 | Ethics and aesthetics: the social theory of barbershop harmony | Garnett, Liz | Popular Music | 18/1 | 1999 | Worldmusic | Barbershop | Worldmusic, Großbritannien, Stil, Singen | S. 43-62 | 2009-06-25 13:45:12 | ||||||||||
| 1140 | Textbeitrag | T-540-01 | His Master's Voice? Exploring Qawwali and "Grammophone Culture" in South Asia | Burckhardt Qureshi, Regula | Popular Music | 18/1 | 1999 | Worldmusic | Worldmusic Asien | Worldmusic, Asien, Stil | S. 63-98 | 2009-06-25 13:49:12 | ||||||||||
| 1141 | Textbeitrag | T-860-02 | Masculinity and skill acquisition in the adolescent rock band | Clawson, Mary Ann | Popular Music | 18/1 | 1999 | Pop/Rock | Ausbildung, Musikpädagogik, Spieltechnik | S. 99-114 | 2009-06-25 13:50:49 | |||||||||||
| 1142 | Textbeitrag | T-531-01 | The embodiment of salsa: musicians, instruments and the performance of a Latin style and identity | Román-Velázquez, Patria | Popular Music | 18/1 | 1999 | Worldmusic | Salsa | Salsa, Stil, Entwicklung, Spieltechnik, Instrument, Analyse | S. 115-132 | 2009-06-25 13:52:55 | ||||||||||
| 1143 | Textbeitrag | T-800-15 | An analysis of Neil Young's "Powderfinger" based on Mark Johnson's image schemata | Echard, William | Popular Music | 18/1 | 1999 | Pop/Rock | Country-Rock | Musiker, Stil, Spieltechnik, Analyse, Rock | S. 133-144 | 2009-06-25 13:40:36 | ||||||||||
| 1144 | Textbeitrag | T-242-01 | Death metal tonality and the act of listening | Berger, Harris M. | Popular Music | 18/2 | 1999 | Pop/Rock | Metal | Metal, Analyse, Hören | S. 161-178 | 2009-06-25 13:54:33 | ||||||||||
| 1145 | Textbeitrag | T-850-03 | The Parents´Music Resource Center: from information to censorship | Chastagner, Claude | Popular Music | 18/2 | 1999 | Politik, Soziologie, Pädagogik | S. 179-192 | 2009-07-02 12:11:37 |