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▲ ID Medium SignUB SignIB Titel Interpret Komponist Autor Regisseur Reihe Band Produktion VertriebVerlag KatalogNr Ort Jahr Erstveröffentlichung StilkürzelNr Genre Stile Schlagworte Bemerkungen LastUpdate
1155 CD C-531-06 Bana Congo Papa Noel & Papa Oviedo Tumi 107 2002 531 Worldmusic Salsa Salsa, Worldmusic, 2000er 2009-06-25 12:58:36
1156 CD C-531-07 Dominó Vieja Trova Santiaguera Virgin 8491352 2000 531 Worldmusic Salsa Salsa, Worldmusic, 2000er 2009-06-25 13:00:18
1157 CD C-531-08 La Manigua Vieja Trova Santiaguera Virgin 8468652 1998 531 Worldmusic Salsa Salsa, Worldmusic, 1990er 2009-06-25 13:01:35
1158 CD C-531-09 Grandes éxitoS Milanes, Pablo PM 2048 1995 531 Worldmusic Salsa Salsa, Worldmusic, 1990er 2009-06-25 13:03:04
1159 CD C-531-10 Antologia Integral del Son Verschiedene Virgin 8485622 1999 531 Worldmusic Salsa Salsa, Worldmusic, 1990er 2009-06-25 13:04:41
1160 CD C-531-11 iEsto es Sucu Suco! Rives, Mongo BIS 262 2000 531 Worldmusic Salsa Salsa, Worldmusic, 2000er 2009-06-25 13:06:24
1161 CD C-531-12 dias y flores Rodriguez, Silvio ojala 0001 1975 531 Worldmusic Salsa Salsa, Worldmusic, 1970er 2009-06-25 13:07:59
1162 CD C-531-13 Mujeres Rodriguez, Silvio ojala 5293802 1978 531 Worldmusic Salsa Salsa, Worldmusic, 1970er 2009-06-25 13:09:17
1163 CD C-531-14 Sones de Bienvenido Julián Gutiérrez Cuni, Miguelito EGREM 0103 1995 531 Worldmusic Salsa Salsa, Worldmusic, 1990er 2009-06-25 13:11:15
1164 CD C-531-15 Estudiantina Invasora. 70 anos y estamos como ayer! Verschiedene Caribe 9623 2001 531 Worldmusic Salsa Salsa, Worldmusic 2009-06-25 13:13:54
1165 CD C-531-16 La Trova Castillo, Daniel Caribe 9666 2000 531 Worldmusic Salsa Salsa, Worldmusic, 2000er 2009-06-25 13:15:21
1166 CD C-531-17 El muerto se fue de rumba Los Guanches Caribe 9587 1999 1993 531 Worldmusic Salsa Salsa, Worldmusic, 1990er 2009-06-25 13:17:10
1167 Textbeitrag T-800-17 Representation of femininity in popular music Dibben, Nicola Popular Music 18/3 1999 000 Theorie, Frau, Soziologie, Wissenschaft S. 331-356 2009-07-02 12:24:19
1168 Textbeitrag T-840-07 The diverting of musical technology by rock musicians: the example of double tracking Julien, Oliver Popular Music 18/3 1999 200 Pop/Rock Technologie, Sound S. 357-366 2009-07-02 12:28:31
1169 Textbeitrag T-840-08 Popping the question: the function and effect of popular music in cinema Lapedis, Hilary Popular Music 18/3 1999 000 Sound, Video, Wirkung S. 367-380 2009-07-02 12:32:18
1170 Textbeitrag T-140-04 Oklahoma!: ideology and politics in the vernacular tradition of the American musical Filmer, Paul / Rimmer, Val / Walsh, Dave Popular Music 18/3 1999 140 Unterhaltungsmu Musical Musical, USA, Politik S. 381-396 2009-07-02 12:38:31
1171 Textbeitrag T-245-01 Rules of rebellion: slamdancing, moshing, and the American altrnative scene Tsitsos, William Popular Music 18/3 1999 245 Pop/Rock Alternative Rock, Punk Alternative Rock, Punk, Tanzen, Publikum, Jugendkultur S. 397-141 2009-07-02 12:45:05
1172 Textbeitrag T-870-09 Going down like a song: national identity, global commerce and the Great Canadian Party Duffett, Mark Popular Music 19/1 2000 000 Ethnologie, Nordamerika, Kulturindustrie, Wirtschaft S. 1-12 2009-07-02 13:43:13
1173 Textbeitrag T-242-02 Roots?: the relationship between the global and the local within the Extreme Metal scene Harris, Keith Popular Music 19/1 2000 242 Pop/Rock Heavy Metal Heavy Metal, 2000er, Soziologie S. 13-30 2009-07-02 13:48:56
1174 Textbeitrag T-242-03 Losing the local: Sydney and the Oz Rock tradition Homan, Shane Popular Music 19/1 2000 242 Pop/Rock Heavy Metal Heavy Metal, 2000er, Australien, Soziologie S. 31-50 2009-07-02 13:48:28
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