Zurück zur Informationsseite der iPOP - Mediathek
| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | ▲ Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1067 | CD | C-540-09 | Shining Energy | 12 Girls Band | Push Sound Music | 2004 | 540 | Worldmusic | Worldmusic China | 2008-10-17 12:54:16 | ||||||||||||
| 1199 | CD | CD 7314 | C-233-12 | England's Dreaming. Before, during, and after Punk | Verschiedene | TrikonT | US-0325 | 2004 | 1973-79 | 233 | Pop/Rock | Proto-Punk, Punk, Postpunk | Tonträger, Punk, 1970er, Bestandaufnahme | Gutes Booklet | 2009-10-08 11:27:24 | |||||||
| 1201 | DVD | Video 372 | V-218-05 | Rolling Stones Rock And Roll Circus | Verschiedene | Michael Lindey-Hogg | Abko | 0602498248997 | 2004 | 1968 | 218 | Pop/Rock | Rock, Beat, Blues-Rock | 1960er, Aesthetik, Aufführung, Beat, Film, Musiker, Publikum, Stars, Video | 2009-10-08 12:09:05 | |||||||
| 1333 | Bak-Arbeit | BA-300-01 | Die Entstehung des Dub auf der Basis der jamaikanischen Musik | Di Quarto, Luca | iPOP Wien | 2004 | 300 | Pop/Rock, Dance | Dub, Reggae | 2010-08-26 12:38:20 | ||||||||||||
| 1334 | Bak-Arbeit | BA-560-01 | Die spanische Popgruppe Mecano | Manera Guzmán, Carmen | iPOP Wien | 2004 | 560 | Worldmusic, Pop | Spanischer Pop | 2010-09-02 11:52:31 | ||||||||||||
| 1335 | Bak-Arbeit | BA-300-02 | Gotan Project. Eine Analyse | Greiner, Barbara | iPOP Wien | 2004 | 300 | Dance | Tango, Electronica | 2010-08-26 12:38:32 | ||||||||||||
| 1437 | Buch | AI 104745 | B-800-22 | On the Wild Side. Die wahre Geschichte dre Popmusik. | Büsser, Martin | Europäische Verlagsanstalt | 3-434-50565-2 | 2004 | 200 | Pop/Rock | Beat, Prog-Rock, Punk, New Wave, Disco, Deutschrock, HipHop, Alternative Rock, Techno | Geschichte, Entwicklung, 1960er, 1970er, 1980er, 1990er, 2000er, Musiker, international, Werk | 2010-12-02 10:57:02 | |||||||||
| 1514 | Textbeitrag | T-224-01 | I Wanna Be Your Man. Suzi Quatro's musical androgyny | Auslander, Philip | Popular Music | 23/1 | 2004 | Musiker, Frau, Großbritannien, 1970er, Glam Rock, Biographie, Soziologie | 2011-03-17 13:57:26 | |||||||||||||
| 1515 | Textbeitrag | T-840-19 | Drag, camp and gender subversion in the music and videos of Annie Lennox | Rodger, Gillian | Popular Music | 23/1 | 2004 | Musiker, Frau, Großbritannien, 1980er, 1990er, Werk, Video, Soziologie | 2011-03-24 12:22:11 | |||||||||||||
| 1516 | Textbeitrag | T-840-20 | From "My Blue Heaven" to "Race with the Devil". Echo, Reverb and (dis)ordered space in early popular music recording. | Doyle, Peter | Popular Music | 23/1 | 2004 | Sound, Technologie, Produktion, Tonträger, 1930er, 1940er | 2011-03-24 12:25:12 | |||||||||||||
| 1517 | Textbeitrag | T-820-13 | "Sorry, can't hear you! I'm on a train" Ringing tones, meanings and the Finnish soundscape | Uimonen, Heikki | Popular Music | 23/1 | 2004 | Kommunikation, Musik, Sound, Technologie, Soziologie, 2000er | 2011-03-24 12:29:57 | |||||||||||||
| 1518 | Textbeitrag | T-850-12 | "Over to you". Can Europe restrain Microssoft's treat to freedom of musical expression in computer-mediated communication? | Wolfe, Arnold S. | Popular Music | 23/1 | 2004 | Kommunikation, Produktion, Recht, Politik, USA, Europa, 2000er | 2011-03-24 12:38:16 | |||||||||||||
| 1524 | Textbeitrag | T-820-14 | The music industry, technology and utopia. An exchange between Mracus Breen and Eamonn Forde | Breen, Marcus / Frode, Eamonn | Popular Music | 23/1 | 2004 | Musikindustrie, Tonträger, Technik, Politik | 2011-04-14 11:31:08 | |||||||||||||
| 1525 | Textbeitrag | T-870-18 | Re-thinking "whiteness"? Identity, change and "white" popular music in post-apartheid South Africa | Ballatine, Christopher | Popular Music | 23/2 | 2004 | Politik, Afrika, Ethnologie, Soziologie | 2011-04-14 11:54:59 | |||||||||||||
| 1526 | Textbeitrag | T-000-02 | Living troubadours and other recent uses for medieval music | Haines, John | Popular Music | 23/2 | 2004 | Geschichte, Musiker, Singen | 2011-04-14 11:58:42 | |||||||||||||
| 1527 | Textbeitrag | T-400-01 | (Re)voicing tradition. Improvising aesthetics and identity on local jazz scenes. | Hollerbach, Peter | Popular Music | 23/2 | 2004 | Jazz, Entwicklung, Improvisation | 2011-04-14 12:05:28 | |||||||||||||
| 1549 | Textbeitrag | T-870-19 | "So slide over here". The aesthetics of masculinity in late twentieth-century Australian pop music | Young, Greg | Popular Music | 23/2 | 2004 | Pop/Rock | Australien, Soziologie, Aesthetik | 2011-07-07 11:10:32 | ||||||||||||
| 1550 | Textbeitrag | T-820-15 | What is music worth? Some reflections on the Scottish experience | Cloonan, Martin Williamson, John Frith, Simon | Popular Music | 23/2 | 2004 | Pop/Rock | Musikmarkt, Tonträger, Wirtschaft | 2011-07-07 11:14:43 | ||||||||||||
| 1577 | Textbeitrag | T-850-13 | Marsalis and Baraka: an essay in comparative cultural discourse | Brown, Lee B. | Popular Music | 23/3 | 2004 | Pop/Rock | Jazz, Politik, USA, Afrika, Musiker | 2011-11-17 13:37:52 | ||||||||||||
| 1578 | Textbeitrag | T-215-01 | Fixing a hole in the scale: suppressed notes in the Beatles' songs | Wagner, Naphtali | Popular Music | 23/3 | 2004 | Pop/Rock | Beat | Musiker, Werk, Analyse | 2011-11-17 13:54:11 |