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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | ▲ Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1086 | Textbeitrag | T-870-04 | Kiwi rock: popular music and cultural identity in New Zealand | Shuker, Roy / Pickering, Michael | Popular Music | 13 | 1994 | 550 | Pop/Rock | Musik, Stil, Neu Seeland, Ethnologie | S. 261-278 | 2009-07-02 12:19:23 | ||||||||||
| 1087 | Textbeitrag | T-870-05 | "Jazzing" and Australia's First Jazz Band | Whiteoak, John | Popular Music | 13 | 1994 | 400 | Jazz | Jazz, Australien | S. 279-296 | 2009-07-02 12:19:55 | ||||||||||
| 1088 | Textbeitrag | T-206-01 | Australian country music and the hillbilly yodel | Smith, Graeme | Popular Music | 13 | 1994 | 206 | Pop/Rock | Country | Country, Stil, Australien | S. 297-312 | 2009-03-26 12:30:10 | |||||||||
| 1089 | Textbeitrag | T-840-03 | Music video and the construction of gendered subjectivity (or how being a music video junkie turned me into a feminist) | Hurley, Jennifer M. | Popular Music | 13 | 1994 | Musik, Video, Frau, Rezeption | S. 327-338 | 2009-03-26 12:34:32 | ||||||||||||
| 1090 | Textbeitrag | T-800-07 | From refrain to rave: the decline of figure and the rise of ground | Tagg, Philip | Popular Music | 13 | 1994 | Pop/Rock, Dance | Techno, Rock | Stil, Analyse, Forschung, Wissenschaft | S. 209-221 | 2009-03-26 12:39:06 | ||||||||||
| 1092 | Textbeitrag | T-227-01 | Motown crossover hits 1963-1966 and the creative process | Fitzgerald, Jon | Popular Music | 14 | 1995 | Pop/Rock, | Soul/Funk | Musik, Werk, Tonträger, USA, 1960er | S. 1-12 | 2009-03-26 13:02:33 | ||||||||||
| 1093 | Textbeitrag | T-820-07 | Re-examining the concept of the "independent" record company: the case of Wax Trax! records | Lee, Stephen | Popular Music | 14 | 1995 | Wirtschaft, Tonträger, Kulturindustrie | S. 13-32 | 2009-07-02 12:17:18 | ||||||||||||
| 1094 | Textbeitrag | T-820-02 | The record industry in Finnland, 1945-1960 | Gronow, Pekka | Popular Music | 14 | 1995 | Wirtschaft, Tonträger, Kulturindustrie, Finnland, Entwicklung, Geschichte | S. 33-54 | 2009-03-26 13:11:55 | ||||||||||||
| 1095 | Textbeitrag | T-820-03 | Cycles in symbol production? a new model to explain concentration, diversity and innovation in the music industry | Christianen, Michael | Popular Music | 14 | 1995 | Wirtschaft, Tonträger, Kulturindustrie | S. 55-94 | 2009-03-26 13:13:50 | ||||||||||||
| 1096 | Textbeitrag | T-870-03 | The "East ist red" goes pop: commodification, hybridity and nationalism in Chinese popular song and its televisual performance | Lee, Gregory | Popular Music | 14 | 1995 | Ethnologie, Asien | S. 95-110 | 2009-03-26 13:19:09 | ||||||||||||
| 1097 | Textbeitrag | T-800-08 | The future of rock:discourses that struggle to define a genre. | Fornäs, Johan | Popular Music | 14 | 1995 | Theorie, Wissenschaft, Stil, Entwicklung | S. 111-126 | 2009-03-26 13:25:34 | ||||||||||||
| 1098 | Textbeitrag | T-820-04 | "... into another kind of life in which anything might happen ..." Popular music and late modernity, 1910-1930 | Baxendale, John | Popular Music | 14 | 1995 | Kulturindustrie, Geschichte, Entwicklung, England | S. 137-154 | 2009-03-26 13:36:04 | ||||||||||||
| 1099 | Textbeitrag | T-530-01 | Tom Jobim and the Bossa Nova | Reiley, Suzel Ana | Popular Music | 15 | 1996 | 530 | Worldmusic | Bossa Nova | Musiker, Lateinamerika, Stil | S. 1-16 | 2009-04-23 13:15:06 | |||||||||
| 1100 | Textbeitrag | T-800-09 | Perspectives in popular musicology: music, Lennox and meaning in 1990s pop | Hawkins, Stan | Popular Music | 15 | 1996 | Pop/Rock | Musiker, Frau, Analyse, Wissenschaft, Forschung | S. 17-36 | 2009-04-23 13:18:43 | |||||||||||
| 1101 | Textbeitrag | T-800-10 | The Splintered art World of Contemporary Christian Music | Howard, Jay R. / Streck, John, M. | Popular Music | 15 | 1996 | Musik, Genre, Religion | S. 37-54 | 2009-04-23 13:21:04 | ||||||||||||
| 1102 | Textbeitrag | T-530-02 | Wit and popular music: the calypso and the blues | Mahabir, Cynthia | Popular Music | 15 | 1996 | Worldmusic | Calypso | Musik, Stil, Analyse | S. 55-82 | 2009-04-23 13:25:53 | ||||||||||
| 1103 | Textbeitrag | T-800-11 | "Cookin' on the West Coast": a contribution from the Swedish West Coast to contemporary composition practice | Edström, Olle | Popular Music | 15 | 1996 | Worldmusic, Pop | Musik, Stil, Analyse | S. 83-104 | 2009-04-23 13:31:22 | |||||||||||
| 1104 | Textbeitrag | T-530-03 | Guns and Roses: bossa nova and Brazil's music of popular protest, 1958-68 | Treece, David | Popular Music | 16/1 | 1997 | Worldmusic | Bossa Nova | Musik, Stil, Politik, 1950er, 1960er | S. 1-30 | 2009-04-30 12:41:07 | ||||||||||
| 1105 | Textbeitrag | T-500-01 | Interpreting world music: a challence in theory and practice | Guilbault, Jocelyne | Popular Music | 16/1 | 1997 | Worldmusic | Musik, Stil, Analyse, Wissenschaft | S. 31-44 | 2009-04-30 12:41:22 | |||||||||||
| 1106 | Textbeitrag | T-820-01 | The wonderful world of IFPI: music industry rhetoric, the crisis and the classical marxist critique | Harker, Dave | Popular Music | 16/1 | 1997 | Institution, Kulturindustrie, Tonträger, Kritik | S. 45-80 | 2009-04-30 12:41:36 |