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| ID | Medium | SignUB | SignIB | Titel | Interpret | Komponist | Autor | Regisseur | Reihe | ▲ Band | Produktion | VertriebVerlag | KatalogNr | Ort | Jahr | Erstveröffentlichung | StilkürzelNr | Genre | Stile | Schlagworte | Bemerkungen | LastUpdate |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 1527 | Textbeitrag | T-400-01 | (Re)voicing tradition. Improvising aesthetics and identity on local jazz scenes. | Hollerbach, Peter | Popular Music | 23/2 | 2004 | Jazz, Entwicklung, Improvisation | 2011-04-14 12:05:28 | |||||||||||||
| 1549 | Textbeitrag | T-870-19 | "So slide over here". The aesthetics of masculinity in late twentieth-century Australian pop music | Young, Greg | Popular Music | 23/2 | 2004 | Pop/Rock | Australien, Soziologie, Aesthetik | 2011-07-07 11:10:32 | ||||||||||||
| 1550 | Textbeitrag | T-820-15 | What is music worth? Some reflections on the Scottish experience | Cloonan, Martin Williamson, John Frith, Simon | Popular Music | 23/2 | 2004 | Pop/Rock | Musikmarkt, Tonträger, Wirtschaft | 2011-07-07 11:14:43 | ||||||||||||
| 1577 | Textbeitrag | T-850-13 | Marsalis and Baraka: an essay in comparative cultural discourse | Brown, Lee B. | Popular Music | 23/3 | 2004 | Pop/Rock | Jazz, Politik, USA, Afrika, Musiker | 2011-11-17 13:37:52 | ||||||||||||
| 1578 | Textbeitrag | T-215-01 | Fixing a hole in the scale: suppressed notes in the Beatles' songs | Wagner, Naphtali | Popular Music | 23/3 | 2004 | Pop/Rock | Beat | Musiker, Werk, Analyse | 2011-11-17 13:54:11 | |||||||||||
| 1587 | Textbeitrag | T-820-16 | The promotional state of Canada's Juno Awards | Young, David | Popular Music | 23/3 | 2004 | Pop/Rock | Musikindustrie, Tonträger, Analyse, Entwicklung, Institution, Medien | 2012-02-02 11:50:07 | ||||||||||||
| 1588 | Textbeitrag | T-870-20 | Conflation and conflict in Brazilian popular music: fourty years between "filming" bossa nova in Orfeu Negro and rap in Orfeu | Grasse, Jonathon | Popular Music | 23/3 | 2004 | Worldmusic, Dan | Bossa Nova, HipHop | Worldmusic Lateinamerika, HipHop, Ethnologie, Entwicklung, Stil | 2012-02-02 11:55:07 | |||||||||||
| 1589 | Textbeitrag | T-830-02 | Beyond the "high fidelity" stereotype: defining the (contemporary) record collector. | Shuker, Roy | Popular Music | 23/3 | 2004 | Pop/Rock | Tonträger, Publikum, Musikindustrie. Rezeption | 2012-02-02 11:59:14 | ||||||||||||
| 1590 | Textbeitrag | T-245-03 | Anti-Orpheus: narrating the dream brother | Lovesey, Oliver | Popular Music | 23/3 | 2004 | Pop/Rock | Alternative Rock | Musiker, Biographie | 2012-02-02 12:11:18 | |||||||||||
| 1591 | Textbeitrag | T-820-17 | Infrastructure for the Celestial Jukebox | Burkart, Patrick / McCourt, Tom | Popular Music | 23/3 | 2004 | Musikindustrie, Vermittlung, Publikum, Technik | 2012-02-02 12:20:59 | |||||||||||||
| 913 | Buch | AI 70138/24 | B-800-08R | Erkenntniszuwachs durch Analyse. Populäre Musik auf dem prüfstand | Rösing, Helmut / Phleps, Thomas (Hg.) | Beiträge zur Popularmusikforschung | 24 | coda | 0943-9242 | Karben | 1999 | Pop/Rock | Analyse, Musikwisenschaft, Stil, Theorie, empirisch | Steht bei den Reihen | 2008-06-13 12:24:54 | |||||||
| 1239 | DVD | Video 375/8 DVD iPOP | V-400-17 | Bonus Disc / Series 2 | John Coltrane, Dexter Gordon, Dave Brubeck, Sarah Vaughan | Jazz Icons | 24 | Naxos | 2007 | 1962 | 430, 440 | Jazz | Hard Bop, Free Jazz | Film, 1960er, Jazz, Musiker, Aufführung | Tolles Booklet | 2011-03-10 11:19:19 | ||||||
| 1601 | Textbeitrag | T-870-21 | "Living underground is tough": authenticity and locality in the hip-hop community in Istanbul, Turkey | Solomon, Thomas | Popular Music | 24/1 | 2005 | Ethnologie, Soziologie, HipHop, Europa | 2012-03-08 10:27:40 | |||||||||||||
| 1602 | Textbeitrag | T-320-04 | Pop goes the rapper: a close reading of Eminem's genderphobia | Stephens, Vincent | Popular Music | 24/1 | 2005 | 2012-03-08 13:41:25 | ||||||||||||||
| 1613 | Textbeitrag | T-800-24 | "Some guys designed this room I'm standing in". Marking gender in press coverage of Ani DiFranco | Feigenbaum, Anna | Popular Music | 24/1 | 2005 | 245 | Pop/Rock | Alternative Rock, Singer/Songwriter | Rock, Kritik, Soziologie, Frau, Musiker | 2012-05-03 12:54:11 | ||||||||||
| 1614 | Textbeitrag | T-800-25 | "Simply Irresistible" Recurring accent patterns as hooks in mainstream 1980s music | Traut, Don | Popular Music | 24/1 | 2005 | Pop/Rock | Analyse, Stil | 2012-05-03 12:57:35 | ||||||||||||
| 1615 | Textbeitrag | T-850-14 | Jews, punk and the Holocaust. From the Velvet Underground to the Ramones - the Jewish-American story | Stratton, Jon | Popular Music | 24/1 | 2005 | Pop/Rock | Politik | 2012-05-03 13:02:26 | ||||||||||||
| 1616 | Textbeitrag | T-540-06 | The rise and generic features of Shanghai popular songs in the 1930s and 1940s | Chen, Szu-Wei | Popular Music | 24/1 | 2005 | Worldmusic | China-Pop | Musik, Asien, 1930er, 1940er | 2012-05-03 13:06:46 | |||||||||||
| 1617 | Textbeitrag | T-800-26 | Can we get rid of the "popular" in popular music? A virtual symposium with contributions from the International Advisory Editors of Popular Music | International Advisory Editors of Popular Music | Popular Music | 24/1 | 2005 | Wissenschaft, international | 2012-05-03 13:13:17 | |||||||||||||
| 1629 | Textbeitrag | T-800-27 | Dead Channel Surfing. The commonalities between cyberpunk literature and industrial music | Collins, Karen | Popular Music | 24/2 | 2005 | Literatur, Medien, Musik, Theorie | 2012-05-31 13:29:19 |