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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | ▼ Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 810 | Zeitschrift | I 69079/21 | Z-000-09b | Popular Music Vol. 21/2 | Cambridge University Press | 2002 | 000 | Worldmusic, Pop | 2006-09-01 11:50:47 | |||||||||||||
| 811 | Zeitschrift | I 69079 | Z-000-09c | Popular Music Vol. 21/3 | Cambridge University Press | 2002 | 000 | Pop/Rock | Schwerpunktheft "Music and Television" | 2006-09-01 11:52:55 | ||||||||||||
| 906 | DVD | Video 307 | V-320-05 | A Ruff Guide | Tricky | Universal | 2002 | 320 | Dance | TripHop | 2007-07-20 11:43:59 | |||||||||||
| 912 | DVD | Video 304 | V-245-04 | Greatest Hits | Björk | Polydor | 065471-9 | 2002 | 245 | Pop/Rock, Dance | Alternative Rock | 2007-07-13 11:46:57 | ||||||||||
| 930 | Buch | AI 70138/29.30 | B-870-02R | Heimatlose Klänge? Regionale Musiklandschaften - heute - | Phleps, Thomas (Hg.) | Beiträge zur Popularmusikforschung | 29/30 | Coda | 0943-9242 | Karben | 2002 | Analyse, Entwicklung, Ethnologie, Forschung, international, Rezeption, Sprache, Volksmusik, World Music | steht bei den Reihen | 2008-06-13 12:51:17 | ||||||||
| 989 | DVD | Video 316 | V-245-03 | Under Blackpool Lights | White Stripes | XL | 2002 | 245 | Pop/Rock | Alternative Rock | 2007-07-13 12:14:47 | |||||||||||
| 991 | DVD | Video 306 | V-245-06 | The Best Of 1990-2000 | U2 | Universal | 063510-9 | 2002 | 245 | Pop/Rock | Alternative Rock | 2007-07-13 12:20:26 | ||||||||||
| 1055 | Buch | B-860-04 | "Profane Leidenschaft". Explorative Studie zur Soziologie des Sammelns am Beispiel von plattensammlern in Wien | Brunner, Philipp | extempore | 3 | Institut für Musiksoziologie | 3-9501301-2-8 | Wien | 2002 | Pop/Rock, Jazz, | Soziologie, Tonträger, Wien | 2008-09-12 11:31:34 | |||||||||
| 1155 | CD | C-531-06 | Bana Congo | Papa Noel & Papa Oviedo | Tumi | 107 | 2002 | 531 | Worldmusic | Salsa | Salsa, Worldmusic, 2000er | 2009-06-25 12:58:36 | ||||||||||
| 1393 | Textbeitrag | T-000-01 | National music to national redeemer: the consolidation of a "folk-song" construct in Edwardian England | Francmanis, John | Popular Music | 21/1 | 2002 | 000 | Pop/Rock | Frühe englische Volksmusik | Geschichte, Entwicklung, Europa, Stil | 2010-09-09 12:18:09 | ||||||||||
| 1394 | Textbeitrag | T-850-07 | Killing me softly with his song: an initial investigation into the use of popular music as a tool of oppression | Cloonan, Martin / Johnson, Bruce | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Politik, Wirkung | 2010-09-09 12:22:00 | |||||||||||
| 1395 | Textbeitrag | T-850-08 | Voices of peace and the legacy of reconciliation: popular music, nationalism, and the quest for peace in the Middle East | Al-Taee, Nasser | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Politik, Wirkung | 2010-09-09 12:24:09 | |||||||||||
| 1396 | Textbeitrag | T-860-03 | Oh, Boy! (Oh, Boy!): mutual desirability and musical structure in the buddy group. | Bradby, Barbara | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Analyse, Psychologie | 2010-09-09 12:28:43 | |||||||||||
| 1397 | Textbeitrag | T-206-02 | "Redneck religion and shitkickin' saviours?": Gram Parsons, theology and country music | Grimshaw, Michael | Popular Music | 21/1 | 2002 | 206 | Pop/Rock | Country, Politik, Religion, Musiker, Text | 2010-09-09 12:35:46 | |||||||||||
| 1398 | Textbeitrag | T-870-14 | Populr music, gender and high school pupils in Japan: personal music in school and leisure sites | Koizumi, Kyoko | Popular Music | 21/1 | 2002 | 200 | Pop/Rock | Soziologie, Asien, Ethnologie, Alltag, Jugend | 2010-09-09 12:39:04 | |||||||||||
| 1399 | Textbeitrag | T-820-10 | A singer-songwriter's view of the French record industry: the case of Léo Ferré | Tinker, Chris | Popular Music | 21/2 | 2002 | 200 | Pop/Rock | Musikindustrie, Europa, Musiker | 2010-09-09 13:13:41 | |||||||||||
| 1400 | Textbeitrag | T-850-09 | The racial politics of hybridity and "neo-electism" contemporary popular music | Middleton, Jason / Beebe, Roger | Popular Music | 21/2 | 2002 | 000 | Politik | 2010-09-09 13:17:02 | ||||||||||||
| 1401 | Textbeitrag | T-212-02 | Harmonic palette in early Joni Mitchell | Whitesell, Lloyd | Popular Music | 21/2 | 2002 | 212 | Pop/Rock | Folk | Stil, Analyse, Musiker, Frau, Folk, USA, 1960er | 2010-09-09 13:19:40 | ||||||||||
| 1402 | Textbeitrag | T-540-04 | "Japanese music" can be popular | De Ferranti, Hughe | Popular Music | 21/2 | 2002 | 540 | World music | "Japanese music" | Stil, Analyse, Asien, Wirkung | 2010-09-09 13:24:36 | ||||||||||
| 1403 | Textbeitrag | T-800-06 | Authentically as authentication | Moore, Allan | Popular Music | 21/2 | 2002 | 200 | Pop/Rock | Stil, Musiker, Analyse, Wirkung, Theorie, Aesthetik | 2010-09-09 13:29:57 |